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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 233 119 it is the complementary color RGB 81 22 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 233 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 233 119 shade: RGB 179 233 114, RGB 196 251 133, RGB 213 255 152, RGB 230 255 171 and RGB 247 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 233 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 233 119 shade: RGB 174 233 119, RGB 157 215 100, RGB 140 197 81, RGB 123 179 62 and RGB 106 161 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 233 119 shade: RGB 173 232 119, RGB 204 232 119, RGB 232 230 119, RGB 232 199 119 and RGB 232 168 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 233 119 shade: RGB 173 232 119, RGB 143 232 119, RGB 119 232 125, RGB 119 232 156 and RGB 119 232 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 233 119 shade matches the following richer shades: RGB 173 232 119 and RGB 173 245 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 233 119 shade: RGB 173 232 119, RGB 174 220 131, RGB 174 207 144, RGB 175 194 157 and RGB 175 181 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 233 119 shade: RGB 232 230 119, RGB 204 232 119, RGB 174 232 119, RGB 143 232 119 and RGB 119 232 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 233 119 shade: RGB 131 221 48, RGB 152 227 83, RGB 173 232 119, RGB 195 238 154 and RGB 216 244 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 233 119 shade: RGB 174 233 119, RGB 119 232 200 and RGB 232 119 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 233 119 shade: RGB 174 233 119, RGB 119 174 232 and RGB 232 119 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 233 119 shade: RGB 174 233 119, RGB 119 232 200, RGB 177 119 232 and RGB 232 119 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 233 119 shade: RGB 174 233 119, RGB 119 230 232, RGB 177 119 232 and RGB 232 120 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

Complementary color

CMYK 40 / 84 / 0 / 47

HEX #511688

RGB 81 22 136

HSL 271.05, 0.72%, 0.31%

LAB 24, 47.83, -51.26

 

CMYK 23 / 0 / 51 / 9

HEX #B3E972

RGB 179 233 114

HSL 87.23, 0.73%, 0.68%

LAB 86.54, -36.31, 51.81

 

CMYK 22 / 0 / 47 / 2

HEX #C4FB85

RGB 196 251 133

HSL 87.97, 0.94%, 0.75%

LAB 92.76, -36.35, 50.7

 

CMYK 16 / 0 / 40 / 0

HEX #D5FF98

RGB 213 255 152

HSL 84.47, 1%, 0.8%

LAB 95.13, -29.93, 44.82

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 3 / 0 / 25 / 0

HEX #F7FFBE

RGB 247 255 190

HSL 67.38, 1%, 0.87%

LAB 98.04, -12.84, 30.26

 

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

CMYK 27 / 0 / 53 / 16

HEX #9DD764

RGB 157 215 100

HSL 90.26, 0.59%, 0.62%

LAB 80, -37.55, 50.22

 

CMYK 29 / 0 / 59 / 23

HEX #8CC551

RGB 140 197 81

HSL 89.48, 0.5%, 0.55%

LAB 73.61, -37.46, 51.25

 

CMYK 31 / 0 / 65 / 30

HEX #7BB33E

RGB 123 179 62

HSL 88.72, 0.49%, 0.47%

LAB 67.13, -37.27, 52.09

 

CMYK 34 / 0 / 73 / 37

HEX #6AA12B

RGB 106 161 43

HSL 87.97, 0.58%, 0.4%

LAB 60.54, -36.93, 52.53

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 0 / 1 / 49 / 9

HEX #E8E677

RGB 232 230 119

HSL 58.94, 0.71%, 0.69%

LAB 89.43, -14.14, 53.81

 

CMYK 0 / 14 / 49 / 9

HEX #E8C777

RGB 232 199 119

HSL 42.48, 0.71%, 0.69%

LAB 81.48, 1.57, 44.14

 

CMYK 0 / 28 / 49 / 9

HEX #E8A877

RGB 232 168 119

HSL 26.02, 0.71%, 0.69%

LAB 73.86, 17.92, 34.53

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 38 / 0 / 49 / 9

HEX #8FE877

RGB 143 232 119

HSL 107.26, 0.71%, 0.69%

LAB 84.42, -47.5, 46.44

 

CMYK 49 / 0 / 46 / 9

HEX #77E87D

RGB 119 232 125

HSL 123.19, 0.71%, 0.69%

LAB 83.5, -53.68, 42.19

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 49 / 0 / 20 / 9

HEX #77E8BA

RGB 119 232 186

HSL 155.58, 0.71%, 0.69%

LAB 84.58, -42.88, 12.55

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 29 / 0 / 57 / 4

HEX #ADF56A

RGB 173 245 106

HSL 91.08, 0.87%, 0.69%

LAB 89.5, -44.53, 58.8

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 21 / 0 / 40 / 14

HEX #AEDC83

RGB 174 220 131

HSL 91.01, 0.56%, 0.69%

LAB 82.82, -30.15, 38.92

 

CMYK 16 / 0 / 30 / 19

HEX #AECF90

RGB 174 207 144

HSL 91.43, 0.4%, 0.69%

LAB 79.41, -22.11, 27.8

 

CMYK 10 / 0 / 19 / 24

HEX #AFC29D

RGB 175 194 157

HSL 90.81, 0.23%, 0.69%

LAB 76.15, -13.19, 16.47

 

CMYK 3 / 0 / 6 / 29

HEX #AFB5AA

RGB 175 181 170

HSL 92.73, 0.07%, 0.69%

LAB 72.93, -4.14, 4.86

 

CMYK 0 / 1 / 49 / 9

HEX #E8E677

RGB 232 230 119

HSL 58.94, 0.71%, 0.69%

LAB 89.43, -14.14, 53.81

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 25 / 0 / 49 / 9

HEX #AEE877

RGB 174 232 119

HSL 90.8, 0.71%, 0.69%

LAB 86.03, -37.12, 48.77

 

CMYK 38 / 0 / 49 / 9

HEX #8FE877

RGB 143 232 119

HSL 107.26, 0.71%, 0.69%

LAB 84.42, -47.5, 46.44

 

CMYK 49 / 0 / 47 / 9

HEX #77E87C

RGB 119 232 124

HSL 122.65, 0.71%, 0.69%

LAB 83.49, -53.82, 42.66

 

CMYK 41 / 0 / 78 / 13

HEX #83DD30

RGB 131 221 48

HSL 91.21, 0.72%, 0.53%

LAB 80.04, -53.04, 70.05

 

CMYK 33 / 0 / 63 / 11

HEX #98E353

RGB 152 227 83

HSL 91.25, 0.72%, 0.61%

LAB 83.04, -46.12, 61.02

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 18 / 0 / 35 / 7

HEX #C3EE9A

RGB 195 238 154

HSL 90.71, 0.71%, 0.77%

LAB 89.43, -28.14, 36.24

 

CMYK 11 / 0 / 23 / 4

HEX #D8F4BD

RGB 216 244 189

HSL 90.55, 0.71%, 0.85%

LAB 93, -18.62, 23.53

 

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

CMYK 49 / 0 / 14 / 9

HEX #77E8C8

RGB 119 232 200

HSL 163.01, 0.71%, 0.69%

LAB 84.9, -39.82, 5.67

 

CMYK 0 / 49 / 6 / 9

HEX #E877DB

RGB 232 119 219

HSL 306.9, 0.71%, 0.69%

LAB 66.11, 56.75, -31.94

 

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

CMYK 49 / 25 / 0 / 9

HEX #77AEE8

RGB 119 174 232

HSL 210.8, 0.71%, 0.69%

LAB 69.48, -2.37, -34.65

 

CMYK 0 / 49 / 25 / 9

HEX #E877AE

RGB 232 119 174

HSL 330.8, 0.71%, 0.69%

LAB 64.49, 49.9, -9.08

 

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

CMYK 49 / 0 / 14 / 9

HEX #77E8C8

RGB 119 232 200

HSL 163.01, 0.71%, 0.69%

LAB 84.9, -39.82, 5.67

 

CMYK 24 / 49 / 0 / 9

HEX #B177E8

RGB 177 119 232

HSL 270.8, 0.71%, 0.69%

LAB 60.22, 43.95, -48.87

 

CMYK 0 / 49 / 35 / 9

HEX #E87797

RGB 232 119 151

HSL 343.01, 0.71%, 0.69%

LAB 63.82, 46.96, 3.05

 

CMYK 25 / 0 / 49 / 9

HEX #AEE977

RGB 174 233 119

HSL 91.05, 0.72%, 0.69%

LAB 86.31, -37.57, 49.12

 

CMYK 49 / 1 / 0 / 9

HEX #77E6E8

RGB 119 230 232

HSL 181.06, 0.71%, 0.69%

LAB 85.17, -31.19, -10.79

 

CMYK 24 / 49 / 0 / 9

HEX #B177E8

RGB 177 119 232

HSL 270.8, 0.71%, 0.69%

LAB 60.22, 43.95, -48.87

 

CMYK 0 / 48 / 49 / 9

HEX #E87877

RGB 232 120 119

HSL 0.53, 0.71%, 0.69%

LAB 63.28, 43.09, 20.53

 

Description

Color code: RGB 174 233 119 | qconv.com Color code: RGB 174 233 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 233 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 233 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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