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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 7 170 it is the complementary color RGB 83 248 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 7 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 7 170 shade: RGB 177 7 165, RGB 194 25 184, RGB 211 43 203, RGB 228 61 222 and RGB 245 79 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 7 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 7 170 shade: RGB 172 7 170, RGB 155 0 151, RGB 138 0 132, RGB 121 0 113 and RGB 104 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 7 170 shade: RGB 171 7 169, RGB 171 7 125, RGB 171 7 80, RGB 171 7 36 and RGB 171 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 7 170 shade: RGB 171 7 169, RGB 129 7 171, RGB 84 7 171, RGB 40 7 171 and RGB 7 7 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 7 170 shade matches the following richer shades: RGB 171 7 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 7 170 shade: RGB 171 7 169, RGB 156 21 155, RGB 142 36 141, RGB 128 50 127 and RGB 113 64 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 7 170 shade: RGB 83 7 171, RGB 127 7 171, RGB 171 7 171, RGB 171 7 127 and RGB 171 7 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 7 170 shade: RGB 92 3 91, RGB 131 5 130, RGB 171 7 169, RGB 210 8 208 and RGB 245 15 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 7 170 shade: RGB 172 7 170, RGB 171 39 7 and RGB 7 171 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 7 170 shade: RGB 172 7 170, RGB 171 171 7 and RGB 7 171 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 7 170 shade: RGB 172 7 170, RGB 171 39 7, RGB 7 171 7 and RGB 7 138 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 7 170 shade: RGB 172 7 170, RGB 171 89 7, RGB 7 171 7 and RGB 7 89 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

Complementary color

CMYK 67 / 0 / 66 / 3

HEX #53F855

RGB 83 248 85

HSL 120.73, 0.92%, 0.65%

LAB 86.81, -72.34, 63.6

 

CMYK 0 / 96 / 7 / 31

HEX #B107A5

RGB 177 7 165

HSL 304.24, 0.92%, 0.36%

LAB 41.56, 72.26, -39.87

 

CMYK 0 / 87 / 5 / 24

HEX #C219B8

RGB 194 25 184

HSL 303.55, 0.77%, 0.43%

LAB 46.48, 75.78, -43.12

 

CMYK 0 / 80 / 4 / 17

HEX #D32BCB

RGB 211 43 203

HSL 302.86, 0.66%, 0.5%

LAB 51.71, 78.12, -45.67

 

CMYK 0 / 73 / 3 / 11

HEX #E43DDE

RGB 228 61 222

HSL 302.16, 0.76%, 0.57%

LAB 57.18, 79.54, -47.66

 

CMYK 0 / 68 / 2 / 4

HEX #F54FF1

RGB 245 79 241

HSL 301.45, 0.89%, 0.64%

LAB 62.81, 80.3, -49.22

 

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

CMYK 0 / 100 / 3 / 39

HEX #9B0097

RGB 155 0 151

HSL 301.55, 1%, 0.3%

LAB 36.37, 67.14, -39.91

 

CMYK 0 / 100 / 4 / 46

HEX #8A0084

RGB 138 0 132

HSL 302.61, 1%, 0.27%

LAB 31.96, 61.32, -35.41

 

CMYK 0 / 100 / 7 / 53

HEX #790071

RGB 121 0 113

HSL 303.97, 1%, 0.24%

LAB 27.46, 55.36, -30.76

 

CMYK 0 / 100 / 10 / 59

HEX #68005E

RGB 104 0 94

HSL 305.77, 1%, 0.2%

LAB 22.83, 49.25, -25.93

 

CMYK 0 / 96 / 1 / 33

HEX #AB07A9

RGB 171 7 169

HSL 300.73, 0.92%, 0.35%

LAB 40.69, 71.8, -43.71

 

CMYK 0 / 96 / 27 / 33

HEX #AB077D

RGB 171 7 125

HSL 316.83, 0.92%, 0.35%

LAB 38.36, 65.9, -20.54

 

CMYK 0 / 96 / 53 / 33

HEX #AB0750

RGB 171 7 80

HSL 333.29, 0.92%, 0.35%

LAB 36.72, 61.56, 5.64

 

CMYK 0 / 96 / 79 / 33

HEX #AB0724

RGB 171 7 36

HSL 349.39, 0.92%, 0.35%

LAB 35.86, 59.2, 32.66

 

CMYK 0 / 96 / 96 / 33

HEX #AB0707

RGB 171 7 7

HSL 0, 0.92%, 0.35%

LAB 35.65, 58.6, 46.98

 

CMYK 0 / 96 / 1 / 33

HEX #AB07A9

RGB 171 7 169

HSL 300.73, 0.92%, 0.35%

LAB 40.69, 71.8, -43.71

 

CMYK 25 / 96 / 0 / 33

HEX #8107AB

RGB 129 7 171

HSL 284.63, 0.92%, 0.35%

LAB 33.48, 65.55, -56.92

 

CMYK 51 / 96 / 0 / 33

HEX #5407AB

RGB 84 7 171

HSL 268.17, 0.92%, 0.35%

LAB 26.67, 60.35, -68.35

 

CMYK 77 / 96 / 0 / 33

HEX #2807AB

RGB 40 7 171

HSL 252.07, 0.92%, 0.35%

LAB 22.1, 57.62, -76.07

 

CMYK 96 / 96 / 0 / 33

HEX #0707AB

RGB 7 7 171

HSL 240, 0.92%, 0.35%

LAB 20.59, 56.9, -78.64

 

CMYK 0 / 96 / 1 / 33

HEX #AB07A9

RGB 171 7 169

HSL 300.73, 0.92%, 0.35%

LAB 40.69, 71.8, -43.71

 

CMYK 0 / 96 / 1 / 33

HEX #AB07A9

RGB 171 7 169

HSL 300.73, 0.92%, 0.35%

LAB 40.69, 71.8, -43.71

 

CMYK 0 / 87 / 1 / 39

HEX #9C159B

RGB 156 21 155

HSL 300.44, 0.76%, 0.35%

LAB 37.79, 65.02, -40.07

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 61 / 1 / 50

HEX #80327F

RGB 128 50 127

HSL 300.77, 0.44%, 0.35%

LAB 34.81, 44.26, -27.9

 

CMYK 0 / 43 / 0 / 56

HEX #714071

RGB 113 64 113

HSL 300, 0.28%, 0.35%

LAB 34.74, 29.47, -19.41

 

CMYK 51 / 96 / 0 / 33

HEX #5307AB

RGB 83 7 171

HSL 267.8, 0.92%, 0.35%

LAB 26.54, 60.26, -68.57

 

CMYK 26 / 96 / 0 / 33

HEX #7F07AB

RGB 127 7 171

HSL 283.9, 0.92%, 0.35%

LAB 33.14, 65.27, -57.48

 

CMYK 0 / 96 / 0 / 33

HEX #AB07AB

RGB 171 7 171

HSL 300, 0.92%, 0.35%

LAB 40.82, 72.1, -44.7

 

CMYK 0 / 96 / 26 / 33

HEX #AB077F

RGB 171 7 127

HSL 316.1, 0.92%, 0.35%

LAB 38.45, 66.13, -21.65

 

CMYK 0 / 96 / 51 / 33

HEX #AB0753

RGB 171 7 83

HSL 332.2, 0.92%, 0.35%

LAB 36.81, 61.79, 3.82

 

CMYK 0 / 97 / 1 / 64

HEX #5C035B

RGB 92 3 91

HSL 300.67, 0.94%, 0.19%

LAB 20.42, 45.72, -27.92

 

CMYK 0 / 96 / 1 / 49

HEX #830582

RGB 131 5 130

HSL 300.48, 0.93%, 0.27%

LAB 30.75, 59.01, -36.17

 

CMYK 0 / 96 / 1 / 33

HEX #AB07A9

RGB 171 7 169

HSL 300.73, 0.92%, 0.35%

LAB 40.69, 71.8, -43.71

 

CMYK 0 / 96 / 1 / 18

HEX #D208D0

RGB 210 8 208

HSL 300.59, 0.93%, 0.43%

LAB 50.01, 83.97, -51.26

 

CMYK 0 / 94 / 1 / 4

HEX #F50FF2

RGB 245 15 242

HSL 300.78, 0.92%, 0.51%

LAB 58.19, 93.94, -57.11

 

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

CMYK 0 / 77 / 96 / 33

HEX #AB2707

RGB 171 39 7

HSL 11.71, 0.92%, 0.35%

LAB 38.06, 51.73, 48.34

 

CMYK 96 / 0 / 39 / 33

HEX #07AB69

RGB 7 171 105

HSL 155.85, 0.92%, 0.35%

LAB 61.82, -52.61, 23.83

 

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

CMYK 0 / 0 / 96 / 33

HEX #ABAB07

RGB 171 171 7

HSL 60, 0.92%, 0.35%

LAB 67.87, -15.89, 69.17

 

CMYK 96 / 0 / 0 / 33

HEX #07ABAB

RGB 7 171 171

HSL 180, 0.92%, 0.35%

LAB 63.43, -35.39, -10.42

 

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

CMYK 0 / 77 / 96 / 33

HEX #AB2707

RGB 171 39 7

HSL 11.71, 0.92%, 0.35%

LAB 38.06, 51.73, 48.34

 

CMYK 96 / 0 / 96 / 33

HEX #07AB07

RGB 7 171 7

HSL 120, 0.92%, 0.35%

LAB 60.95, -63.34, 60.76

 

CMYK 96 / 19 / 0 / 33

HEX #078AAB

RGB 7 138 171

HSL 192.07, 0.92%, 0.35%

LAB 53.13, -18.89, -26.11

 

CMYK 0 / 96 / 1 / 33

HEX #AC07AA

RGB 172 7 170

HSL 300.73, 0.92%, 0.35%

LAB 40.94, 72.12, -43.91

 

CMYK 0 / 48 / 96 / 33

HEX #AB5907

RGB 171 89 7

HSL 30, 0.92%, 0.35%

LAB 46.73, 28.98, 53.87

 

CMYK 96 / 0 / 96 / 33

HEX #07AB07

RGB 7 171 7

HSL 120, 0.92%, 0.35%

LAB 60.95, -63.34, 60.76

 

CMYK 96 / 48 / 0 / 33

HEX #0759AB

RGB 7 89 171

HSL 210, 0.92%, 0.35%

LAB 38.08, 10.66, -49.89

 

Description

Color code: RGB 172 7 170 | qconv.com Color code: RGB 172 7 170 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 7 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 7 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 1 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 1% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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