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Color name
RGB 175 125 69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 125 69 it is the complementary color RGB 80 130 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 125 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 125 69 shade: RGB 180 125 64, RGB 197 143 83, RGB 214 161 102, RGB 231 179 121 and RGB 248 197 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 125 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 158 107 50, RGB 141 89 31, RGB 124 71 12 and RGB 107 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 175 96 69 and RGB 175 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 175 153 69, RGB 167 175 69, RGB 139 175 69 and RGB 111 175 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 125 69 shade matches the following richer shades: RGB 175 125 69, RGB 194 126 49, RGB 214 127 30 and RGB 234 128 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 155 124 89, RGB 135 123 109, RGB 115 122 129 and RGB 95 120 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 125 69 shade: RGB 175 69 71, RGB 175 96 69, RGB 175 124 69, RGB 175 152 69 and RGB 169 175 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 125 69 shade: RGB 116 83 46, RGB 145 104 58, RGB 175 125 69, RGB 191 145 94 and RGB 202 165 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 99 175 69 and RGB 82 69 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 69 175 124 and RGB 124 69 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 99 175 69, RGB 69 120 175 and RGB 145 69 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 125 69 shade: RGB 175 125 69, RGB 69 175 71, RGB 69 120 175 and RGB 175 69 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

Complementary color

CMYK 57 / 30 / 0 / 27

HEX #5082BA

RGB 80 130 186

HSL 211.7, 0.43%, 0.52%

LAB 53.18, -0.06, -34.49

 

CMYK 0 / 31 / 64 / 29

HEX #B47D40

RGB 180 125 64

HSL 31.55, 0.48%, 0.48%

LAB 56.82, 15.13, 41.1

 

CMYK 0 / 27 / 58 / 23

HEX #C58F53

RGB 197 143 83

HSL 31.58, 0.5%, 0.55%

LAB 63.46, 13.86, 39.6

 

CMYK 0 / 25 / 52 / 16

HEX #D6A166

RGB 214 161 102

HSL 31.61, 0.58%, 0.62%

LAB 70, 12.79, 38.15

 

CMYK 0 / 23 / 48 / 9

HEX #E7B379

RGB 231 179 121

HSL 31.64, 0.7%, 0.69%

LAB 76.44, 11.86, 36.77

 

CMYK 0 / 21 / 44 / 3

HEX #F8C58C

RGB 248 197 140

HSL 31.67, 0.89%, 0.76%

LAB 82.8, 11.05, 35.47

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 32 / 68 / 38

HEX #9E6B32

RGB 158 107 50

HSL 31.67, 0.52%, 0.41%

LAB 49.51, 14.68, 39.27

 

CMYK 0 / 37 / 78 / 45

HEX #8D591F

RGB 141 89 31

HSL 31.64, 0.64%, 0.34%

LAB 42.62, 16.34, 40.62

 

CMYK 0 / 43 / 90 / 51

HEX #7C470C

RGB 124 71 12

HSL 31.61, 0.82%, 0.27%

LAB 35.63, 18.36, 41.19

 

CMYK 0 / 50 / 100 / 58

HEX #6B3500

RGB 107 53 0

HSL 29.72, 1%, 0.21%

LAB 28.57, 20.78, 39.13

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 45 / 61 / 31

HEX #AF6045

RGB 175 96 69

HSL 15.28, 0.43%, 0.48%

LAB 49.39, 29.45, 29.39

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 13 / 61 / 31

HEX #AF9945

RGB 175 153 69

HSL 47.55, 0.43%, 0.48%

LAB 63.61, -2.17, 46.19

 

CMYK 5 / 0 / 61 / 31

HEX #A7AF45

RGB 167 175 69

HSL 64.53, 0.43%, 0.48%

LAB 68.97, -17.19, 51.93

 

CMYK 21 / 0 / 61 / 31

HEX #8BAF45

RGB 139 175 69

HSL 80.38, 0.43%, 0.48%

LAB 66.96, -28.69, 49.14

 

CMYK 37 / 0 / 61 / 31

HEX #6FAF45

RGB 111 175 69

HSL 96.23, 0.43%, 0.48%

LAB 65.33, -39.18, 46.88

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 35 / 75 / 24

HEX #C27E31

RGB 194 126 49

HSL 31.86, 0.6%, 0.48%

LAB 58.61, 19.81, 50.69

 

CMYK 0 / 41 / 86 / 16

HEX #D67F1E

RGB 214 127 30

HSL 31.63, 0.75%, 0.48%

LAB 61.28, 27.16, 61.33

 

CMYK 0 / 45 / 96 / 8

HEX #EA800A

RGB 234 128 10

HSL 31.61, 0.92%, 0.48%

LAB 64.12, 34.59, 69.25

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 20 / 43 / 39

HEX #9B7C59

RGB 155 124 89

HSL 31.82, 0.27%, 0.48%

LAB 54.14, 7.11, 23.65

 

CMYK 0 / 9 / 19 / 47

HEX #877B6D

RGB 135 123 109

HSL 32.31, 0.11%, 0.48%

LAB 52.31, 2.14, 9.32

 

CMYK 11 / 5 / 0 / 49

HEX #737A81

RGB 115 122 129

HSL 210, 0.06%, 0.48%

LAB 50.86, -1.1, -4.72

 

CMYK 36 / 19 / 0 / 42

HEX #5F7894

RGB 95 120 148

HSL 211.7, 0.22%, 0.48%

LAB 49.5, -1.83, -18.08

 

CMYK 0 / 61 / 59 / 31

HEX #AF4547

RGB 175 69 71

HSL 358.87, 0.43%, 0.48%

LAB 43.98, 43.47, 21.34

 

CMYK 0 / 45 / 61 / 31

HEX #AF6045

RGB 175 96 69

HSL 15.28, 0.43%, 0.48%

LAB 49.39, 29.45, 29.39

 

CMYK 0 / 29 / 61 / 31

HEX #AF7C45

RGB 175 124 69

HSL 31.13, 0.43%, 0.48%

LAB 56.05, 13.87, 37.47

 

CMYK 0 / 13 / 61 / 31

HEX #AF9845

RGB 175 152 69

HSL 46.98, 0.43%, 0.48%

LAB 63.34, -1.63, 45.89

 

CMYK 3 / 0 / 61 / 31

HEX #A9AF45

RGB 169 175 69

HSL 63.4, 0.43%, 0.48%

LAB 69.13, -16.35, 52.15

 

CMYK 0 / 28 / 60 / 55

HEX #74532E

RGB 116 83 46

HSL 31.71, 0.43%, 0.32%

LAB 38.02, 9.27, 26.84

 

CMYK 0 / 28 / 60 / 43

HEX #91683A

RGB 145 104 58

HSL 31.72, 0.43%, 0.4%

LAB 47.27, 11.14, 32.07

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 18 / 39 / 21

HEX #CAA57C

RGB 202 165 124

HSL 31.54, 0.42%, 0.64%

LAB 70.12, 7.96, 26.37

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 43 / 0 / 61 / 31

HEX #63AF45

RGB 99 175 69

HSL 103.02, 0.43%, 0.48%

LAB 64.76, -43.21, 46.07

 

CMYK 53 / 61 / 0 / 31

HEX #5245AF

RGB 82 69 175

HSL 247.36, 0.43%, 0.48%

LAB 36.26, 34.61, -55.04

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 61 / 0 / 29 / 31

HEX #45AF7C

RGB 69 175 124

HSL 151.13, 0.43%, 0.48%

LAB 64.47, -42.56, 17.29

 

CMYK 29 / 61 / 0 / 31

HEX #7C45AF

RGB 124 69 175

HSL 271.13, 0.43%, 0.48%

LAB 40.63, 43.97, -47.77

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 43 / 0 / 61 / 31

HEX #63AF45

RGB 99 175 69

HSL 103.02, 0.43%, 0.48%

LAB 64.76, -43.21, 46.07

 

CMYK 61 / 31 / 0 / 31

HEX #4578AF

RGB 69 120 175

HSL 211.13, 0.43%, 0.48%

LAB 49.24, -0.02, -34.36

 

CMYK 17 / 61 / 0 / 31

HEX #9145AF

RGB 145 69 175

HSL 283.02, 0.43%, 0.48%

LAB 43.32, 49.18, -43.32

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 61 / 0 / 59 / 31

HEX #45AF47

RGB 69 175 71

HSL 121.13, 0.43%, 0.48%

LAB 63.66, -51.39, 43.59

 

CMYK 61 / 31 / 0 / 31

HEX #4578AF

RGB 69 120 175

HSL 211.13, 0.43%, 0.48%

LAB 49.24, -0.02, -34.36

 

CMYK 0 / 61 / 1 / 31

HEX #AF45AD

RGB 175 69 173

HSL 301.13, 0.43%, 0.48%

LAB 47.48, 56.48, -35.28

 

Description

Color code: RGB 175 125 69 | qconv.com Color code: RGB 175 125 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 125 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 125 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 61% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

10% - Green Construction -...
Link: http://greencons.dongythienduc.vn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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