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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 71 43 it is the complementary color RGB 80 184 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 71 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 71 43 shade: RGB 180 71 38, RGB 197 89 57, RGB 214 107 76, RGB 231 125 95 and RGB 248 143 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 71 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 71 43 shade: RGB 175 71 43, RGB 158 53 24, RGB 141 35 5, RGB 124 17 0 and RGB 107 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 71 43 shade: RGB 176 71 42 and RGB 176 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 71 43 shade: RGB 176 71 42, RGB 176 107 42, RGB 176 143 42, RGB 173 176 42 and RGB 137 176 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 71 43 shade matches the following richer shades: RGB 176 71 42, RGB 194 60 25 and RGB 212 50 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 71 43 shade: RGB 176 71 42, RGB 158 81 60, RGB 141 91 78, RGB 123 101 95 and RGB 105 111 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 71 43 shade: RGB 176 42 87, RGB 176 42 51, RGB 176 69 42, RGB 176 105 42 and RGB 176 140 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 71 43 shade: RGB 110 44 26, RGB 143 57 34, RGB 176 71 42, RGB 206 86 54 and RGB 214 114 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 71 43 shade: RGB 175 71 43, RGB 123 176 42 and RGB 42 69 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 71 43 shade: RGB 175 71 43, RGB 42 176 69 and RGB 69 42 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 71 43 shade: RGB 175 71 43, RGB 123 176 42, RGB 42 149 176 and RGB 96 42 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 71 43 shade: RGB 175 71 43, RGB 82 176 42, RGB 42 149 176 and RGB 136 42 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

Complementary color

CMYK 62 / 13 / 0 / 17

HEX #50B8D4

RGB 80 184 212

HSL 192.73, 0.61%, 0.57%

LAB 69.99, -21.63, -23.06

 

CMYK 0 / 61 / 79 / 29

HEX #B44726

RGB 180 71 38

HSL 13.94, 0.65%, 0.43%

LAB 44.73, 42.53, 41.27

 

CMYK 0 / 55 / 71 / 23

HEX #C55939

RGB 197 89 57

HSL 13.71, 0.55%, 0.5%

LAB 51.05, 41.04, 38.83

 

CMYK 0 / 50 / 64 / 16

HEX #D66B4C

RGB 214 107 76

HSL 13.48, 0.63%, 0.57%

LAB 57.4, 39.58, 36.56

 

CMYK 0 / 46 / 59 / 9

HEX #E77D5F

RGB 231 125 95

HSL 13.24, 0.74%, 0.64%

LAB 63.74, 38.2, 34.5

 

CMYK 0 / 42 / 54 / 3

HEX #F88F72

RGB 248 143 114

HSL 12.99, 0.91%, 0.71%

LAB 70.05, 36.92, 32.66

 

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

CMYK 0 / 66 / 85 / 38

HEX #9E3518

RGB 158 53 24

HSL 12.99, 0.74%, 0.36%

LAB 37.63, 42.24, 40.11

 

CMYK 0 / 75 / 96 / 45

HEX #8D2305

RGB 141 35 5

HSL 13.24, 0.93%, 0.29%

LAB 31.52, 43.27, 42.07

 

CMYK 0 / 86 / 100 / 51

HEX #7C1100

RGB 124 17 0

HSL 8.23, 1%, 0.24%

LAB 25.82, 43.44, 38

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 39 / 76 / 31

HEX #B06B2A

RGB 176 107 42

HSL 29.1, 0.61%, 0.43%

LAB 51.74, 22.2, 46.18

 

CMYK 0 / 19 / 76 / 31

HEX #B08F2A

RGB 176 143 42

HSL 45.22, 0.61%, 0.43%

LAB 60.82, 2.15, 55.04

 

CMYK 2 / 0 / 76 / 31

HEX #ADB02A

RGB 173 176 42

HSL 61.34, 0.61%, 0.43%

LAB 69.54, -16.67, 63.09

 

CMYK 22 / 0 / 76 / 31

HEX #89B02A

RGB 137 176 42

HSL 77.46, 0.61%, 0.43%

LAB 66.93, -31.79, 59.71

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 69 / 87 / 24

HEX #C23C19

RGB 194 60 25

HSL 12.43, 0.77%, 0.43%

LAB 45.32, 51.9, 48.85

 

CMYK 0 / 76 / 97 / 17

HEX #D43207

RGB 212 50 7

HSL 12.59, 0.94%, 0.43%

LAB 47.36, 60.9, 57.79

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 49 / 62 / 38

HEX #9E513C

RGB 158 81 60

HSL 12.86, 0.45%, 0.43%

LAB 43.48, 30.01, 26.71

 

CMYK 0 / 35 / 45 / 45

HEX #8D5B4E

RGB 141 91 78

HSL 12.38, 0.29%, 0.43%

LAB 43.79, 18.93, 15.96

 

CMYK 0 / 18 / 23 / 52

HEX #7B655F

RGB 123 101 95

HSL 12.86, 0.13%, 0.43%

LAB 44.72, 7.79, 6.69

 

CMYK 7 / 2 / 0 / 56

HEX #696F71

RGB 105 111 113

HSL 195, 0.04%, 0.43%

LAB 46.4, -1.85, -1.9

 

CMYK 0 / 76 / 51 / 31

HEX #B02A57

RGB 176 42 87

HSL 339.85, 0.61%, 0.43%

LAB 40.53, 55.95, 6.72

 

CMYK 0 / 76 / 71 / 31

HEX #B02A33

RGB 176 42 51

HSL 355.97, 0.61%, 0.43%

LAB 39.79, 53.56, 28.29

 

CMYK 0 / 61 / 76 / 31

HEX #B0452A

RGB 176 69 42

HSL 12.09, 0.61%, 0.43%

LAB 43.73, 42.15, 37.93

 

CMYK 0 / 40 / 76 / 31

HEX #B0692A

RGB 176 105 42

HSL 28.21, 0.61%, 0.43%

LAB 51.27, 23.31, 45.71

 

CMYK 0 / 20 / 76 / 31

HEX #B08C2A

RGB 176 140 42

HSL 43.88, 0.61%, 0.43%

LAB 60.03, 3.8, 54.28

 

CMYK 0 / 60 / 76 / 57

HEX #6E2C1A

RGB 110 44 26

HSL 12.86, 0.62%, 0.27%

LAB 27.27, 28.11, 25.79

 

CMYK 0 / 60 / 76 / 44

HEX #8F3922

RGB 143 57 34

HSL 12.66, 0.62%, 0.35%

LAB 35.75, 35.06, 32.1

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 58 / 74 / 19

HEX #CE5636

RGB 206 86 54

HSL 12.63, 0.61%, 0.51%

LAB 51.89, 45.71, 41.76

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

CMYK 30 / 0 / 76 / 31

HEX #7BB02A

RGB 123 176 42

HSL 83.73, 0.61%, 0.43%

LAB 66.08, -37.28, 58.61

 

CMYK 76 / 61 / 0 / 31

HEX #2A45B0

RGB 42 69 176

HSL 227.91, 0.61%, 0.43%

LAB 33.74, 28.68, -59.86

 

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 61 / 76 / 0 / 31

HEX #452AB0

RGB 69 42 176

HSL 252.09, 0.61%, 0.43%

LAB 29.55, 48.19, -66.65

 

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

CMYK 30 / 0 / 76 / 31

HEX #7BB02A

RGB 123 176 42

HSL 83.73, 0.61%, 0.43%

LAB 66.08, -37.28, 58.61

 

CMYK 76 / 15 / 0 / 31

HEX #2A95B0

RGB 42 149 176

HSL 192.09, 0.61%, 0.43%

LAB 57.19, -20.4, -22.66

 

CMYK 45 / 76 / 0 / 31

HEX #602AB0

RGB 96 42 176

HSL 264.18, 0.61%, 0.43%

LAB 32.43, 52.05, -61.82

 

CMYK 0 / 59 / 75 / 31

HEX #AF472B

RGB 175 71 43

HSL 12.73, 0.61%, 0.43%

LAB 43.94, 40.86, 37.56

 

CMYK 53 / 0 / 76 / 31

HEX #52B02A

RGB 82 176 42

HSL 102.09, 0.61%, 0.43%

LAB 64.17, -51.06, 56.1

 

CMYK 76 / 15 / 0 / 31

HEX #2A95B0

RGB 42 149 176

HSL 192.09, 0.61%, 0.43%

LAB 57.19, -20.4, -22.66

 

CMYK 23 / 76 / 0 / 31

HEX #882AB0

RGB 136 42 176

HSL 282.09, 0.61%, 0.43%

LAB 37.89, 59.15, -52.7

 

Description

Color code: RGB 175 71 43 | qconv.com Color code: RGB 175 71 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 71 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 71 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 75% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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