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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 97 110 it is the complementary color RGB 78 158 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 97 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 97 110 shade: RGB 182 97 105, RGB 199 115 124, RGB 216 133 143, RGB 233 151 162 and RGB 250 169 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 97 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 160 79 91, RGB 143 61 72, RGB 126 43 53 and RGB 109 25 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 97 110 shade: RGB 177 97 110 and RGB 177 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 177 97 132, RGB 177 97 153, RGB 177 97 175 and RGB 158 97 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 97 110 shade matches the following richer shades: RGB 177 97 110, RGB 196 78 97, RGB 215 59 85, RGB 234 40 72 and RGB 253 21 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 158 116 123, RGB 139 135 136, RGB 120 154 149 and RGB 101 173 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 97 110 shade: RGB 177 97 153, RGB 177 97 132, RGB 177 97 111, RGB 177 105 97 and RGB 177 127 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 97 110 shade: RGB 129 63 74, RGB 156 77 90, RGB 177 97 110, RGB 191 125 136 and RGB 204 153 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 174 177 97 and RGB 97 143 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 111 177 97 and RGB 97 111 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 174 177 97, RGB 97 177 164 and RGB 100 97 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 97 110 shade: RGB 177 97 110, RGB 150 177 97, RGB 97 177 164 and RGB 124 97 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

Complementary color

CMYK 51 / 0 / 8 / 38

HEX #4E9E91

RGB 78 158 145

HSL 170.25, 0.34%, 0.46%

LAB 59.99, -27.81, -0.74

 

CMYK 0 / 47 / 42 / 29

HEX #B66169

RGB 182 97 105

HSL 354.35, 0.37%, 0.55%

LAB 51.28, 35.04, 11.01

 

CMYK 0 / 42 / 38 / 22

HEX #C7737C

RGB 199 115 124

HSL 353.57, 0.43%, 0.62%

LAB 57.9, 34.01, 9.52

 

CMYK 0 / 38 / 34 / 15

HEX #D8858F

RGB 216 133 143

HSL 352.77, 0.52%, 0.68%

LAB 64.45, 33.06, 8.23

 

CMYK 0 / 35 / 30 / 9

HEX #E997A2

RGB 233 151 162

HSL 351.95, 0.65%, 0.75%

LAB 70.92, 32.17, 7.09

 

CMYK 0 / 32 / 28 / 2

HEX #FAA9B5

RGB 250 169 181

HSL 351.11, 0.89%, 0.82%

LAB 77.3, 31.36, 6.06

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 51 / 43 / 37

HEX #A04F5B

RGB 160 79 91

HSL 351.11, 0.34%, 0.47%

LAB 43.97, 34.77, 8.72

 

CMYK 0 / 57 / 50 / 44

HEX #8F3D48

RGB 143 61 72

HSL 351.95, 0.4%, 0.4%

LAB 37.2, 35.8, 10.67

 

CMYK 0 / 66 / 58 / 51

HEX #7E2B35

RGB 126 43 53

HSL 352.77, 0.49%, 0.33%

LAB 30.45, 36.7, 13.19

 

CMYK 0 / 77 / 69 / 57

HEX #6D1922

RGB 109 25 34

HSL 353.57, 0.63%, 0.26%

LAB 23.88, 37.14, 16.59

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 45 / 45 / 31

HEX #B16161

RGB 177 97 97

HSL 0, 0.34%, 0.54%

LAB 50.4, 32.26, 14.43

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 45 / 25 / 31

HEX #B16184

RGB 177 97 132

HSL 333.75, 0.34%, 0.54%

LAB 51.34, 36.68, -5.06

 

CMYK 0 / 45 / 14 / 31

HEX #B16199

RGB 177 97 153

HSL 318, 0.34%, 0.54%

LAB 52.06, 39.95, -16.39

 

CMYK 0 / 45 / 1 / 31

HEX #B161AF

RGB 177 97 175

HSL 301.5, 0.34%, 0.54%

LAB 52.94, 43.82, -27.9

 

CMYK 11 / 45 / 0 / 31

HEX #9E61B1

RGB 158 97 177

HSL 285.75, 0.34%, 0.54%

LAB 50.68, 38.46, -32.76

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 60 / 51 / 23

HEX #C44E61

RGB 196 78 97

HSL 350.34, 0.5%, 0.54%

LAB 49.55, 48.73, 13.7

 

CMYK 0 / 73 / 60 / 16

HEX #D73B55

RGB 215 59 85

HSL 350, 0.66%, 0.54%

LAB 49.77, 61.5, 21.79

 

CMYK 0 / 83 / 69 / 8

HEX #EA2848

RGB 234 40 72

HSL 350.1, 0.82%, 0.54%

LAB 51.24, 71.46, 32.17

 

CMYK 0 / 92 / 77 / 1

HEX #FD153B

RGB 253 21 59

HSL 350.17, 0.98%, 0.54%

LAB 53.74, 78.9, 43.55

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 27 / 22 / 38

HEX #9E747B

RGB 158 116 123

HSL 350, 0.18%, 0.54%

LAB 53.16, 17.59, 2.65

 

CMYK 0 / 3 / 2 / 45

HEX #8B8788

RGB 139 135 136

HSL 345, 0.02%, 0.54%

LAB 56.68, 1.68, -0.01

 

CMYK 22 / 0 / 3 / 40

HEX #789A95

RGB 120 154 149

HSL 171.18, 0.14%, 0.54%

LAB 61.02, -12.81, -1.25

 

CMYK 42 / 0 / 6 / 32

HEX #65ADA2

RGB 101 173 162

HSL 170.83, 0.31%, 0.54%

LAB 65.95, -25.24, -1.43

 

CMYK 0 / 45 / 14 / 31

HEX #B16199

RGB 177 97 153

HSL 318, 0.34%, 0.54%

LAB 52.06, 39.95, -16.39

 

CMYK 0 / 45 / 25 / 31

HEX #B16184

RGB 177 97 132

HSL 333.75, 0.34%, 0.54%

LAB 51.34, 36.68, -5.06

 

CMYK 0 / 45 / 37 / 31

HEX #B1616F

RGB 177 97 111

HSL 349.5, 0.34%, 0.54%

LAB 50.74, 33.86, 6.57

 

CMYK 0 / 41 / 45 / 31

HEX #B16961

RGB 177 105 97

HSL 6, 0.34%, 0.54%

LAB 52.19, 27.89, 16.88

 

CMYK 0 / 28 / 45 / 31

HEX #B17F61

RGB 177 127 97

HSL 22.5, 0.34%, 0.54%

LAB 57.45, 15.61, 23.95

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 51 / 42 / 39

HEX #9C4D5A

RGB 156 77 90

HSL 350.13, 0.34%, 0.46%

LAB 42.93, 34.22, 7.78

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 0 / 35 / 29 / 25

HEX #BF7D88

RGB 191 125 136

HSL 350, 0.34%, 0.62%

LAB 59.45, 27.12, 4.67

 

CMYK 0 / 25 / 21 / 20

HEX #CC99A1

RGB 204 153 161

HSL 350.59, 0.33%, 0.7%

LAB 68.16, 20.25, 3.27

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 2 / 0 / 45 / 31

HEX #AEB161

RGB 174 177 97

HSL 62.25, 0.34%, 0.54%

LAB 70.39, -12.85, 40.37

 

CMYK 45 / 19 / 0 / 31

HEX #618FB1

RGB 97 143 177

HSL 205.5, 0.34%, 0.54%

LAB 57.43, -6.32, -22.7

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 37 / 0 / 45 / 31

HEX #6FB161

RGB 111 177 97

HSL 109.5, 0.34%, 0.54%

LAB 66.28, -36.73, 34.36

 

CMYK 45 / 37 / 0 / 31

HEX #616FB1

RGB 97 111 177

HSL 229.5, 0.34%, 0.54%

LAB 48.37, 12.59, -36.79

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 2 / 0 / 45 / 31

HEX #AEB161

RGB 174 177 97

HSL 62.25, 0.34%, 0.54%

LAB 70.39, -12.85, 40.37

 

CMYK 45 / 0 / 7 / 31

HEX #61B1A4

RGB 97 177 164

HSL 170.25, 0.34%, 0.54%

LAB 67.03, -27.76, -0.99

 

CMYK 44 / 45 / 0 / 31

HEX #6461B1

RGB 100 97 177

HSL 242.25, 0.34%, 0.54%

LAB 44.85, 21.99, -42.35

 

CMYK 0 / 45 / 38 / 31

HEX #B1616E

RGB 177 97 110

HSL 350.25, 0.34%, 0.54%

LAB 50.71, 33.74, 7.13

 

CMYK 15 / 0 / 45 / 31

HEX #96B161

RGB 150 177 97

HSL 80.25, 0.34%, 0.54%

LAB 68.6, -22.5, 37.76

 

CMYK 45 / 0 / 7 / 31

HEX #61B1A4

RGB 97 177 164

HSL 170.25, 0.34%, 0.54%

LAB 67.03, -27.76, -0.99

 

CMYK 30 / 45 / 0 / 31

HEX #7C61B1

RGB 124 97 177

HSL 260.25, 0.34%, 0.54%

LAB 46.99, 28.47, -38.82

 

Description

Color code: RGB 177 97 110 | qconv.com Color code: RGB 177 97 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 97 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 97 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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