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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 136 122 it is the complementary color RGB 83 119 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 136 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 136 122 shade: RGB 177 136 117, RGB 194 154 136, RGB 211 172 155, RGB 228 190 174 and RGB 245 208 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 136 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 136 122 shade: RGB 172 136 122, RGB 155 118 103, RGB 138 100 84, RGB 121 82 65 and RGB 104 64 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 136 122 shade: RGB 172 137 123, RGB 172 123 123 and RGB 172 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 136 122 shade: RGB 172 137 123, RGB 172 150 123, RGB 172 163 123, RGB 168 172 123 and RGB 154 172 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 136 122 shade matches the following richer shades: RGB 172 137 123, RGB 189 129 105, RGB 207 121 88, RGB 224 114 71 and RGB 241 106 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 136 122 shade: RGB 172 137 123, RGB 155 144 140, RGB 137 152 157, RGB 120 159 175 and RGB 103 167 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 136 122 shade: RGB 172 123 136, RGB 172 123 123, RGB 172 136 123, RGB 172 149 123 and RGB 172 162 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 136 122 shade: RGB 131 95 82, RGB 156 114 97, RGB 172 137 123, RGB 188 159 148 and RGB 204 182 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 136 122 shade: RGB 172 136 122, RGB 149 172 123 and RGB 123 129 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 136 122 shade: RGB 172 136 122, RGB 123 172 136 and RGB 136 123 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 136 122 shade: RGB 172 136 122, RGB 149 172 123, RGB 123 159 172 and RGB 146 123 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 136 122 shade: RGB 172 136 122, RGB 134 172 123, RGB 123 159 172 and RGB 161 123 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

Complementary color

CMYK 38 / 11 / 0 / 48

HEX #537785

RGB 83 119 133

HSL 196.8, 0.23%, 0.42%

LAB 47.91, -8.95, -11.72

 

CMYK 0 / 23 / 34 / 31

HEX #B18875

RGB 177 136 117

HSL 19, 0.28%, 0.58%

LAB 60.1, 12.95, 16.23

 

CMYK 0 / 21 / 30 / 24

HEX #C29A88

RGB 194 154 136

HSL 18.62, 0.32%, 0.65%

LAB 66.79, 12.28, 15.12

 

CMYK 0 / 18 / 27 / 17

HEX #D3AC9B

RGB 211 172 155

HSL 18.21, 0.39%, 0.72%

LAB 73.36, 11.69, 14.1

 

CMYK 0 / 17 / 24 / 11

HEX #E4BEAE

RGB 228 190 174

HSL 17.78, 0.5%, 0.79%

LAB 79.83, 11.17, 13.15

 

CMYK 0 / 15 / 21 / 4

HEX #F5D0C1

RGB 245 208 193

HSL 17.31, 0.72%, 0.86%

LAB 86.19, 10.7, 12.26

 

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

CMYK 0 / 24 / 34 / 39

HEX #9B7667

RGB 155 118 103

HSL 17.31, 0.21%, 0.51%

LAB 52.85, 12.3, 13.86

 

CMYK 0 / 28 / 39 / 46

HEX #8A6454

RGB 138 100 84

HSL 17.78, 0.24%, 0.44%

LAB 45.85, 13.11, 15.11

 

CMYK 0 / 32 / 46 / 53

HEX #795241

RGB 121 82 65

HSL 18.21, 0.3%, 0.36%

LAB 38.69, 14.09, 16.54

 

CMYK 0 / 38 / 56 / 59

HEX #68402E

RGB 104 64 46

HSL 18.62, 0.39%, 0.29%

LAB 31.36, 15.29, 18.22

 

CMYK 0 / 20 / 28 / 33

HEX #AC897B

RGB 172 137 123

HSL 17.14, 0.23%, 0.58%

LAB 59.97, 11.2, 12.56

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 20 / 28 / 33

HEX #AC897B

RGB 172 137 123

HSL 17.14, 0.23%, 0.58%

LAB 59.97, 11.2, 12.56

 

CMYK 0 / 13 / 28 / 33

HEX #AC967B

RGB 172 150 123

HSL 33.06, 0.23%, 0.58%

LAB 63.35, 3.95, 17.26

 

CMYK 0 / 5 / 28 / 33

HEX #ACA37B

RGB 172 163 123

HSL 48.98, 0.23%, 0.58%

LAB 66.82, -3.15, 22

 

CMYK 2 / 0 / 28 / 33

HEX #A8AC7B

RGB 168 172 123

HSL 64.9, 0.23%, 0.58%

LAB 68.94, -9.53, 24.8

 

CMYK 10 / 0 / 28 / 33

HEX #9AAC7B

RGB 154 172 123

HSL 82.04, 0.23%, 0.58%

LAB 67.88, -14.96, 23.19

 

CMYK 0 / 20 / 28 / 33

HEX #AC897B

RGB 172 137 123

HSL 17.14, 0.23%, 0.58%

LAB 59.97, 11.2, 12.56

 

CMYK 0 / 32 / 44 / 26

HEX #BD8169

RGB 189 129 105

HSL 17.14, 0.39%, 0.58%

LAB 59.47, 20.3, 22.37

 

CMYK 0 / 42 / 57 / 19

HEX #CF7958

RGB 207 121 88

HSL 16.64, 0.55%, 0.58%

LAB 59.57, 30.37, 32.42

 

CMYK 0 / 49 / 68 / 12

HEX #E07247

RGB 224 114 71

HSL 16.86, 0.71%, 0.58%

LAB 60.19, 39.59, 42.87

 

CMYK 0 / 56 / 78 / 5

HEX #F16A35

RGB 241 106 53

HSL 16.91, 0.87%, 0.58%

LAB 61.02, 49.09, 53.44

 

CMYK 0 / 20 / 28 / 33

HEX #AC897B

RGB 172 137 123

HSL 17.14, 0.23%, 0.58%

LAB 59.97, 11.2, 12.56

 

CMYK 0 / 7 / 10 / 39

HEX #9B908C

RGB 155 144 140

HSL 16, 0.07%, 0.58%

LAB 60.61, 3.35, 3.58

 

CMYK 13 / 3 / 0 / 38

HEX #89989D

RGB 137 152 157

HSL 195, 0.09%, 0.58%

LAB 61.83, -4.27, -4.45

 

CMYK 31 / 9 / 0 / 31

HEX #789FAF

RGB 120 159 175

HSL 197.45, 0.26%, 0.58%

LAB 63.25, -9.36, -12.61

 

CMYK 46 / 13 / 0 / 25

HEX #67A7C0

RGB 103 167 192

HSL 196.85, 0.41%, 0.58%

LAB 65.22, -13.77, -19.22

 

CMYK 0 / 28 / 21 / 33

HEX #AC7B88

RGB 172 123 136

HSL 344.08, 0.23%, 0.58%

LAB 56.8, 21.04, 0.55

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 21 / 28 / 33

HEX #AC887B

RGB 172 136 123

HSL 15.92, 0.23%, 0.58%

LAB 59.72, 11.76, 12.2

 

CMYK 0 / 13 / 28 / 33

HEX #AC957B

RGB 172 149 123

HSL 31.84, 0.23%, 0.58%

LAB 63.09, 4.5, 16.9

 

CMYK 0 / 6 / 28 / 33

HEX #ACA27B

RGB 172 162 123

HSL 47.76, 0.23%, 0.58%

LAB 66.55, -2.61, 21.64

 

CMYK 0 / 27 / 37 / 49

HEX #835F52

RGB 131 95 82

HSL 15.92, 0.23%, 0.42%

LAB 43.68, 12.81, 13.2

 

CMYK 0 / 27 / 38 / 39

HEX #9C7261

RGB 156 114 97

HSL 17.29, 0.23%, 0.5%

LAB 51.8, 14.23, 15.93

 

CMYK 0 / 20 / 28 / 33

HEX #AC897B

RGB 172 137 123

HSL 17.14, 0.23%, 0.58%

LAB 59.97, 11.2, 12.56

 

CMYK 0 / 15 / 21 / 26

HEX #BC9F94

RGB 188 159 148

HSL 16.5, 0.23%, 0.66%

LAB 67.74, 8.93, 9.7

 

CMYK 0 / 11 / 15 / 20

HEX #CCB6AE

RGB 204 182 174

HSL 16, 0.23%, 0.74%

LAB 75.67, 6.53, 6.93

 

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

CMYK 13 / 0 / 28 / 33

HEX #95AC7B

RGB 149 172 123

HSL 88.16, 0.23%, 0.58%

LAB 67.52, -16.86, 22.65

 

CMYK 28 / 25 / 0 / 33

HEX #7B81AC

RGB 123 129 172

HSL 232.65, 0.23%, 0.58%

LAB 54.96, 7.81, -23.49

 

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

CMYK 28 / 0 / 21 / 33

HEX #7BAC88

RGB 123 172 136

HSL 135.92, 0.23%, 0.58%

LAB 66.13, -23.86, 13.37

 

CMYK 21 / 28 / 0 / 33

HEX #887BAC

RGB 136 123 172

HSL 255.92, 0.23%, 0.58%

LAB 54.43, 15.44, -24.22

 

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

CMYK 13 / 0 / 28 / 33

HEX #95AC7B

RGB 149 172 123

HSL 88.16, 0.23%, 0.58%

LAB 67.52, -16.86, 22.65

 

CMYK 28 / 8 / 0 / 33

HEX #7B9FAC

RGB 123 159 172

HSL 195.92, 0.23%, 0.58%

LAB 63.33, -9.2, -10.78

 

CMYK 15 / 28 / 0 / 33

HEX #927BAC

RGB 146 123 172

HSL 268.16, 0.23%, 0.58%

LAB 55.33, 18.69, -22.75

 

CMYK 0 / 21 / 29 / 33

HEX #AC887A

RGB 172 136 122

HSL 16.8, 0.23%, 0.58%

LAB 59.69, 11.62, 12.74

 

CMYK 22 / 0 / 28 / 33

HEX #86AC7B

RGB 134 172 123

HSL 106.53, 0.23%, 0.58%

LAB 66.52, -22.38, 21.13

 

CMYK 28 / 8 / 0 / 33

HEX #7B9FAC

RGB 123 159 172

HSL 195.92, 0.23%, 0.58%

LAB 63.33, -9.2, -10.78

 

CMYK 6 / 28 / 0 / 33

HEX #A17BAC

RGB 161 123 172

HSL 286.53, 0.23%, 0.58%

LAB 56.8, 23.68, -20.37

 

Description

Color code: RGB 172 136 122 | qconv.com Color code: RGB 172 136 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 136 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 136 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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