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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 112 22 it is the complementary color RGB 79 143 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 112 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 112 22 shade: RGB 181 112 17, RGB 198 130 36, RGB 215 148 55, RGB 232 166 74 and RGB 249 184 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 112 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 112 22 shade: RGB 176 112 22, RGB 159 94 3, RGB 142 76 0, RGB 125 58 0 and RGB 108 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 112 22 shade: RGB 177 112 21, RGB 177 70 21, RGB 177 28 21 and RGB 177 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 112 22 shade: RGB 177 112 21, RGB 177 154 21, RGB 157 177 21, RGB 115 177 21 and RGB 74 177 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 112 22 shade matches the following richer shades: RGB 177 112 21 and RGB 193 115 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 112 22 shade: RGB 177 112 21, RGB 160 109 37, RGB 144 107 54, RGB 128 104 70 and RGB 112 101 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 112 22 shade: RGB 177 29 21, RGB 177 71 21, RGB 177 112 21, RGB 177 153 21 and RGB 158 177 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 112 22 shade: RGB 103 65 12, RGB 140 89 17, RGB 177 112 21, RGB 213 135 26 and RGB 229 155 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 112 22 shade: RGB 176 112 22, RGB 55 177 21 and RGB 50 21 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 112 22 shade: RGB 176 112 22, RGB 21 177 112 and RGB 112 21 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 112 22 shade: RGB 176 112 22, RGB 55 177 21, RGB 21 86 177 and RGB 143 21 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 112 22 shade: RGB 176 112 22, RGB 21 177 34, RGB 21 86 177 and RGB 177 21 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

Complementary color

CMYK 66 / 39 / 0 / 9

HEX #4F8FE9

RGB 79 143 233

HSL 215.06, 0.78%, 0.61%

LAB 59.15, 7.8, -51.56

 

CMYK 0 / 38 / 91 / 29

HEX #B57011

RGB 181 112 17

HSL 34.76, 0.83%, 0.39%

LAB 53.44, 20.84, 57.02

 

CMYK 0 / 34 / 82 / 22

HEX #C68224

RGB 198 130 36

HSL 34.81, 0.69%, 0.46%

LAB 59.98, 18.85, 57.39

 

CMYK 0 / 31 / 74 / 16

HEX #D79437

RGB 215 148 55

HSL 34.88, 0.67%, 0.53%

LAB 66.45, 17.14, 56.76

 

CMYK 0 / 28 / 68 / 9

HEX #E8A64A

RGB 232 166 74

HSL 34.94, 0.77%, 0.6%

LAB 72.84, 15.65, 55.68

 

CMYK 0 / 26 / 63 / 2

HEX #F9B85D

RGB 249 184 93

HSL 35, 0.93%, 0.67%

LAB 79.16, 14.36, 54.42

 

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

CMYK 0 / 41 / 98 / 38

HEX #9F5E03

RGB 159 94 3

HSL 35, 0.96%, 0.32%

LAB 46.15, 20.9, 53.61

 

CMYK 0 / 46 / 100 / 44

HEX #8E4C00

RGB 142 76 0

HSL 32.11, 1%, 0.28%

LAB 39.44, 23.43, 48.92

 

CMYK 0 / 54 / 100 / 51

HEX #7D3A00

RGB 125 58 0

HSL 27.84, 1%, 0.25%

LAB 32.67, 26.03, 43.45

 

CMYK 0 / 63 / 100 / 58

HEX #6C2800

RGB 108 40 0

HSL 22.22, 1%, 0.21%

LAB 25.88, 28.5, 36.86

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 60 / 88 / 31

HEX #B14615

RGB 177 70 21

HSL 18.85, 0.79%, 0.39%

LAB 43.92, 41.38, 48.09

 

CMYK 0 / 84 / 88 / 31

HEX #B11C15

RGB 177 28 21

HSL 2.69, 0.79%, 0.39%

LAB 38.26, 56.86, 43.56

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 13 / 88 / 31

HEX #B19A15

RGB 177 154 21

HSL 51.15, 0.79%, 0.39%

LAB 63.76, -4.05, 63.98

 

CMYK 11 / 0 / 88 / 31

HEX #9DB115

RGB 157 177 21

HSL 67.69, 0.79%, 0.39%

LAB 68.51, -24.73, 67.12

 

CMYK 35 / 0 / 88 / 31

HEX #73B115

RGB 115 177 21

HSL 83.85, 0.79%, 0.39%

LAB 65.86, -41.59, 63.85

 

CMYK 58 / 0 / 88 / 31

HEX #4AB115

RGB 74 177 21

HSL 99.62, 0.79%, 0.39%

LAB 64.12, -54.65, 61.68

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 40 / 97 / 24

HEX #C17305

RGB 193 115 5

HSL 35.11, 0.95%, 0.39%

LAB 55.7, 24.26, 61.78

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 0 / 26 / 63 / 44

HEX #906B36

RGB 144 107 54

HSL 35.33, 0.45%, 0.39%

LAB 47.89, 8.64, 34.92

 

CMYK 0 / 19 / 45 / 50

HEX #806846

RGB 128 104 70

HSL 35.17, 0.29%, 0.39%

LAB 45.54, 4.69, 22.73

 

CMYK 0 / 10 / 23 / 56

HEX #706556

RGB 112 101 86

HSL 34.62, 0.13%, 0.39%

LAB 43.4, 1.7, 10.09

 

CMYK 0 / 84 / 88 / 31

HEX #B11D15

RGB 177 29 21

HSL 3.08, 0.79%, 0.39%

LAB 38.34, 56.61, 43.63

 

CMYK 0 / 60 / 88 / 31

HEX #B14715

RGB 177 71 21

HSL 19.23, 0.79%, 0.39%

LAB 44.1, 40.9, 48.24

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 14 / 88 / 31

HEX #B19915

RGB 177 153 21

HSL 50.77, 0.79%, 0.39%

LAB 63.49, -3.51, 63.77

 

CMYK 11 / 0 / 88 / 31

HEX #9EB115

RGB 158 177 21

HSL 67.31, 0.79%, 0.39%

LAB 68.58, -24.31, 67.21

 

CMYK 0 / 37 / 88 / 60

HEX #67410C

RGB 103 65 12

HSL 34.95, 0.79%, 0.23%

LAB 31.09, 11.95, 36.18

 

CMYK 0 / 36 / 88 / 45

HEX #8C5911

RGB 140 89 17

HSL 35.12, 0.78%, 0.31%

LAB 42.4, 15.37, 45.97

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 37 / 88 / 16

HEX #D5871A

RGB 213 135 26

HSL 34.97, 0.78%, 0.47%

LAB 62.97, 22.36, 63.8

 

CMYK 0 / 32 / 78 / 10

HEX #E59B33

RGB 229 155 51

HSL 35.06, 0.77%, 0.55%

LAB 69.71, 19.19, 62.08

 

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

CMYK 69 / 0 / 88 / 31

HEX #37B115

RGB 55 177 21

HSL 106.92, 0.79%, 0.39%

LAB 63.6, -59.01, 61.02

 

CMYK 72 / 88 / 0 / 31

HEX #3215B1

RGB 50 21 177

HSL 251.15, 0.79%, 0.39%

LAB 24.92, 55.83, -74.97

 

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

CMYK 88 / 0 / 37 / 31

HEX #15B170

RGB 21 177 112

HSL 155, 0.79%, 0.39%

LAB 63.98, -52.6, 22.97

 

CMYK 37 / 88 / 0 / 31

HEX #7015B1

RGB 112 21 177

HSL 275, 0.79%, 0.39%

LAB 32.16, 61.94, -62.78

 

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

CMYK 69 / 0 / 88 / 31

HEX #37B115

RGB 55 177 21

HSL 106.92, 0.79%, 0.39%

LAB 63.6, -59.01, 61.02

 

CMYK 88 / 51 / 0 / 31

HEX #1556B1

RGB 21 86 177

HSL 215, 0.79%, 0.39%

LAB 37.82, 15.82, -53.84

 

CMYK 19 / 88 / 0 / 31

HEX #8F15B1

RGB 143 21 177

HSL 286.92, 0.79%, 0.39%

LAB 37.02, 66.51, -54.64

 

CMYK 0 / 36 / 88 / 31

HEX #B07016

RGB 176 112 22

HSL 35.06, 0.78%, 0.39%

LAB 52.81, 18.73, 54.86

 

CMYK 88 / 0 / 81 / 31

HEX #15B122

RGB 21 177 34

HSL 125, 0.79%, 0.39%

LAB 63.11, -63.09, 57.14

 

CMYK 88 / 51 / 0 / 31

HEX #1556B1

RGB 21 86 177

HSL 215, 0.79%, 0.39%

LAB 37.82, 15.82, -53.84

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

Description

Color code: RGB 176 112 22 | qconv.com Color code: RGB 176 112 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 112 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 112 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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