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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 85 36 it is the complementary color RGB 71 170 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 85 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 85 36 shade: RGB 189 85 31, RGB 206 103 50, RGB 223 121 69, RGB 240 139 88 and RGB 255 157 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 85 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 85 36 shade: RGB 184 85 36, RGB 167 67 17, RGB 150 49 0, RGB 133 31 0 and RGB 116 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 85 36 shade: RGB 183 84 36, RGB 183 45 36 and RGB 183 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 85 36 shade: RGB 183 84 36, RGB 183 124 36, RGB 183 164 36, RGB 162 183 36 and RGB 122 183 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 85 36 shade matches the following richer shades: RGB 183 84 36, RGB 200 78 18 and RGB 218 72 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 85 36 shade: RGB 183 84 36, RGB 165 90 53, RGB 147 96 71, RGB 129 102 89 and RGB 112 108 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 85 36 shade: RGB 183 36 68, RGB 183 43 36, RGB 183 82 36, RGB 183 121 36 and RGB 183 161 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 85 36 shade: RGB 114 52 22, RGB 148 68 29, RGB 183 84 36, RGB 213 102 46 and RGB 220 127 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 85 36 shade: RGB 184 85 36, RGB 107 183 36 and RGB 36 48 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 85 36 shade: RGB 184 85 36, RGB 36 183 82 and RGB 82 36 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 85 36 shade: RGB 184 85 36, RGB 107 183 36, RGB 36 136 183 and RGB 112 36 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 85 36 shade: RGB 184 85 36, RGB 63 183 36, RGB 36 136 183 and RGB 156 36 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

Complementary color

CMYK 68 / 22 / 0 / 14

HEX #47AADB

RGB 71 170 219

HSL 199.86, 0.67%, 0.57%

LAB 65.91, -13.53, -33.22

 

CMYK 0 / 55 / 84 / 26

HEX #BD551F

RGB 189 85 31

HSL 20.51, 0.72%, 0.43%

LAB 48.78, 38.91, 48.91

 

CMYK 0 / 50 / 76 / 19

HEX #CE6732

RGB 206 103 50

HSL 20.38, 0.61%, 0.5%

LAB 55.13, 37.15, 47.21

 

CMYK 0 / 46 / 69 / 13

HEX #DF7945

RGB 223 121 69

HSL 20.26, 0.71%, 0.57%

LAB 61.47, 35.5, 45.31

 

CMYK 0 / 42 / 63 / 6

HEX #F08B58

RGB 240 139 88

HSL 20.13, 0.84%, 0.64%

LAB 67.8, 34, 43.45

 

CMYK 0 / 38 / 58 / 0

HEX #FF9D6B

RGB 255 157 107

HSL 20.27, 1%, 0.71%

LAB 73.83, 31.86, 41.33

 

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

CMYK 0 / 60 / 90 / 35

HEX #A74311

RGB 167 67 17

HSL 20, 0.82%, 0.36%

LAB 41.64, 38.91, 47.08

 

CMYK 0 / 67 / 100 / 41

HEX #963100

RGB 150 49 0

HSL 19.6, 1%, 0.29%

LAB 35.36, 40.62, 47.31

 

CMYK 0 / 77 / 100 / 48

HEX #851F00

RGB 133 31 0

HSL 13.98, 1%, 0.26%

LAB 29.33, 41.94, 41.75

 

CMYK 0 / 89 / 100 / 55

HEX #740D00

RGB 116 13 0

HSL 6.72, 1%, 0.23%

LAB 23.67, 41.97, 35.31

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 75 / 80 / 28

HEX #B72D24

RGB 183 45 36

HSL 3.67, 0.67%, 0.43%

LAB 41.33, 54.13, 39.09

 

CMYK 0 / 80 / 80 / 28

HEX #B72424

RGB 183 36 36

HSL 0, 0.67%, 0.43%

LAB 40.34, 56.9, 38.1

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 10 / 80 / 28

HEX #B7A424

RGB 183 164 36

HSL 52.24, 0.67%, 0.43%

LAB 67.09, -6.27, 63.07

 

CMYK 11 / 0 / 80 / 28

HEX #A2B724

RGB 162 183 36

HSL 68.57, 0.67%, 0.43%

LAB 70.65, -25.09, 65.56

 

CMYK 33 / 0 / 80 / 28

HEX #7AB724

RGB 122 183 36

HSL 84.9, 0.67%, 0.43%

LAB 68.12, -41.03, 62.33

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 61 / 91 / 22

HEX #C84E12

RGB 200 78 18

HSL 19.78, 0.83%, 0.43%

LAB 49.22, 46.16, 54.87

 

CMYK 0 / 67 / 100 / 15

HEX #DA4800

RGB 218 72 0

HSL 19.82, 1%, 0.43%

LAB 51.31, 54.88, 62.21

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 45 / 68 / 35

HEX #A55A35

RGB 165 90 53

HSL 19.82, 0.51%, 0.43%

LAB 46.4, 27.5, 34.44

 

CMYK 0 / 35 / 52 / 42

HEX #936047

RGB 147 96 71

HSL 19.74, 0.35%, 0.43%

LAB 45.67, 17.84, 22.74

 

CMYK 0 / 21 / 31 / 49

HEX #816659

RGB 129 102 89

HSL 19.5, 0.18%, 0.43%

LAB 45.48, 8.78, 11.46

 

CMYK 0 / 4 / 4 / 56

HEX #706C6B

RGB 112 108 107

HSL 12, 0.02%, 0.43%

LAB 45.95, 1.35, 1.1

 

CMYK 0 / 80 / 63 / 28

HEX #B72444

RGB 183 36 68

HSL 346.94, 0.67%, 0.43%

LAB 40.81, 58.37, 19.31

 

CMYK 0 / 77 / 80 / 28

HEX #B72B24

RGB 183 43 36

HSL 2.86, 0.67%, 0.43%

LAB 41.09, 54.79, 38.85

 

CMYK 0 / 55 / 80 / 28

HEX #B75224

RGB 183 82 36

HSL 18.78, 0.67%, 0.43%

LAB 47.27, 38.23, 44.92

 

CMYK 0 / 34 / 80 / 28

HEX #B77924

RGB 183 121 36

HSL 34.69, 0.67%, 0.43%

LAB 55.96, 17.24, 53.07

 

CMYK 0 / 12 / 80 / 28

HEX #B7A124

RGB 183 161 36

HSL 51.02, 0.67%, 0.43%

LAB 66.28, -4.68, 62.36

 

CMYK 0 / 54 / 81 / 55

HEX #723416

RGB 114 52 22

HSL 19.57, 0.68%, 0.27%

LAB 29.64, 25.21, 30.78

 

CMYK 0 / 54 / 80 / 42

HEX #94441D

RGB 148 68 29

HSL 19.66, 0.67%, 0.35%

LAB 38.76, 31.15, 38.11

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 52 / 78 / 16

HEX #D5662E

RGB 213 102 46

HSL 20.12, 0.67%, 0.51%

LAB 55.93, 40.24, 50.25

 

CMYK 0 / 42 / 63 / 14

HEX #DC7F51

RGB 220 127 81

HSL 19.86, 0.67%, 0.59%

LAB 62.5, 31.89, 40.17

 

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

CMYK 42 / 0 / 80 / 28

HEX #6BB724

RGB 107 183 36

HSL 91.02, 0.67%, 0.43%

LAB 67.37, -46.35, 61.37

 

CMYK 80 / 74 / 0 / 28

HEX #2430B7

RGB 36 48 183

HSL 235.1, 0.67%, 0.43%

LAB 29.18, 43.89, -71.52

 

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

CMYK 80 / 0 / 55 / 28

HEX #24B752

RGB 36 183 82

HSL 138.78, 0.67%, 0.43%

LAB 65.63, -58.57, 40.53

 

CMYK 55 / 80 / 0 / 28

HEX #5224B7

RGB 82 36 183

HSL 258.78, 0.67%, 0.43%

LAB 30.58, 54.56, -69.09

 

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

CMYK 42 / 0 / 80 / 28

HEX #6BB724

RGB 107 183 36

HSL 91.02, 0.67%, 0.43%

LAB 67.37, -46.35, 61.37

 

CMYK 80 / 26 / 0 / 28

HEX #2488B7

RGB 36 136 183

HSL 199.18, 0.67%, 0.43%

LAB 53.39, -11.53, -32.56

 

CMYK 39 / 80 / 0 / 28

HEX #7024B7

RGB 112 36 183

HSL 271.02, 0.67%, 0.43%

LAB 34.24, 58.71, -62.93

 

CMYK 0 / 54 / 80 / 28

HEX #B85524

RGB 184 85 36

HSL 19.86, 0.67%, 0.43%

LAB 48.03, 37.11, 45.7

 

CMYK 66 / 0 / 80 / 28

HEX #3FB724

RGB 63 183 36

HSL 108.98, 0.67%, 0.43%

LAB 65.79, -58.64, 59.33

 

CMYK 80 / 26 / 0 / 28

HEX #2488B7

RGB 36 136 183

HSL 199.18, 0.67%, 0.43%

LAB 53.39, -11.53, -32.56

 

CMYK 15 / 80 / 0 / 28

HEX #9C24B7

RGB 156 36 183

HSL 288.98, 0.67%, 0.43%

LAB 40.81, 66.19, -51.96

 

Description

Color code: RGB 184 85 36 | qconv.com Color code: RGB 184 85 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 85 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 85 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 80 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 80% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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