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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 117 128 it is the complementary color RGB 70 138 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 117 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 117 128 shade: RGB 190 117 123, RGB 207 135 142, RGB 224 153 161, RGB 241 171 180 and RGB 255 189 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 117 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 117 128 shade: RGB 185 117 128, RGB 168 99 109, RGB 151 81 90, RGB 134 63 71 and RGB 117 45 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 117 128 shade: RGB 184 115 127 and RGB 184 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 117 128 shade: RGB 184 115 127, RGB 184 115 145, RGB 184 115 164, RGB 184 115 182 and RGB 168 115 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 117 128 shade matches the following richer shades: RGB 184 115 127, RGB 201 99 115, RGB 218 82 104, RGB 235 65 92 and RGB 252 48 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 117 128 shade: RGB 184 115 127, RGB 168 132 138, RGB 151 149 149, RGB 134 166 161 and RGB 117 183 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 117 128 shade: RGB 184 115 164, RGB 184 115 145, RGB 184 115 127, RGB 184 122 115 and RGB 184 141 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 117 128 shade: RGB 145 73 84, RGB 171 88 101, RGB 184 115 127, RGB 198 143 152 and RGB 212 170 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 117 128 shade: RGB 185 117 128, RGB 182 184 115 and RGB 115 155 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 117 128 shade: RGB 185 117 128, RGB 127 184 115 and RGB 115 127 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 117 128 shade: RGB 185 117 128, RGB 182 184 115, RGB 115 184 173 and RGB 118 115 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 117 128 shade: RGB 185 117 128, RGB 161 184 115, RGB 115 184 173 and RGB 138 115 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

Complementary color

CMYK 49 / 0 / 8 / 46

HEX #468A7F

RGB 70 138 127

HSL 170.29, 0.33%, 0.41%

LAB 52.96, -24.4, -0.76

 

CMYK 0 / 38 / 35 / 25

HEX #BE757B

RGB 190 117 123

HSL 355.07, 0.36%, 0.6%

LAB 57.17, 29.41, 8.91

 

CMYK 0 / 35 / 31 / 19

HEX #CF878E

RGB 207 135 142

HSL 354.17, 0.43%, 0.67%

LAB 63.79, 28.5, 7.72

 

CMYK 0 / 32 / 28 / 12

HEX #E099A1

RGB 224 153 161

HSL 353.24, 0.53%, 0.74%

LAB 70.32, 27.67, 6.65

 

CMYK 0 / 29 / 25 / 5

HEX #F1ABB4

RGB 241 171 180

HSL 352.29, 0.71%, 0.81%

LAB 76.75, 26.91, 5.69

 

CMYK 0 / 26 / 22 / 0

HEX #FFBDC7

RGB 255 189 199

HSL 350.91, 1%, 0.87%

LAB 82.8, 25.14, 4.32

 

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

CMYK 0 / 41 / 35 / 34

HEX #A8636D

RGB 168 99 109

HSL 351.3, 0.28%, 0.52%

LAB 49.92, 29.1, 6.43

 

CMYK 0 / 46 / 40 / 41

HEX #97515A

RGB 151 81 90

HSL 352.29, 0.3%, 0.45%

LAB 43.07, 30.12, 7.86

 

CMYK 0 / 53 / 47 / 47

HEX #863F47

RGB 134 63 71

HSL 353.24, 0.36%, 0.39%

LAB 36.13, 31.21, 9.61

 

CMYK 0 / 62 / 56 / 54

HEX #752D34

RGB 117 45 52

HSL 354.17, 0.44%, 0.32%

LAB 29.18, 32.28, 11.85

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 38 / 38 / 28

HEX #B87373

RGB 184 115 115

HSL 0, 0.33%, 0.59%

LAB 55.78, 27.2, 11.47

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 38 / 21 / 28

HEX #B87391

RGB 184 115 145

HSL 333.91, 0.33%, 0.59%

LAB 56.58, 31.36, -4.83

 

CMYK 0 / 38 / 11 / 28

HEX #B873A4

RGB 184 115 164

HSL 317.39, 0.33%, 0.59%

LAB 57.2, 34.46, -14.91

 

CMYK 0 / 38 / 1 / 28

HEX #B873B6

RGB 184 115 182

HSL 301.74, 0.33%, 0.59%

LAB 57.87, 37.7, -24.24

 

CMYK 9 / 38 / 0 / 28

HEX #A873B8

RGB 168 115 184

HSL 286.09, 0.33%, 0.59%

LAB 56.13, 32.99, -28.22

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 51 / 43 / 21

HEX #C96373

RGB 201 99 115

HSL 350.59, 0.49%, 0.59%

LAB 54.64, 42.07, 10.2

 

CMYK 0 / 62 / 52 / 15

HEX #DA5268

RGB 218 82 104

HSL 350.29, 0.65%, 0.59%

LAB 53.96, 54.86, 16.16

 

CMYK 0 / 72 / 61 / 8

HEX #EB415C

RGB 235 65 92

HSL 350.47, 0.81%, 0.59%

LAB 54.25, 65.79, 24.17

 

CMYK 0 / 81 / 68 / 1

HEX #FC3051

RGB 252 48 81

HSL 350.29, 0.97%, 0.59%

LAB 55.49, 74.78, 32.86

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 21 / 18 / 34

HEX #A8848A

RGB 168 132 138

HSL 350, 0.17%, 0.59%

LAB 58.66, 14.74, 2.05

 

CMYK 0 / 1 / 1 / 41

HEX #979595

RGB 151 149 149

HSL 0, 0.01%, 0.59%

LAB 61.86, 0.73, 0.25

 

CMYK 19 / 0 / 3 / 35

HEX #86A6A1

RGB 134 166 161

HSL 170.63, 0.15%, 0.59%

LAB 65.68, -12.02, -1.06

 

CMYK 36 / 0 / 6 / 28

HEX #75B7AC

RGB 117 183 172

HSL 170, 0.31%, 0.59%

LAB 69.91, -23.52, -1.07

 

CMYK 0 / 38 / 11 / 28

HEX #B873A4

RGB 184 115 164

HSL 317.39, 0.33%, 0.59%

LAB 57.2, 34.46, -14.91

 

CMYK 0 / 38 / 21 / 28

HEX #B87391

RGB 184 115 145

HSL 333.91, 0.33%, 0.59%

LAB 56.58, 31.36, -4.83

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 34 / 38 / 28

HEX #B87A73

RGB 184 122 115

HSL 6.09, 0.33%, 0.59%

LAB 57.41, 23.32, 13.76

 

CMYK 0 / 23 / 38 / 28

HEX #B88D73

RGB 184 141 115

HSL 22.61, 0.33%, 0.59%

LAB 62.06, 12.75, 20.16

 

CMYK 0 / 50 / 42 / 43

HEX #914954

RGB 145 73 84

HSL 350.83, 0.33%, 0.43%

LAB 40.29, 31.49, 7.52

 

CMYK 0 / 49 / 41 / 33

HEX #AB5865

RGB 171 88 101

HSL 350.6, 0.33%, 0.51%

LAB 47.72, 35.25, 8.16

 

CMYK 0 / 38 / 31 / 28

HEX #B8737F

RGB 184 115 127

HSL 349.57, 0.33%, 0.59%

LAB 56.07, 28.75, 4.91

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 20 / 17 / 17

HEX #D4AAB1

RGB 212 170 177

HSL 350, 0.33%, 0.75%

LAB 73.49, 16.42, 2.24

 

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

CMYK 1 / 0 / 38 / 28

HEX #B6B873

RGB 182 184 115

HSL 61.74, 0.33%, 0.59%

LAB 73.2, -11.26, 34.83

 

CMYK 38 / 16 / 0 / 28

HEX #739BB8

RGB 115 155 184

HSL 205.22, 0.33%, 0.59%

LAB 62.12, -6.27, -19.39

 

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

CMYK 31 / 0 / 38 / 28

HEX #7FB873

RGB 127 184 115

HSL 109.57, 0.33%, 0.59%

LAB 69.49, -31.94, 29.3

 

CMYK 38 / 31 / 0 / 28

HEX #737FB8

RGB 115 127 184

HSL 229.57, 0.33%, 0.59%

LAB 54.33, 9.84, -31.4

 

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

CMYK 1 / 0 / 38 / 28

HEX #B6B873

RGB 182 184 115

HSL 61.74, 0.33%, 0.59%

LAB 73.2, -11.26, 34.83

 

CMYK 38 / 0 / 6 / 28

HEX #73B8AD

RGB 115 184 173

HSL 170.43, 0.33%, 0.59%

LAB 70.14, -24.34, -1.3

 

CMYK 36 / 38 / 0 / 28

HEX #7673B8

RGB 118 115 184

HSL 242.61, 0.33%, 0.59%

LAB 51.35, 17.86, -36.04

 

CMYK 0 / 37 / 31 / 27

HEX #B97580

RGB 185 117 128

HSL 350.29, 0.33%, 0.59%

LAB 56.68, 28.16, 5.21

 

CMYK 13 / 0 / 38 / 28

HEX #A1B873

RGB 161 184 115

HSL 80, 0.33%, 0.59%

LAB 71.62, -19.52, 32.48

 

CMYK 38 / 0 / 6 / 28

HEX #73B8AD

RGB 115 184 173

HSL 170.43, 0.33%, 0.59%

LAB 70.14, -24.34, -1.3

 

CMYK 25 / 38 / 0 / 28

HEX #8A73B8

RGB 138 115 184

HSL 260, 0.33%, 0.59%

LAB 53.09, 23.69, -33.2

 

Description

Color code: RGB 185 117 128 | qconv.com Color code: RGB 185 117 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 117 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 117 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 31 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 31% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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