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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 39 128 it is the complementary color RGB 75 216 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 39 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 39 128 shade: RGB 185 39 123, RGB 202 57 142, RGB 219 75 161, RGB 236 93 180 and RGB 253 111 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 39 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 39 128 shade: RGB 180 39 128, RGB 163 21 109, RGB 146 3 90, RGB 129 0 71 and RGB 112 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 39 128 shade: RGB 179 39 128, RGB 179 39 90, RGB 179 39 52 and RGB 179 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 39 128 shade: RGB 179 39 128, RGB 179 39 165, RGB 155 39 179, RGB 118 39 179 and RGB 80 39 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 39 128 shade matches the following richer shades: RGB 179 39 128, RGB 197 21 132 and RGB 215 3 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 39 128 shade: RGB 179 39 128, RGB 162 57 123, RGB 144 74 118, RGB 126 92 114 and RGB 108 110 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 39 128 shade: RGB 156 39 179, RGB 179 39 165, RGB 179 39 128, RGB 179 39 90 and RGB 179 39 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 39 128 shade: RGB 112 24 79, RGB 145 32 103, RGB 179 39 128, RGB 210 50 151 and RGB 217 84 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 39 128 shade: RGB 180 39 128, RGB 179 119 39 and RGB 39 179 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 39 128 shade: RGB 180 39 128, RGB 128 179 39 and RGB 39 128 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 39 128 shade: RGB 180 39 128, RGB 179 119 39, RGB 39 179 90 and RGB 39 100 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 39 128 shade: RGB 180 39 128, RGB 179 161 39, RGB 39 179 90 and RGB 39 58 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

Complementary color

CMYK 65 / 0 / 41 / 15

HEX #4BD87F

RGB 75 216 127

HSL 142.13, 0.64%, 0.57%

LAB 77.36, -57.2, 33.05

 

CMYK 0 / 79 / 34 / 27

HEX #B9277B

RGB 185 39 123

HSL 325.48, 0.65%, 0.44%

LAB 43.06, 62.82, -11.88

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 0 / 66 / 26 / 14

HEX #DB4BA1

RGB 219 75 161

HSL 324.17, 0.67%, 0.58%

LAB 54.73, 64.01, -16.46

 

CMYK 0 / 61 / 24 / 7

HEX #EC5DB4

RGB 236 93 180

HSL 323.5, 0.79%, 0.65%

LAB 60.74, 63.88, -18.09

 

CMYK 0 / 56 / 21 / 1

HEX #FD6FC7

RGB 253 111 199

HSL 322.82, 0.97%, 0.71%

LAB 66.81, 63.49, -19.43

 

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

CMYK 0 / 87 / 33 / 36

HEX #A3156D

RGB 163 21 109

HSL 322.82, 0.77%, 0.36%

LAB 36.79, 60.28, -13.03

 

CMYK 0 / 98 / 38 / 43

HEX #92035A

RGB 146 3 90

HSL 323.5, 0.96%, 0.29%

LAB 31.61, 57.14, -8.99

 

CMYK 0 / 100 / 45 / 49

HEX #810047

RGB 129 0 71

HSL 326.98, 1%, 0.25%

LAB 27.08, 51.84, -3.54

 

CMYK 0 / 100 / 54 / 56

HEX #700034

RGB 112 0 52

HSL 332.14, 1%, 0.22%

LAB 22.63, 46.05, 2.55

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 78 / 50 / 30

HEX #B3275A

RGB 179 39 90

HSL 338.14, 0.64%, 0.43%

LAB 40.85, 57.99, 5.36

 

CMYK 0 / 78 / 71 / 30

HEX #B32734

RGB 179 39 52

HSL 354.43, 0.64%, 0.43%

LAB 40.05, 55.47, 28.14

 

CMYK 0 / 78 / 78 / 30

HEX #B32727

RGB 179 39 39

HSL 0, 0.64%, 0.43%

LAB 39.88, 54.93, 35.68

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 78 / 8 / 30

HEX #B327A5

RGB 179 39 165

HSL 306, 0.64%, 0.43%

LAB 43.87, 66.94, -36.18

 

CMYK 13 / 78 / 0 / 30

HEX #9B27B3

RGB 155 39 179

HSL 289.71, 0.64%, 0.43%

LAB 40.69, 64.38, -49.8

 

CMYK 34 / 78 / 0 / 30

HEX #7627B3

RGB 118 39 179

HSL 273.86, 0.64%, 0.43%

LAB 35.12, 57.65, -59.1

 

CMYK 55 / 78 / 0 / 30

HEX #5027B3

RGB 80 39 179

HSL 257.57, 0.64%, 0.43%

LAB 30.43, 51.9, -66.96

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 89 / 33 / 23

HEX #C51584

RGB 197 21 132

HSL 322.16, 0.81%, 0.43%

LAB 44.34, 70.46, -15.25

 

CMYK 0 / 99 / 36 / 16

HEX #D70389

RGB 215 3 137

HSL 322.08, 0.97%, 0.43%

LAB 47.39, 76.67, -13.34

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 65 / 24 / 36

HEX #A2397B

RGB 162 57 123

HSL 322.29, 0.48%, 0.43%

LAB 41.28, 50.21, -14.96

 

CMYK 0 / 49 / 18 / 44

HEX #904A76

RGB 144 74 118

HSL 322.29, 0.32%, 0.43%

LAB 41.43, 35.38, -11.9

 

CMYK 0 / 27 / 10 / 51

HEX #7E5C72

RGB 126 92 114

HSL 321.18, 0.16%, 0.43%

LAB 43.22, 17.73, -6.99

 

CMYK 2 / 0 / 1 / 57

HEX #6C6E6D

RGB 108 110 109

HSL 150, 0.01%, 0.43%

LAB 46.24, -0.97, 0.28

 

CMYK 13 / 78 / 0 / 30

HEX #9C27B3

RGB 156 39 179

HSL 290.14, 0.64%, 0.43%

LAB 40.85, 64.57, -49.54

 

CMYK 0 / 78 / 8 / 30

HEX #B327A5

RGB 179 39 165

HSL 306, 0.64%, 0.43%

LAB 43.87, 66.94, -36.18

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 78 / 50 / 30

HEX #B3275A

RGB 179 39 90

HSL 338.14, 0.64%, 0.43%

LAB 40.85, 57.99, 5.36

 

CMYK 0 / 78 / 70 / 30

HEX #B32735

RGB 179 39 53

HSL 354, 0.64%, 0.43%

LAB 40.07, 55.52, 27.54

 

CMYK 0 / 79 / 29 / 56

HEX #70184F

RGB 112 24 79

HSL 322.5, 0.65%, 0.27%

LAB 25.75, 42.93, -11.27

 

CMYK 0 / 78 / 29 / 43

HEX #912067

RGB 145 32 103

HSL 322.3, 0.64%, 0.35%

LAB 34.05, 52.3, -13.71

 

CMYK 0 / 78 / 28 / 30

HEX #B32780

RGB 179 39 128

HSL 321.86, 0.64%, 0.43%

LAB 42.14, 61.91, -16.45

 

CMYK 0 / 76 / 28 / 18

HEX #D23297

RGB 210 50 151

HSL 322.13, 0.64%, 0.51%

LAB 49.76, 69.06, -18.25

 

CMYK 0 / 61 / 23 / 15

HEX #D954A8

RGB 217 84 168

HSL 322.11, 0.64%, 0.59%

LAB 56.01, 60.7, -18.63

 

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

CMYK 0 / 34 / 78 / 30

HEX #B37727

RGB 179 119 39

HSL 34.29, 0.64%, 0.43%

LAB 54.99, 16.7, 50.8

 

CMYK 78 / 0 / 2 / 30

HEX #27B3AF

RGB 39 179 175

HSL 178.29, 0.64%, 0.43%

LAB 66.34, -35.87, -8.28

 

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

CMYK 28 / 0 / 78 / 30

HEX #80B327

RGB 128 179 39

HSL 81.86, 0.64%, 0.43%

LAB 67.26, -36.86, 60.78

 

CMYK 78 / 28 / 0 / 30

HEX #2780B3

RGB 39 128 179

HSL 201.86, 0.64%, 0.43%

LAB 50.83, -8.07, -34.25

 

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

CMYK 0 / 34 / 78 / 30

HEX #B37727

RGB 179 119 39

HSL 34.29, 0.64%, 0.43%

LAB 54.99, 16.7, 50.8

 

CMYK 78 / 0 / 50 / 30

HEX #27B35A

RGB 39 179 90

HSL 141.86, 0.64%, 0.43%

LAB 64.49, -55.61, 35.19

 

CMYK 78 / 44 / 0 / 30

HEX #2764B3

RGB 39 100 179

HSL 213.86, 0.64%, 0.43%

LAB 42.46, 9.09, -47.52

 

CMYK 0 / 78 / 29 / 29

HEX #B42780

RGB 180 39 128

HSL 322.13, 0.64%, 0.43%

LAB 42.33, 62.16, -16.15

 

CMYK 0 / 10 / 78 / 30

HEX #B3A127

RGB 179 161 39

HSL 52.29, 0.64%, 0.43%

LAB 65.92, -6.35, 60.94

 

CMYK 78 / 0 / 50 / 30

HEX #27B35A

RGB 39 179 90

HSL 141.86, 0.64%, 0.43%

LAB 64.49, -55.61, 35.19

 

CMYK 78 / 68 / 0 / 30

HEX #273AB3

RGB 39 58 179

HSL 231.86, 0.64%, 0.43%

LAB 31.14, 36.61, -65.9

 

Description

Color code: RGB 180 39 128 | qconv.com Color code: RGB 180 39 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 39 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 39 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 29% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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