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Color name
RGB 188 140 156

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 140 156 it is the complementary color RGB 67 115 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 140 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 140 156 shade: RGB 193 140 151, RGB 210 158 170, RGB 227 176 189, RGB 244 194 208 and RGB 255 212 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 140 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 140 156 shade: RGB 188 140 156, RGB 171 122 137, RGB 154 104 118, RGB 137 86 99 and RGB 120 68 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 140 156 shade: RGB 187 139 155, RGB 187 139 142 and RGB 187 139 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 140 156 shade: RGB 187 139 155, RGB 187 139 168, RGB 187 139 180, RGB 180 139 187 and RGB 167 139 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 140 156 shade matches the following richer shades: RGB 187 139 155, RGB 201 124 150, RGB 216 109 145, RGB 231 94 140 and RGB 246 79 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 140 156 shade: RGB 187 139 155, RGB 172 154 160, RGB 157 169 165, RGB 142 183 170 and RGB 127 198 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 140 156 shade: RGB 187 139 180, RGB 187 139 167, RGB 187 139 155, RGB 187 139 142 and RGB 187 148 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 140 156 shade: RGB 153 90 111, RGB 171 113 132, RGB 187 139 155, RGB 202 165 177 and RGB 217 191 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 140 156 shade: RGB 188 140 156, RGB 187 180 139 and RGB 139 174 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 140 156 shade: RGB 188 140 156, RGB 155 187 139 and RGB 139 155 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 140 156 shade: RGB 188 140 156, RGB 187 180 139, RGB 139 187 171 and RGB 139 145 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 140 156 shade: RGB 188 140 156, RGB 179 187 139, RGB 139 187 171 and RGB 147 139 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

Complementary color

CMYK 42 / 0 / 14 / 55

HEX #437363

RGB 67 115 99

HSL 160, 0.26%, 0.36%

LAB 44.74, -20.4, 3.75

 

CMYK 0 / 27 / 22 / 24

HEX #C18C97

RGB 193 140 151

HSL 347.55, 0.3%, 0.65%

LAB 63.61, 21.78, 2.15

 

CMYK 0 / 25 / 19 / 18

HEX #D29EAA

RGB 210 158 170

HSL 346.15, 0.37%, 0.72%

LAB 70.22, 21.11, 1.32

 

CMYK 0 / 22 / 17 / 11

HEX #E3B0BD

RGB 227 176 189

HSL 344.71, 0.48%, 0.79%

LAB 76.71, 20.51, 0.54

 

CMYK 0 / 20 / 15 / 4

HEX #F4C2D0

RGB 244 194 208

HSL 343.2, 0.69%, 0.86%

LAB 83.11, 19.96, -0.18

 

CMYK 0 / 17 / 11 / 0

HEX #FFD4E3

RGB 255 212 227

HSL 339.07, 1%, 0.92%

LAB 88.87, 17.38, -1.73

 

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

CMYK 0 / 29 / 20 / 33

HEX #AB7A89

RGB 171 122 137

HSL 341.63, 0.23%, 0.57%

LAB 56.47, 21.39, -0.52

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 0 / 37 / 28 / 46

HEX #895663

RGB 137 86 99

HSL 344.71, 0.23%, 0.44%

LAB 42.57, 23.01, 1.38

 

CMYK 0 / 43 / 33 / 53

HEX #784450

RGB 120 68 80

HSL 346.15, 0.28%, 0.37%

LAB 35.41, 23.97, 2.58

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 26 / 24 / 27

HEX #BB8B8E

RGB 187 139 142

HSL 356.25, 0.26%, 0.64%

LAB 62.49, 18.71, 5.56

 

CMYK 0 / 26 / 26 / 27

HEX #BB8B8B

RGB 187 139 139

HSL 0, 0.26%, 0.64%

LAB 62.42, 18.27, 7.15

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 26 / 10 / 27

HEX #BB8BA8

RGB 187 139 168

HSL 323.75, 0.26%, 0.64%

LAB 63.22, 22.92, -8.13

 

CMYK 0 / 26 / 4 / 27

HEX #BB8BB4

RGB 187 139 180

HSL 308.75, 0.26%, 0.64%

LAB 63.61, 25.08, -14.34

 

CMYK 4 / 26 / 0 / 27

HEX #B48BBB

RGB 180 139 187

HSL 291.25, 0.26%, 0.64%

LAB 63.14, 24.04, -19.07

 

CMYK 11 / 26 / 0 / 27

HEX #A78BBB

RGB 167 139 187

HSL 275, 0.26%, 0.64%

LAB 61.89, 19.71, -21.09

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 38 / 25 / 21

HEX #C97C96

RGB 201 124 150

HSL 339.74, 0.42%, 0.64%

LAB 60.81, 33.34, -1.25

 

CMYK 0 / 50 / 33 / 15

HEX #D86D91

RGB 216 109 145

HSL 339.81, 0.58%, 0.64%

LAB 59.51, 45.76, -0.04

 

CMYK 0 / 59 / 39 / 9

HEX #E75E8C

RGB 231 94 140

HSL 339.85, 0.74%, 0.64%

LAB 58.87, 57.19, 2.2

 

CMYK 0 / 68 / 45 / 4

HEX #F64F87

RGB 246 79 135

HSL 339.88, 0.9%, 0.64%

LAB 58.91, 67.3, 5.5

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 10 / 7 / 33

HEX #AC9AA0

RGB 172 154 160

HSL 340, 0.1%, 0.64%

LAB 65.29, 7.68, -0.72

 

CMYK 7 / 0 / 2 / 34

HEX #9DA9A5

RGB 157 169 165

HSL 160, 0.07%, 0.64%

LAB 68.21, -5, 0.6

 

CMYK 22 / 0 / 7 / 28

HEX #8EB7AA

RGB 142 183 170

HSL 160.98, 0.22%, 0.64%

LAB 71.23, -16.43, 2.11

 

CMYK 36 / 0 / 12 / 22

HEX #7FC6AF

RGB 127 198 175

HSL 160.56, 0.38%, 0.64%

LAB 74.82, -27.43, 4.49

 

CMYK 0 / 26 / 4 / 27

HEX #BB8BB4

RGB 187 139 180

HSL 308.75, 0.26%, 0.64%

LAB 63.61, 25.08, -14.34

 

CMYK 0 / 26 / 11 / 27

HEX #BB8BA7

RGB 187 139 167

HSL 325, 0.26%, 0.64%

LAB 63.19, 22.74, -7.61

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 26 / 24 / 27

HEX #BB8B8E

RGB 187 139 142

HSL 356.25, 0.26%, 0.64%

LAB 62.49, 18.71, 5.56

 

CMYK 0 / 21 / 26 / 27

HEX #BB948B

RGB 187 148 139

HSL 11.25, 0.26%, 0.64%

LAB 64.65, 13.27, 10.33

 

CMYK 0 / 41 / 27 / 40

HEX #995A6F

RGB 153 90 111

HSL 340, 0.26%, 0.48%

LAB 45.95, 28.68, -0.76

 

CMYK 0 / 34 / 23 / 33

HEX #AB7184

RGB 171 113 132

HSL 340.34, 0.26%, 0.56%

LAB 54.17, 25.68, -0.97

 

CMYK 0 / 26 / 17 / 27

HEX #BB8B9B

RGB 187 139 155

HSL 340, 0.26%, 0.64%

LAB 62.84, 20.73, -1.32

 

CMYK 0 / 18 / 12 / 21

HEX #CAA5B1

RGB 202 165 177

HSL 340.54, 0.26%, 0.72%

LAB 71.31, 15.51, -1.06

 

CMYK 0 / 12 / 8 / 15

HEX #D9BFC8

RGB 217 191 200

HSL 339.23, 0.25%, 0.8%

LAB 79.72, 10.72, -1.14

 

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

CMYK 0 / 4 / 26 / 27

HEX #BBB48B

RGB 187 180 139

HSL 51.25, 0.26%, 0.64%

LAB 72.94, -4.11, 21.86

 

CMYK 26 / 7 / 0 / 27

HEX #8BAEBB

RGB 139 174 187

HSL 196.25, 0.26%, 0.64%

LAB 69, -8.86, -10.55

 

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

CMYK 17 / 0 / 26 / 27

HEX #9BBB8B

RGB 155 187 139

HSL 100, 0.26%, 0.64%

LAB 72.48, -19.78, 20.84

 

CMYK 26 / 17 / 0 / 27

HEX #8B9BBB

RGB 139 155 187

HSL 220, 0.26%, 0.64%

LAB 63.77, 1.59, -18.43

 

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

CMYK 0 / 4 / 26 / 27

HEX #BBB48B

RGB 187 180 139

HSL 51.25, 0.26%, 0.64%

LAB 72.94, -4.11, 21.86

 

CMYK 26 / 0 / 9 / 27

HEX #8BBBAB

RGB 139 187 171

HSL 160, 0.26%, 0.64%

LAB 72.21, -19.22, 2.96

 

CMYK 26 / 22 / 0 / 27

HEX #8B91BB

RGB 139 145 187

HSL 232.5, 0.26%, 0.64%

LAB 61.07, 7.26, -22.55

 

CMYK 0 / 26 / 17 / 26

HEX #BC8C9C

RGB 188 140 156

HSL 340, 0.26%, 0.64%

LAB 63.22, 20.71, -1.33

 

CMYK 4 / 0 / 26 / 27

HEX #B3BB8B

RGB 179 187 139

HSL 70, 0.26%, 0.64%

LAB 74.18, -10.86, 23.44

 

CMYK 26 / 0 / 9 / 27

HEX #8BBBAB

RGB 139 187 171

HSL 160, 0.26%, 0.64%

LAB 72.21, -19.22, 2.96

 

CMYK 21 / 26 / 0 / 27

HEX #938BBB

RGB 147 139 187

HSL 250, 0.26%, 0.64%

LAB 60.12, 13.22, -23.95

 

Description

Color code: RGB 188 140 156 | qconv.com Color code: RGB 188 140 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 140 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 140 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 17% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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