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Color name
RGB 182 104 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 104 93 it is the complementary color RGB 73 151 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 104 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 104 93 shade: RGB 187 104 88, RGB 204 122 107, RGB 221 140 126, RGB 238 158 145 and RGB 255 176 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 104 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 165 86 74, RGB 148 68 55, RGB 131 50 36 and RGB 114 32 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 104 93 shade: RGB 182 104 93 and RGB 182 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 182 128 93, RGB 182 152 93, RGB 182 176 93 and RGB 164 182 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 104 93 shade matches the following richer shades: RGB 182 104 93, RGB 201 89 74, RGB 220 75 55 and RGB 239 61 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 163 118 112, RGB 144 132 131, RGB 125 147 150 and RGB 106 161 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 104 93 shade: RGB 182 93 130, RGB 182 93 106, RGB 182 103 93, RGB 182 127 93 and RGB 182 151 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 104 93 shade: RGB 133 68 59, RGB 161 83 72, RGB 182 104 93, RGB 195 130 121 and RGB 207 157 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 154 182 93 and RGB 93 118 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 93 182 103 and RGB 103 93 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 154 182 93, RGB 93 171 182 and RGB 121 93 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 104 93 shade: RGB 182 104 93, RGB 127 182 93, RGB 93 171 182 and RGB 148 93 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

Complementary color

CMYK 55 / 7 / 0 / 36

HEX #4997A2

RGB 73 151 162

HSL 187.42, 0.38%, 0.46%

LAB 58.19, -20.72, -13.1

 

CMYK 0 / 44 / 53 / 27

HEX #BB6858

RGB 187 104 88

HSL 9.7, 0.42%, 0.54%

LAB 53.14, 31.52, 23.62

 

CMYK 0 / 40 / 48 / 20

HEX #CC7A6B

RGB 204 122 107

HSL 9.28, 0.49%, 0.61%

LAB 59.72, 30.32, 21.9

 

CMYK 0 / 37 / 43 / 13

HEX #DD8C7E

RGB 221 140 126

HSL 8.84, 0.58%, 0.68%

LAB 66.24, 29.24, 20.39

 

CMYK 0 / 34 / 39 / 7

HEX #EE9E91

RGB 238 158 145

HSL 8.39, 0.73%, 0.75%

LAB 72.68, 28.27, 19.04

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A4

RGB 255 176 164

HSL 7.91, 1%, 0.82%

LAB 79.04, 27.39, 17.82

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 54 / 63 / 42

HEX #944437

RGB 148 68 55

HSL 8.39, 0.46%, 0.4%

LAB 39.08, 32.6, 23.87

 

CMYK 0 / 62 / 73 / 49

HEX #833224

RGB 131 50 36

HSL 8.84, 0.57%, 0.33%

LAB 32.33, 33.99, 26.53

 

CMYK 0 / 72 / 85 / 55

HEX #722011

RGB 114 32 17

HSL 9.28, 0.74%, 0.26%

LAB 25.72, 35.19, 29.63

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 49 / 49 / 29

HEX #B65D5D

RGB 182 93 93

HSL 0, 0.38%, 0.54%

LAB 50.17, 35.9, 16.6

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 30 / 49 / 29

HEX #B6805D

RGB 182 128 93

HSL 23.6, 0.38%, 0.54%

LAB 58.2, 16.72, 27.28

 

CMYK 0 / 16 / 49 / 29

HEX #B6985D

RGB 182 152 93

HSL 39.78, 0.38%, 0.54%

LAB 64.32, 3.43, 35.07

 

CMYK 0 / 3 / 49 / 29

HEX #B6B05D

RGB 182 176 93

HSL 55.96, 0.38%, 0.54%

LAB 70.72, -9.41, 42.93

 

CMYK 10 / 0 / 49 / 29

HEX #A4B65D

RGB 164 182 93

HSL 72.13, 0.38%, 0.54%

LAB 70.97, -19.87, 42.89

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 56 / 63 / 21

HEX #C9594A

RGB 201 89 74

HSL 7.09, 0.54%, 0.54%

LAB 51.9, 43.53, 30.51

 

CMYK 0 / 66 / 75 / 14

HEX #DC4B37

RGB 220 75 55

HSL 7.27, 0.7%, 0.54%

LAB 52.42, 55.5, 42.5

 

CMYK 0 / 74 / 85 / 6

HEX #EF3D24

RGB 239 61 36

HSL 7.39, 0.86%, 0.54%

LAB 53.83, 66, 54.48

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 28 / 31 / 36

HEX #A37670

RGB 163 118 112

HSL 7.06, 0.22%, 0.54%

LAB 53.93, 16.8, 10.27

 

CMYK 0 / 8 / 9 / 44

HEX #908483

RGB 144 132 131

HSL 4.62, 0.06%, 0.54%

LAB 56.16, 4.34, 2.17

 

CMYK 17 / 2 / 0 / 41

HEX #7D9396

RGB 125 147 150

HSL 187.2, 0.11%, 0.54%

LAB 59.37, -7.11, -4.21

 

CMYK 37 / 5 / 0 / 34

HEX #6AA1A9

RGB 106 161 169

HSL 187.62, 0.27%, 0.54%

LAB 62.86, -15.96, -9.9

 

CMYK 0 / 49 / 29 / 29

HEX #B65D82

RGB 182 93 130

HSL 335.06, 0.38%, 0.54%

LAB 51.14, 40.26, -4.09

 

CMYK 0 / 49 / 42 / 29

HEX #B65D6A

RGB 182 93 106

HSL 351.24, 0.38%, 0.54%

LAB 50.47, 37.27, 9.27

 

CMYK 0 / 43 / 49 / 29

HEX #B6675D

RGB 182 103 93

HSL 6.74, 0.38%, 0.54%

LAB 52.33, 30.55, 19.51

 

CMYK 0 / 30 / 49 / 29

HEX #B67F5D

RGB 182 127 93

HSL 22.92, 0.38%, 0.54%

LAB 57.96, 17.28, 26.96

 

CMYK 0 / 17 / 49 / 29

HEX #B6975D

RGB 182 151 93

HSL 39.1, 0.38%, 0.54%

LAB 64.05, 3.98, 34.74

 

CMYK 0 / 49 / 56 / 48

HEX #85443B

RGB 133 68 59

HSL 7.3, 0.39%, 0.38%

LAB 36.81, 26.83, 18.04

 

CMYK 0 / 48 / 55 / 37

HEX #A15348

RGB 161 83 72

HSL 7.42, 0.38%, 0.46%

LAB 44.56, 31.11, 21.08

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 0 / 33 / 38 / 24

HEX #C38279

RGB 195 130 121

HSL 7.3, 0.38%, 0.62%

LAB 60.74, 23.97, 15.14

 

CMYK 0 / 24 / 28 / 19

HEX #CF9D96

RGB 207 157 150

HSL 7.37, 0.37%, 0.7%

LAB 69.17, 17.6, 10.88

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 15 / 0 / 49 / 29

HEX #9AB65D

RGB 154 182 93

HSL 78.88, 0.38%, 0.54%

LAB 70.26, -23.85, 41.87

 

CMYK 49 / 35 / 0 / 29

HEX #5D76B6

RGB 93 118 182

HSL 223.15, 0.38%, 0.54%

LAB 50.29, 8.85, -36.68

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 49 / 0 / 43 / 29

HEX #5DB667

RGB 93 182 103

HSL 126.74, 0.38%, 0.54%

LAB 67.1, -43.52, 32.14

 

CMYK 43 / 49 / 0 / 29

HEX #675DB6

RGB 103 93 182

HSL 246.74, 0.38%, 0.54%

LAB 44.36, 26.7, -46.03

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 15 / 0 / 49 / 29

HEX #9AB65D

RGB 154 182 93

HSL 78.88, 0.38%, 0.54%

LAB 70.26, -23.85, 41.87

 

CMYK 49 / 6 / 0 / 29

HEX #5DABB6

RGB 93 171 182

HSL 187.42, 0.38%, 0.54%

LAB 65.62, -21.01, -13.1

 

CMYK 34 / 49 / 0 / 29

HEX #795DB6

RGB 121 93 182

HSL 258.88, 0.38%, 0.54%

LAB 46, 31.34, -43.32

 

CMYK 0 / 43 / 49 / 29

HEX #B6685D

RGB 182 104 93

HSL 7.42, 0.38%, 0.54%

LAB 52.55, 30.01, 19.81

 

CMYK 30 / 0 / 49 / 29

HEX #7FB65D

RGB 127 182 93

HSL 97.08, 0.38%, 0.54%

LAB 68.58, -34.03, 39.43

 

CMYK 49 / 6 / 0 / 29

HEX #5DABB6

RGB 93 171 182

HSL 187.42, 0.38%, 0.54%

LAB 65.62, -21.01, -13.1

 

CMYK 19 / 49 / 0 / 29

HEX #945DB6

RGB 148 93 182

HSL 277.08, 0.38%, 0.54%

LAB 48.89, 38.83, -38.57

 

Description

Color code: RGB 182 104 93 | qconv.com Color code: RGB 182 104 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 104 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 104 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 49 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 49% 29% C M Y K

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Provide designers and agencies with accurate color values.

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