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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 148 75 it is the complementary color RGB 76 107 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 148 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 148 75 shade: RGB 184 148 70, RGB 201 166 89, RGB 218 184 108, RGB 235 202 127 and RGB 252 220 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 148 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 162 130 56, RGB 145 112 37, RGB 128 94 18 and RGB 111 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 179 120 75, RGB 179 92 75 and RGB 179 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 179 176 75, RGB 154 179 75, RGB 126 179 75 and RGB 98 179 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 148 75 shade matches the following richer shades: RGB 179 148 75, RGB 200 156 54, RGB 221 165 33 and RGB 241 173 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 159 140 95, RGB 138 131 116, RGB 117 123 137 and RGB 97 115 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 148 75 shade: RGB 179 92 75, RGB 179 120 75, RGB 179 148 75, RGB 179 176 75 and RGB 155 179 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 148 75 shade: RGB 121 100 50, RGB 150 124 63, RGB 179 148 75, RGB 191 165 104 and RGB 204 183 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 85 179 75 and RGB 106 75 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 75 179 148 and RGB 148 75 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 85 179 75, RGB 75 106 179 and RGB 169 75 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 148 75 shade: RGB 179 148 75, RGB 75 179 96, RGB 75 106 179 and RGB 179 75 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

Complementary color

CMYK 58 / 41 / 0 / 29

HEX #4C6BB4

RGB 76 107 180

HSL 222.12, 0.41%, 0.5%

LAB 46.11, 11.09, -42.2

 

CMYK 0 / 20 / 62 / 28

HEX #B89446

RGB 184 148 70

HSL 41.05, 0.45%, 0.5%

LAB 63.19, 4.55, 45.47

 

CMYK 0 / 17 / 56 / 21

HEX #C9A659

RGB 201 166 89

HSL 41.25, 0.51%, 0.57%

LAB 69.76, 3.55, 44.19

 

CMYK 0 / 16 / 50 / 15

HEX #DAB86C

RGB 218 184 108

HSL 41.45, 0.6%, 0.64%

LAB 76.23, 2.7, 42.89

 

CMYK 0 / 14 / 46 / 8

HEX #EBCA7F

RGB 235 202 127

HSL 41.67, 0.73%, 0.71%

LAB 82.61, 1.98, 41.61

 

CMYK 0 / 13 / 42 / 1

HEX #FCDC92

RGB 252 220 146

HSL 41.89, 0.95%, 0.78%

LAB 88.9, 1.35, 40.39

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 0 / 23 / 74 / 43

HEX #917025

RGB 145 112 37

HSL 41.67, 0.59%, 0.36%

LAB 49.18, 5.14, 44.61

 

CMYK 0 / 27 / 86 / 50

HEX #805E12

RGB 128 94 18

HSL 41.45, 0.75%, 0.29%

LAB 42.21, 6.79, 44.88

 

CMYK 0 / 32 / 100 / 56

HEX #6F4C00

RGB 111 76 0

HSL 41.08, 1%, 0.22%

LAB 35.1, 8.81, 43.99

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 33 / 58 / 30

HEX #B3784B

RGB 179 120 75

HSL 25.96, 0.41%, 0.5%

LAB 55.61, 18.3, 33.84

 

CMYK 0 / 49 / 58 / 30

HEX #B35C4B

RGB 179 92 75

HSL 9.81, 0.41%, 0.5%

LAB 49.19, 33.68, 25.81

 

CMYK 0 / 58 / 58 / 30

HEX #B34B4B

RGB 179 75 75

HSL 0, 0.41%, 0.5%

LAB 45.8, 42.34, 21.43

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 2 / 58 / 30

HEX #B3B04B

RGB 179 176 75

HSL 58.27, 0.41%, 0.5%

LAB 70.28, -12.18, 50.95

 

CMYK 14 / 0 / 58 / 30

HEX #9AB34B

RGB 154 179 75

HSL 74.42, 0.41%, 0.5%

LAB 69.2, -24.11, 49.21

 

CMYK 30 / 0 / 58 / 30

HEX #7EB34B

RGB 126 179 75

HSL 90.58, 0.41%, 0.5%

LAB 67.41, -35, 46.71

 

CMYK 45 / 0 / 58 / 30

HEX #62B34B

RGB 98 179 75

HSL 106.73, 0.41%, 0.5%

LAB 66.02, -44.55, 44.73

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 22 / 73 / 22

HEX #C89C36

RGB 200 156 54

HSL 41.92, 0.57%, 0.5%

LAB 66.77, 6.26, 56.94

 

CMYK 0 / 25 / 85 / 13

HEX #DDA521

RGB 221 165 33

HSL 42.13, 0.74%, 0.5%

LAB 71.14, 9.86, 68.9

 

CMYK 0 / 28 / 95 / 5

HEX #F1AD0D

RGB 241 173 13

HSL 42.11, 0.9%, 0.5%

LAB 75.21, 13.92, 76.91

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 12 / 40 / 38

HEX #9F8C5F

RGB 159 140 95

HSL 42.19, 0.25%, 0.5%

LAB 58.93, 0.52, 26.66

 

CMYK 0 / 5 / 16 / 46

HEX #8A8374

RGB 138 131 116

HSL 40.91, 0.09%, 0.5%

LAB 54.97, -0.06, 9.05

 

CMYK 15 / 10 / 0 / 46

HEX #757B89

RGB 117 123 137

HSL 222, 0.08%, 0.5%

LAB 51.56, 0.82, -8.36

 

CMYK 38 / 27 / 0 / 38

HEX #61739D

RGB 97 115 157

HSL 222, 0.24%, 0.5%

LAB 48.56, 4.25, -24.81

 

CMYK 0 / 49 / 58 / 30

HEX #B35C4B

RGB 179 92 75

HSL 9.81, 0.41%, 0.5%

LAB 49.19, 33.68, 25.81

 

CMYK 0 / 33 / 58 / 30

HEX #B3784B

RGB 179 120 75

HSL 25.96, 0.41%, 0.5%

LAB 55.61, 18.3, 33.84

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 2 / 58 / 30

HEX #B3B04B

RGB 179 176 75

HSL 58.27, 0.41%, 0.5%

LAB 70.28, -12.18, 50.95

 

CMYK 13 / 0 / 58 / 30

HEX #9BB34B

RGB 155 179 75

HSL 73.85, 0.41%, 0.5%

LAB 69.27, -23.7, 49.31

 

CMYK 0 / 17 / 59 / 53

HEX #796432

RGB 121 100 50

HSL 42.25, 0.42%, 0.34%

LAB 43.37, 1.81, 31.13

 

CMYK 0 / 17 / 58 / 41

HEX #967C3F

RGB 150 124 63

HSL 42.07, 0.41%, 0.42%

LAB 53.23, 2.33, 36.6

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 0 / 14 / 46 / 25

HEX #BFA568

RGB 191 165 104

HSL 42.07, 0.4%, 0.58%

LAB 68.74, 1.26, 35.04

 

CMYK 0 / 10 / 35 / 20

HEX #CCB785

RGB 204 183 133

HSL 42.25, 0.41%, 0.66%

LAB 75.08, 0.19, 28.19

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 53 / 0 / 58 / 30

HEX #55B34B

RGB 85 179 75

HSL 114.23, 0.41%, 0.5%

LAB 65.5, -48.36, 44

 

CMYK 41 / 58 / 0 / 30

HEX #6A4BB3

RGB 106 75 179

HSL 257.88, 0.41%, 0.5%

LAB 40.17, 37.37, -50.99

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 58 / 0 / 17 / 30

HEX #4BB394

RGB 75 179 148

HSL 162.12, 0.41%, 0.5%

LAB 66.42, -37.64, 6.88

 

CMYK 17 / 58 / 0 / 30

HEX #944BB3

RGB 148 75 179

HSL 282.12, 0.41%, 0.5%

LAB 45.06, 47.79, -42.88

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 53 / 0 / 58 / 30

HEX #55B34B

RGB 85 179 75

HSL 114.23, 0.41%, 0.5%

LAB 65.5, -48.36, 44

 

CMYK 58 / 41 / 0 / 30

HEX #4B6AB3

RGB 75 106 179

HSL 222.12, 0.41%, 0.5%

LAB 45.71, 11.17, -42.24

 

CMYK 6 / 58 / 0 / 30

HEX #A94BB3

RGB 169 75 179

HSL 294.23, 0.41%, 0.5%

LAB 47.91, 53.28, -38.18

 

CMYK 0 / 17 / 58 / 30

HEX #B3944B

RGB 179 148 75

HSL 42.12, 0.41%, 0.5%

LAB 62.74, 2.75, 42.36

 

CMYK 58 / 0 / 46 / 30

HEX #4BB360

RGB 75 179 96

HSL 132.12, 0.41%, 0.5%

LAB 65.42, -48.04, 33.48

 

CMYK 58 / 41 / 0 / 30

HEX #4B6AB3

RGB 75 106 179

HSL 222.12, 0.41%, 0.5%

LAB 45.71, 11.17, -42.24

 

CMYK 0 / 58 / 12 / 30

HEX #B34B9E

RGB 179 75 158

HSL 312.12, 0.41%, 0.5%

LAB 48.37, 52.37, -24.99

 

Description

Color code: RGB 179 148 75 | qconv.com Color code: RGB 179 148 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 148 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 148 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 58 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 58% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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