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Color name
HEX #A06D25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06D25 it is the complementary color #5F92DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06D25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06D25 shade: #A56D20, #B67F33, #C79146, #D8A359 and #E9B56C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06D25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06D25 shade: #A06D25, #8F5B12, #7E4900, #6D3700 and #5C2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06D25 shade: #A16D25, #A14C25, #A12B25 and #A12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06D25 shade: #A16D25, #A18F25, #91A125, #70A125 and #4FA125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06D25 shade matches the following richer shades: #A16D25, #B17015 and #C17305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06D25 shade: #A16D25, #916B35, #806845, #706556 and #606266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06D25 shade: #A12B25, #A14C25, #A16D25, #A18E25 and #92A125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06D25 shade: #5E4016, #7F571D, #A16D25, #C2842D and #D39845

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06D25 shade: #A06D25, #40A125 and #3C25A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06D25 shade: #A06D25, #25A16D and #6D25A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06D25 shade: #A06D25, #40A125, #2559A1 and #8625A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06D25 shade: #A06D25, #25A130, #2559A1 and #A12596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

Complementary color

CMYK 56 / 33 / 0 / 15

HEX #5F92DA

RGB 95 146 218

HSL 215.12, 0.62%, 0.61%

LAB 59.94, 4, -41.92

 

CMYK 0 / 34 / 81 / 35

HEX #A56D20

RGB 165 109 32

HSL 34.74, 0.68%, 0.39%

LAB 50.74, 15.8, 49.01

 

CMYK 0 / 30 / 72 / 29

HEX #B67F33

RGB 182 127 51

HSL 34.81, 0.56%, 0.46%

LAB 57.43, 14.12, 48.12

 

CMYK 0 / 27 / 65 / 22

HEX #C79146

RGB 199 145 70

HSL 34.88, 0.54%, 0.53%

LAB 64.03, 12.7, 46.85

 

CMYK 0 / 25 / 59 / 15

HEX #D8A359

RGB 216 163 89

HSL 34.96, 0.62%, 0.6%

LAB 70.53, 11.49, 45.48

 

CMYK 0 / 22 / 54 / 9

HEX #E9B56C

RGB 233 181 108

HSL 35.04, 0.74%, 0.67%

LAB 76.95, 10.46, 44.1

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 0 / 36 / 87 / 44

HEX #8F5B12

RGB 143 91 18

HSL 35.04, 0.78%, 0.32%

LAB 43.31, 15.62, 46.56

 

CMYK 0 / 42 / 100 / 51

HEX #7E4900

RGB 126 73 0

HSL 34.76, 1%, 0.25%

LAB 36.37, 17.84, 45.82

 

CMYK 0 / 50 / 100 / 57

HEX #6D3700

RGB 109 55 0

HSL 30.28, 1%, 0.21%

LAB 29.37, 20.53, 39.9

 

CMYK 0 / 60 / 100 / 64

HEX #5C2500

RGB 92 37 0

HSL 24.13, 1%, 0.18%

LAB 22.3, 23.21, 32.33

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 53 / 77 / 37

HEX #A14C25

RGB 161 76 37

HSL 18.87, 0.63%, 0.39%

LAB 42.58, 32.57, 38.6

 

CMYK 0 / 73 / 77 / 37

HEX #A12B25

RGB 161 43 37

HSL 2.9, 0.63%, 0.39%

LAB 36.82, 47.83, 32.49

 

CMYK 0 / 77 / 77 / 37

HEX #A12525

RGB 161 37 37

HSL 0, 0.63%, 0.39%

LAB 36.05, 49.95, 31.66

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 11 / 77 / 37

HEX #A18F25

RGB 161 143 37

HSL 51.29, 0.63%, 0.39%

LAB 59.3, -4.84, 54.92

 

CMYK 10 / 0 / 77 / 37

HEX #91A125

RGB 145 161 37

HSL 67.74, 0.63%, 0.39%

LAB 63.05, -21.41, 57.91

 

CMYK 30 / 0 / 77 / 37

HEX #70A125

RGB 112 161 37

HSL 83.71, 0.63%, 0.39%

LAB 60.84, -35.01, 55.05

 

CMYK 51 / 0 / 77 / 37

HEX #4FA125

RGB 79 161 37

HSL 99.68, 0.63%, 0.39%

LAB 59.24, -46.49, 52.95

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 37 / 88 / 31

HEX #B17015

RGB 177 112 21

HSL 35, 0.79%, 0.39%

LAB 52.94, 19.15, 55.31

 

CMYK 0 / 40 / 97 / 24

HEX #C17305

RGB 193 115 5

HSL 35.11, 0.95%, 0.39%

LAB 55.7, 24.26, 61.78

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 19 / 46 / 50

HEX #806845

RGB 128 104 69

HSL 35.59, 0.3%, 0.39%

LAB 45.52, 4.57, 23.29

 

CMYK 0 / 10 / 23 / 56

HEX #706556

RGB 112 101 86

HSL 34.62, 0.13%, 0.39%

LAB 43.4, 1.7, 10.09

 

CMYK 6 / 4 / 0 / 60

HEX #606266

RGB 96 98 102

HSL 220, 0.03%, 0.39%

LAB 41.5, 0.08, -2.54

 

CMYK 0 / 73 / 77 / 37

HEX #A12B25

RGB 161 43 37

HSL 2.9, 0.63%, 0.39%

LAB 36.82, 47.83, 32.49

 

CMYK 0 / 53 / 77 / 37

HEX #A14C25

RGB 161 76 37

HSL 18.87, 0.63%, 0.39%

LAB 42.58, 32.57, 38.6

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 12 / 77 / 37

HEX #A18E25

RGB 161 142 37

HSL 50.81, 0.63%, 0.39%

LAB 59.03, -4.3, 54.67

 

CMYK 9 / 0 / 77 / 37

HEX #92A125

RGB 146 161 37

HSL 67.26, 0.63%, 0.39%

LAB 63.12, -20.97, 58.01

 

CMYK 0 / 32 / 77 / 63

HEX #5E4016

RGB 94 64 22

HSL 35, 0.62%, 0.23%

LAB 29.67, 8.58, 29.87

 

CMYK 0 / 31 / 77 / 50

HEX #7F571D

RGB 127 87 29

HSL 35.51, 0.63%, 0.31%

LAB 40.27, 10.91, 38.61

 

CMYK 0 / 32 / 77 / 37

HEX #A16D25

RGB 161 109 37

HSL 34.84, 0.63%, 0.39%

LAB 50.27, 14.2, 46.32

 

CMYK 0 / 32 / 77 / 24

HEX #C2842D

RGB 194 132 45

HSL 35.03, 0.62%, 0.47%

LAB 60.03, 16.34, 53.8

 

CMYK 0 / 28 / 67 / 17

HEX #D39845

RGB 211 152 69

HSL 35.07, 0.62%, 0.55%

LAB 67.08, 13.98, 51.07

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 60 / 0 / 77 / 37

HEX #40A125

RGB 64 161 37

HSL 106.94, 0.63%, 0.39%

LAB 58.71, -50.66, 52.26

 

CMYK 63 / 77 / 0 / 37

HEX #3C25A1

RGB 60 37 161

HSL 251.13, 0.63%, 0.39%

LAB 26.32, 45.11, -62.96

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 77 / 0 / 32 / 37

HEX #25A16D

RGB 37 161 109

HSL 154.84, 0.63%, 0.39%

LAB 58.96, -45.5, 17.84

 

CMYK 32 / 77 / 0 / 37

HEX #6D25A1

RGB 109 37 161

HSL 274.84, 0.63%, 0.39%

LAB 32.14, 52.74, -53.2

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 60 / 0 / 77 / 37

HEX #40A125

RGB 64 161 37

HSL 106.94, 0.63%, 0.39%

LAB 58.71, -50.66, 52.26

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 17 / 77 / 0 / 37

HEX #8625A1

RGB 134 37 161

HSL 286.94, 0.63%, 0.39%

LAB 35.92, 57.53, -46.91

 

CMYK 0 / 32 / 77 / 37

HEX #A06D25

RGB 160 109 37

HSL 35.12, 0.62%, 0.39%

LAB 50.15, 13.74, 46.16

 

CMYK 77 / 0 / 70 / 37

HEX #25A130

RGB 37 161 48

HSL 125.32, 0.63%, 0.39%

LAB 58.13, -55.2, 47.33

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 0 / 77 / 7 / 37

HEX #A12596

RGB 161 37 150

HSL 305.32, 0.63%, 0.39%

LAB 39.75, 61.31, -33.87

 

Description

Color code: HEX #A06D25 | qconv.com Color code: HEX #A06D25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 109 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 109 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 77 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 77% 37% C M Y K

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Provide designers and agencies with accurate color values.

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