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Color name
RGB 189 170 95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 170 95 it is the complementary color RGB 66 85 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 170 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 170 95 shade: RGB 194 170 90, RGB 211 188 109, RGB 228 206 128, RGB 245 224 147 and RGB 255 242 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 170 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 172 152 76, RGB 155 134 57, RGB 138 116 38 and RGB 121 98 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 189 145 95, RGB 189 120 95 and RGB 189 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 183 189 95, RGB 158 189 95, RGB 132 189 95 and RGB 107 189 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 170 95 shade matches the following richer shades: RGB 189 170 95, RGB 208 181 77, RGB 226 192 59 and RGB 244 203 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 171 160 113, RGB 153 149 131, RGB 135 138 150 and RGB 117 127 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 170 95 shade: RGB 189 119 95, RGB 189 144 95, RGB 189 169 95, RGB 185 189 95 and RGB 160 189 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 170 95 shade: RGB 144 126 58, RGB 173 152 70, RGB 189 170 95, RGB 201 186 124 and RGB 213 201 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 97 189 95 and RGB 131 95 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 95 189 169 and RGB 169 95 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 97 189 95, RGB 95 116 189 and RGB 188 95 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 170 95 shade: RGB 189 170 95, RGB 95 189 122, RGB 95 116 189 and RGB 189 95 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

Complementary color

CMYK 59 / 47 / 0 / 37

HEX #4255A0

RGB 66 85 160

HSL 227.87, 0.42%, 0.44%

LAB 38.19, 16.15, -43.06

 

CMYK 0 / 12 / 54 / 24

HEX #C2AA5A

RGB 194 170 90

HSL 46.15, 0.46%, 0.56%

LAB 70.15, -1.47, 43.98

 

CMYK 0 / 11 / 48 / 17

HEX #D3BC6D

RGB 211 188 109

HSL 46.47, 0.54%, 0.63%

LAB 76.63, -2.18, 42.73

 

CMYK 0 / 10 / 44 / 11

HEX #E4CE80

RGB 228 206 128

HSL 46.8, 0.65%, 0.7%

LAB 83.02, -2.79, 41.49

 

CMYK 0 / 9 / 40 / 4

HEX #F5E093

RGB 245 224 147

HSL 47.14, 0.83%, 0.77%

LAB 89.31, -3.31, 40.3

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A6

RGB 255 242 166

HSL 51.24, 1%, 0.83%

LAB 94.96, -6.43, 38.29

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 0 / 12 / 56 / 33

HEX #AC984C

RGB 172 152 76

HSL 47.5, 0.39%, 0.49%

LAB 63.13, -2.39, 42.15

 

CMYK 0 / 14 / 63 / 39

HEX #9B8639

RGB 155 134 57

HSL 47.14, 0.46%, 0.42%

LAB 56.4, -1.49, 43.35

 

CMYK 0 / 16 / 72 / 46

HEX #8A7426

RGB 138 116 38

HSL 46.8, 0.57%, 0.35%

LAB 49.54, -0.35, 44.29

 

CMYK 0 / 19 / 84 / 53

HEX #796213

RGB 121 98 19

HSL 46.47, 0.73%, 0.27%

LAB 42.53, 1.09, 44.5

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 0 / 23 / 50 / 26

HEX #BD915F

RGB 189 145 95

HSL 31.91, 0.42%, 0.56%

LAB 63.26, 10.43, 32.82

 

CMYK 0 / 37 / 50 / 26

HEX #BD785F

RGB 189 120 95

HSL 15.96, 0.42%, 0.56%

LAB 57.15, 24.25, 24.94

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 3 / 0 / 50 / 26

HEX #B7BD5F

RGB 183 189 95

HSL 63.83, 0.42%, 0.56%

LAB 74.37, -15.5, 46.34

 

CMYK 16 / 0 / 50 / 26

HEX #9EBD5F

RGB 158 189 95

HSL 79.79, 0.42%, 0.56%

LAB 72.56, -25.51, 43.73

 

CMYK 30 / 0 / 50 / 26

HEX #84BD5F

RGB 132 189 95

HSL 96.38, 0.42%, 0.56%

LAB 70.96, -35.23, 41.42

 

CMYK 43 / 0 / 50 / 26

HEX #6BBD5F

RGB 107 189 95

HSL 112.34, 0.42%, 0.56%

LAB 69.72, -43.54, 39.62

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 0 / 13 / 63 / 18

HEX #D0B54D

RGB 208 181 77

HSL 47.63, 0.58%, 0.56%

LAB 74.19, -2.31, 55.08

 

CMYK 0 / 15 / 74 / 11

HEX #E2C03B

RGB 226 192 59

HSL 47.78, 0.74%, 0.56%

LAB 78.57, -1.32, 67.41

 

CMYK 0 / 17 / 83 / 4

HEX #F4CB29

RGB 244 203 41

HSL 47.88, 0.9%, 0.56%

LAB 82.97, 0.09, 77.57

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 0 / 6 / 34 / 33

HEX #ABA071

RGB 171 160 113

HSL 48.62, 0.26%, 0.56%

LAB 65.74, -3.25, 25.99

 

CMYK 0 / 3 / 14 / 40

HEX #999583

RGB 153 149 131

HSL 49.09, 0.1%, 0.56%

LAB 61.57, -1.75, 10.03

 

CMYK 10 / 8 / 0 / 41

HEX #878A96

RGB 135 138 150

HSL 228, 0.07%, 0.56%

LAB 57.59, 1.39, -6.77

 

CMYK 30 / 24 / 0 / 34

HEX #757FA8

RGB 117 127 168

HSL 228.24, 0.23%, 0.56%

LAB 53.8, 6.1, -23

 

CMYK 0 / 37 / 50 / 26

HEX #BD775F

RGB 189 119 95

HSL 15.32, 0.42%, 0.56%

LAB 56.92, 24.8, 24.64

 

CMYK 0 / 24 / 50 / 26

HEX #BD905F

RGB 189 144 95

HSL 31.28, 0.42%, 0.56%

LAB 63, 10.98, 32.5

 

CMYK 0 / 11 / 50 / 26

HEX #BDA95F

RGB 189 169 95

HSL 47.23, 0.42%, 0.56%

LAB 69.48, -2.6, 40.57

 

CMYK 2 / 0 / 50 / 26

HEX #B9BD5F

RGB 185 189 95

HSL 62.55, 0.42%, 0.56%

LAB 74.53, -14.68, 46.57

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 0 / 13 / 60 / 44

HEX #907E3A

RGB 144 126 58

HSL 47.44, 0.43%, 0.4%

LAB 53.12, -1.9, 38.87

 

CMYK 0 / 12 / 60 / 32

HEX #AD9846

RGB 173 152 70

HSL 47.77, 0.42%, 0.48%

LAB 63.16, -2.43, 45.15

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 0 / 7 / 38 / 21

HEX #C9BA7C

RGB 201 186 124

HSL 48.31, 0.42%, 0.64%

LAB 75.45, -3.64, 33.37

 

CMYK 0 / 6 / 28 / 16

HEX #D5C99A

RGB 213 201 154

HSL 47.8, 0.41%, 0.72%

LAB 80.88, -3.06, 25.04

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 49 / 0 / 50 / 26

HEX #61BD5F

RGB 97 189 95

HSL 118.72, 0.42%, 0.56%

LAB 69.3, -46.49, 39.01

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 50 / 0 / 11 / 26

HEX #5FBDA9

RGB 95 189 169

HSL 167.23, 0.42%, 0.56%

LAB 70.66, -32.8, 1.55

 

CMYK 11 / 50 / 0 / 26

HEX #A95FBD

RGB 169 95 189

HSL 287.23, 0.42%, 0.56%

LAB 52.17, 45.24, -37.28

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 49 / 0 / 50 / 26

HEX #61BD5F

RGB 97 189 95

HSL 118.72, 0.42%, 0.56%

LAB 69.3, -46.49, 39.01

 

CMYK 50 / 39 / 0 / 26

HEX #5F74BD

RGB 95 116 189

HSL 226.6, 0.42%, 0.56%

LAB 50.21, 12.73, -40.83

 

CMYK 1 / 50 / 0 / 26

HEX #BC5FBD

RGB 188 95 189

HSL 299.36, 0.42%, 0.56%

LAB 54.61, 50.66, -33.29

 

CMYK 0 / 10 / 50 / 26

HEX #BDAA5F

RGB 189 170 95

HSL 47.87, 0.42%, 0.56%

LAB 69.75, -3.13, 40.89

 

CMYK 50 / 0 / 35 / 26

HEX #5FBD7A

RGB 95 189 122

HSL 137.23, 0.42%, 0.56%

LAB 69.64, -42.76, 25.53

 

CMYK 50 / 39 / 0 / 26

HEX #5F74BD

RGB 95 116 189

HSL 226.6, 0.42%, 0.56%

LAB 50.21, 12.73, -40.83

 

CMYK 0 / 50 / 14 / 26

HEX #BD5FA3

RGB 189 95 163

HSL 316.6, 0.42%, 0.56%

LAB 53.65, 46.49, -19.68

 

Description

Color code: RGB 189 170 95 | qconv.com Color code: RGB 189 170 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 170 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 170 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 50% 26% C M Y K

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Provide designers and agencies with accurate color values.

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