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Color name
RGB 177 98 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 98 56 it is the complementary color RGB 78 157 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 98 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 98 56 shade: RGB 182 98 51, RGB 199 116 70, RGB 216 134 89, RGB 233 152 108 and RGB 250 170 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 98 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 98 56 shade: RGB 177 98 56, RGB 160 80 37, RGB 143 62 18, RGB 126 44 0 and RGB 109 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 98 56 shade: RGB 178 98 56, RGB 178 65 56 and RGB 178 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 98 56 shade: RGB 178 98 56, RGB 178 131 56, RGB 178 164 56, RGB 159 178 56 and RGB 126 178 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 98 56 shade matches the following richer shades: RGB 178 98 56, RGB 197 92 37 and RGB 216 87 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 98 56 shade: RGB 178 98 56, RGB 159 104 75, RGB 140 110 94, RGB 121 116 113 and RGB 102 121 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 98 56 shade: RGB 178 56 80, RGB 178 64 56, RGB 178 96 56, RGB 178 129 56 and RGB 178 162 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 98 56 shade: RGB 115 63 36, RGB 146 81 46, RGB 178 98 56, RGB 198 119 77 and RGB 208 143 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 98 56 shade: RGB 177 98 56, RGB 113 178 56 and RGB 56 64 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 98 56 shade: RGB 177 98 56, RGB 56 178 96 and RGB 96 56 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 98 56 shade: RGB 177 98 56, RGB 113 178 56, RGB 56 137 178 and RGB 121 56 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 98 56 shade: RGB 177 98 56, RGB 76 178 56, RGB 56 137 178 and RGB 157 56 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

Complementary color

CMYK 61 / 21 / 0 / 22

HEX #4E9DC7

RGB 78 157 199

HSL 200.83, 0.52%, 0.54%

LAB 61.53, -11.67, -28.87

 

CMYK 0 / 46 / 72 / 29

HEX #B66233

RGB 182 98 51

HSL 21.53, 0.56%, 0.46%

LAB 50.59, 30.11, 40.86

 

CMYK 0 / 42 / 65 / 22

HEX #C77446

RGB 199 116 70

HSL 21.4, 0.54%, 0.53%

LAB 57.15, 28.52, 38.98

 

CMYK 0 / 38 / 59 / 15

HEX #D88659

RGB 216 134 89

HSL 21.26, 0.62%, 0.6%

LAB 63.65, 27.11, 37.2

 

CMYK 0 / 35 / 54 / 9

HEX #E9986C

RGB 233 152 108

HSL 21.12, 0.74%, 0.67%

LAB 70.08, 25.86, 35.55

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA7F

RGB 250 170 127

HSL 20.98, 0.92%, 0.74%

LAB 76.44, 24.75, 34.02

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 0 / 50 / 77 / 37

HEX #A05025

RGB 160 80 37

HSL 20.98, 0.62%, 0.39%

LAB 43.28, 30.02, 39.27

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 0 / 65 / 100 / 51

HEX #7E2C00

RGB 126 44 0

HSL 20.95, 1%, 0.25%

LAB 30, 33.79, 41.67

 

CMYK 0 / 76 / 100 / 57

HEX #6D1A00

RGB 109 26 0

HSL 14.31, 1%, 0.21%

LAB 23.64, 35.44, 34.77

 

CMYK 0 / 45 / 69 / 30

HEX #B26238

RGB 178 98 56

HSL 20.66, 0.52%, 0.46%

LAB 50.08, 28.73, 37.51

 

CMYK 0 / 63 / 69 / 30

HEX #B24138

RGB 178 65 56

HSL 4.43, 0.52%, 0.46%

LAB 43.55, 45.41, 29.89

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 45 / 69 / 30

HEX #B26238

RGB 178 98 56

HSL 20.66, 0.52%, 0.46%

LAB 50.08, 28.73, 37.51

 

CMYK 0 / 26 / 69 / 30

HEX #B28338

RGB 178 131 56

HSL 36.89, 0.52%, 0.46%

LAB 58.02, 10.4, 46.29

 

CMYK 0 / 8 / 69 / 30

HEX #B2A438

RGB 178 164 56

HSL 53.11, 0.52%, 0.46%

LAB 66.75, -7.58, 55.41

 

CMYK 11 / 0 / 69 / 30

HEX #9FB238

RGB 159 178 56

HSL 69.34, 0.52%, 0.46%

LAB 69.11, -22.93, 57.31

 

CMYK 29 / 0 / 69 / 30

HEX #7EB238

RGB 126 178 56

HSL 85.57, 0.52%, 0.46%

LAB 66.95, -36.16, 54.41

 

CMYK 0 / 45 / 69 / 30

HEX #B26238

RGB 178 98 56

HSL 20.66, 0.52%, 0.46%

LAB 50.08, 28.73, 37.51

 

CMYK 0 / 53 / 81 / 23

HEX #C55C25

RGB 197 92 37

HSL 20.63, 0.68%, 0.46%

LAB 51.45, 38.71, 49.19

 

CMYK 0 / 60 / 92 / 15

HEX #D85712

RGB 216 87 18

HSL 20.91, 0.85%, 0.46%

LAB 53.45, 47.9, 59.09

 

CMYK 0 / 45 / 69 / 30

HEX #B26238

RGB 178 98 56

HSL 20.66, 0.52%, 0.46%

LAB 50.08, 28.73, 37.51

 

CMYK 0 / 35 / 53 / 38

HEX #9F684B

RGB 159 104 75

HSL 20.71, 0.36%, 0.46%

LAB 49.23, 18.79, 25.32

 

CMYK 0 / 21 / 33 / 45

HEX #8C6E5E

RGB 140 110 94

HSL 20.87, 0.2%, 0.46%

LAB 48.93, 9.44, 13.45

 

CMYK 0 / 4 / 7 / 53

HEX #797471

RGB 121 116 113

HSL 22.5, 0.03%, 0.46%

LAB 49.19, 1.34, 2.33

 

CMYK 23 / 8 / 0 / 48

HEX #667984

RGB 102 121 132

HSL 202, 0.13%, 0.46%

LAB 49.7, -4.35, -8.32

 

CMYK 0 / 69 / 55 / 30

HEX #B23850

RGB 178 56 80

HSL 348.2, 0.52%, 0.46%

LAB 42.57, 50.87, 14.01

 

CMYK 0 / 64 / 69 / 30

HEX #B24038

RGB 178 64 56

HSL 3.93, 0.52%, 0.46%

LAB 43.39, 45.85, 29.69

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 0 / 28 / 69 / 30

HEX #B28138

RGB 178 129 56

HSL 35.9, 0.52%, 0.46%

LAB 57.51, 11.51, 45.74

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 45 / 69 / 55

HEX #733F24

RGB 115 63 36

HSL 20.51, 0.52%, 0.3%

LAB 32.54, 20.06, 26.1

 

CMYK 0 / 45 / 68 / 43

HEX #92512E

RGB 146 81 46

HSL 21, 0.52%, 0.38%

LAB 41.52, 23.99, 31.96

 

CMYK 0 / 45 / 69 / 30

HEX #B26238

RGB 178 98 56

HSL 20.66, 0.52%, 0.46%

LAB 50.08, 28.73, 37.51

 

CMYK 0 / 40 / 61 / 22

HEX #C6774D

RGB 198 119 77

HSL 20.83, 0.51%, 0.54%

LAB 57.78, 26.97, 35.96

 

CMYK 0 / 31 / 48 / 18

HEX #D08F6C

RGB 208 143 108

HSL 21, 0.52%, 0.62%

LAB 65.07, 20.64, 28.52

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 37 / 0 / 69 / 30

HEX #71B238

RGB 113 178 56

HSL 91.97, 0.52%, 0.46%

LAB 66.24, -40.92, 53.45

 

CMYK 69 / 64 / 0 / 30

HEX #3840B2

RGB 56 64 178

HSL 236.07, 0.52%, 0.46%

LAB 33.4, 34.38, -61.57

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 69 / 0 / 46 / 30

HEX #38B260

RGB 56 178 96

HSL 139.67, 0.52%, 0.46%

LAB 64.58, -51.63, 32.31

 

CMYK 46 / 69 / 0 / 30

HEX #6038B2

RGB 96 56 178

HSL 259.67, 0.52%, 0.46%

LAB 35.06, 45.67, -58.71

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 37 / 0 / 69 / 30

HEX #71B238

RGB 113 178 56

HSL 91.97, 0.52%, 0.46%

LAB 66.24, -40.92, 53.45

 

CMYK 69 / 23 / 0 / 30

HEX #3889B2

RGB 56 137 178

HSL 200.16, 0.52%, 0.46%

LAB 53.97, -11.24, -28.75

 

CMYK 32 / 69 / 0 / 30

HEX #7938B2

RGB 121 56 178

HSL 271.97, 0.52%, 0.46%

LAB 38.03, 50.64, -53.75

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 57 / 0 / 69 / 30

HEX #4CB238

RGB 76 178 56

HSL 110.16, 0.52%, 0.46%

LAB 64.69, -52.35, 51.35

 

CMYK 69 / 23 / 0 / 30

HEX #3889B2

RGB 56 137 178

HSL 200.16, 0.52%, 0.46%

LAB 53.97, -11.24, -28.75

 

CMYK 12 / 69 / 0 / 30

HEX #9D38B2

RGB 157 56 178

HSL 289.67, 0.52%, 0.46%

LAB 43.08, 58.52, -45.37

 

Description

Color code: RGB 177 98 56 | qconv.com Color code: RGB 177 98 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 98 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 98 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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