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Color name
RGB 188 230 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 230 111 it is the complementary color RGB 67 25 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 230 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 230 111 shade: RGB 193 230 106, RGB 210 248 125, RGB 227 255 144, RGB 244 255 163 and RGB 255 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 230 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 230 111 shade: RGB 188 230 111, RGB 171 212 92, RGB 154 194 73, RGB 137 176 54 and RGB 120 158 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 230 111 shade: RGB 188 229 111, RGB 219 229 111, RGB 229 207 111, RGB 229 176 111 and RGB 229 144 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 230 111 shade: RGB 188 229 111, RGB 156 229 111, RGB 124 229 111, RGB 111 229 131 and RGB 111 229 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 230 111 shade matches the following richer shades: RGB 188 229 111 and RGB 192 243 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 230 111 shade: RGB 188 229 111, RGB 184 216 125, RGB 180 202 139, RGB 176 188 152 and RGB 172 175 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 230 111 shade: RGB 229 208 111, RGB 219 229 111, RGB 188 229 111, RGB 157 229 111 and RGB 125 229 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 230 111 shade: RGB 155 217 41, RGB 171 223 76, RGB 188 229 111, RGB 204 235 147 and RGB 220 242 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 230 111 shade: RGB 188 230 111, RGB 111 229 176 and RGB 223 111 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 230 111 shade: RGB 188 230 111, RGB 111 188 229 and RGB 229 111 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 230 111 shade: RGB 188 230 111, RGB 111 229 176, RGB 153 111 229 and RGB 229 111 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 230 111 shade: RGB 188 230 111, RGB 111 229 212, RGB 153 111 229 and RGB 229 111 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

Complementary color

CMYK 53 / 83 / 0 / 44

HEX #431990

RGB 67 25 144

HSL 261.18, 0.7%, 0.33%

LAB 23.35, 46.72, -57.4

 

CMYK 16 / 0 / 54 / 10

HEX #C1E66A

RGB 193 230 106

HSL 77.9, 0.71%, 0.66%

LAB 86.49, -30.51, 55.62

 

CMYK 15 / 0 / 50 / 3

HEX #D2F87D

RGB 210 248 125

HSL 78.54, 0.9%, 0.73%

LAB 92.71, -30.7, 54.57

 

CMYK 11 / 0 / 44 / 0

HEX #E3FF90

RGB 227 255 144

HSL 75.14, 1%, 0.78%

LAB 95.94, -25.71, 49.87

 

CMYK 4 / 0 / 36 / 0

HEX #F4FFA3

RGB 244 255 163

HSL 67.17, 1%, 0.82%

LAB 97.39, -17.29, 42.78

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

CMYK 19 / 0 / 57 / 17

HEX #ABD45C

RGB 171 212 92

HSL 80.5, 0.58%, 0.6%

LAB 79.91, -31.74, 53.98

 

CMYK 21 / 0 / 62 / 24

HEX #9AC249

RGB 154 194 73

HSL 79.83, 0.5%, 0.52%

LAB 73.5, -31.48, 54.87

 

CMYK 22 / 0 / 69 / 31

HEX #89B036

RGB 137 176 54

HSL 79.18, 0.53%, 0.45%

LAB 67, -31.1, 55.46

 

CMYK 24 / 0 / 78 / 38

HEX #789E23

RGB 120 158 35

HSL 78.54, 0.64%, 0.38%

LAB 60.4, -30.55, 55.46

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 0 / 10 / 52 / 10

HEX #E5CF6F

RGB 229 207 111

HSL 48.81, 0.69%, 0.67%

LAB 83.14, -4.47, 50.02

 

CMYK 0 / 23 / 52 / 10

HEX #E5B06F

RGB 229 176 111

HSL 33.05, 0.69%, 0.67%

LAB 75.36, 11.72, 40.52

 

CMYK 0 / 37 / 52 / 10

HEX #E5906F

RGB 229 144 111

HSL 16.78, 0.69%, 0.67%

LAB 67.84, 28.78, 30.96

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 32 / 0 / 52 / 10

HEX #9CE56F

RGB 156 229 111

HSL 97.12, 0.69%, 0.67%

LAB 84.1, -42.92, 49.97

 

CMYK 46 / 0 / 52 / 10

HEX #7CE56F

RGB 124 229 111

HSL 113.39, 0.69%, 0.67%

LAB 82.63, -52.95, 47.85

 

CMYK 52 / 0 / 43 / 10

HEX #6FE583

RGB 111 229 131

HSL 130.17, 0.69%, 0.67%

LAB 82.41, -53.68, 37.79

 

CMYK 52 / 0 / 29 / 10

HEX #6FE5A2

RGB 111 229 162

HSL 145.93, 0.69%, 0.67%

LAB 82.93, -48.33, 22.71

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 21 / 0 / 60 / 5

HEX #C0F362

RGB 192 243 98

HSL 81.1, 0.86%, 0.67%

LAB 89.95, -37.52, 63.02

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 15 / 0 / 42 / 15

HEX #B8D87D

RGB 184 216 125

HSL 81.1, 0.54%, 0.67%

LAB 82.26, -25.3, 41.33

 

CMYK 11 / 0 / 31 / 21

HEX #B4CA8B

RGB 180 202 139

HSL 80.95, 0.37%, 0.67%

LAB 78.35, -18.13, 29.06

 

CMYK 6 / 0 / 19 / 26

HEX #B0BC98

RGB 176 188 152

HSL 80, 0.21%, 0.67%

LAB 74.49, -10.53, 16.85

 

CMYK 2 / 0 / 5 / 31

HEX #ACAFA6

RGB 172 175 166

HSL 80, 0.05%, 0.67%

LAB 71, -2.73, 4.23

 

CMYK 0 / 9 / 52 / 10

HEX #E5D06F

RGB 229 208 111

HSL 49.32, 0.69%, 0.67%

LAB 83.4, -4.98, 50.33

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 31 / 0 / 52 / 10

HEX #9DE56F

RGB 157 229 111

HSL 96.61, 0.69%, 0.67%

LAB 84.15, -42.58, 50.04

 

CMYK 45 / 0 / 52 / 10

HEX #7DE56F

RGB 125 229 111

HSL 112.88, 0.69%, 0.67%

LAB 82.67, -52.67, 47.91

 

CMYK 29 / 0 / 81 / 15

HEX #9BD929

RGB 155 217 41

HSL 81.14, 0.7%, 0.51%

LAB 80.04, -43.28, 72.41

 

CMYK 23 / 0 / 66 / 13

HEX #ABDF4C

RGB 171 223 76

HSL 81.22, 0.7%, 0.59%

LAB 82.89, -38.04, 63.98

 

CMYK 18 / 0 / 52 / 10

HEX #BCE56F

RGB 188 229 111

HSL 80.85, 0.69%, 0.67%

LAB 85.95, -31.46, 52.62

 

CMYK 13 / 0 / 37 / 8

HEX #CCEB93

RGB 204 235 147

HSL 81.14, 0.69%, 0.75%

LAB 89.09, -24.36, 39.4

 

CMYK 9 / 0 / 25 / 5

HEX #DCF2B6

RGB 220 242 182

HSL 82, 0.7%, 0.83%

LAB 92.62, -17.27, 26.62

 

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

CMYK 52 / 0 / 23 / 10

HEX #6FE5B0

RGB 111 229 176

HSL 153.05, 0.69%, 0.67%

LAB 83.21, -45.54, 15.81

 

CMYK 3 / 52 / 0 / 10

HEX #DF6FE5

RGB 223 111 229

HSL 296.95, 0.69%, 0.67%

LAB 63.93, 59.8, -40.99

 

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

CMYK 52 / 18 / 0 / 10

HEX #6FBCE5

RGB 111 188 229

HSL 200.85, 0.69%, 0.67%

LAB 72.89, -12.63, -27.79

 

CMYK 0 / 52 / 18 / 10

HEX #E56FBC

RGB 229 111 188

HSL 320.85, 0.69%, 0.67%

LAB 63.06, 54.83, -19.22

 

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

CMYK 52 / 0 / 23 / 10

HEX #6FE5B0

RGB 111 229 176

HSL 153.05, 0.69%, 0.67%

LAB 83.21, -45.54, 15.81

 

CMYK 33 / 52 / 0 / 10

HEX #996FE5

RGB 153 111 229

HSL 261.36, 0.69%, 0.67%

LAB 55.89, 41.44, -54.23

 

CMYK 0 / 52 / 28 / 10

HEX #E56FA4

RGB 229 111 164

HSL 333.05, 0.69%, 0.67%

LAB 62.26, 51.5, -6.73

 

CMYK 18 / 0 / 52 / 10

HEX #BCE66F

RGB 188 230 111

HSL 81.18, 0.7%, 0.67%

LAB 86.22, -31.92, 52.95

 

CMYK 52 / 0 / 7 / 10

HEX #6FE5D4

RGB 111 229 212

HSL 171.36, 0.69%, 0.67%

LAB 84.06, -37.41, -1.92

 

CMYK 33 / 52 / 0 / 10

HEX #996FE5

RGB 153 111 229

HSL 261.36, 0.69%, 0.67%

LAB 55.89, 41.44, -54.23

 

CMYK 0 / 52 / 44 / 10

HEX #E56F81

RGB 229 111 129

HSL 350.85, 0.69%, 0.67%

LAB 61.32, 47.45, 12.04

 

Description

Color code: RGB 188 230 111 | qconv.com Color code: RGB 188 230 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 230 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 230 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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