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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 134 100 it is the complementary color RGB 65 121 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 134 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 134 100 shade: RGB 195 134 95, RGB 212 152 114, RGB 229 170 133, RGB 246 188 152 and RGB 255 206 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 134 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 173 116 81, RGB 156 98 62, RGB 139 80 43 and RGB 122 62 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 190 110 100 and RGB 190 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 190 158 100, RGB 190 182 100, RGB 173 190 100 and RGB 149 190 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 134 100 shade matches the following richer shades: RGB 190 134 100, RGB 208 130 82, RGB 225 125 64 and RGB 243 121 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 172 138 118, RGB 154 143 135, RGB 137 147 153 and RGB 119 151 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 134 100 shade: RGB 190 100 115, RGB 190 109 100, RGB 190 133 100, RGB 190 157 100 and RGB 190 181 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 134 100 shade: RGB 146 93 61, RGB 175 112 73, RGB 190 134 100, RGB 202 157 129 and RGB 214 179 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 139 190 100 and RGB 100 103 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 100 190 133 and RGB 133 100 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 139 190 100, RGB 100 157 190 and RGB 151 100 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 134 100 shade: RGB 190 134 100, RGB 112 190 100, RGB 100 157 190 and RGB 178 100 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

Complementary color

CMYK 58 / 22 / 0 / 39

HEX #41799B

RGB 65 121 155

HSL 202.67, 0.41%, 0.43%

LAB 48.47, -8.07, -23.92

 

CMYK 0 / 31 / 51 / 24

HEX #C3865F

RGB 195 134 95

HSL 23.4, 0.45%, 0.57%

LAB 61.2, 19, 30.34

 

CMYK 0 / 28 / 46 / 17

HEX #D49872

RGB 212 152 114

HSL 23.27, 0.53%, 0.64%

LAB 67.78, 17.97, 28.87

 

CMYK 0 / 26 / 42 / 10

HEX #E5AA85

RGB 229 170 133

HSL 23.13, 0.65%, 0.71%

LAB 74.25, 17.06, 27.53

 

CMYK 0 / 24 / 38 / 4

HEX #F6BC98

RGB 246 188 152

HSL 22.98, 0.84%, 0.78%

LAB 80.64, 16.27, 26.29

 

CMYK 0 / 19 / 33 / 0

HEX #FFCEAB

RGB 255 206 171

HSL 25, 1%, 0.84%

LAB 86.18, 12.53, 23.96

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 33 / 53 / 32

HEX #AD7451

RGB 173 116 81

HSL 22.83, 0.36%, 0.5%

LAB 53.99, 18.51, 28.36

 

CMYK 0 / 37 / 60 / 39

HEX #9C623E

RGB 156 98 62

HSL 22.98, 0.43%, 0.43%

LAB 47.17, 19.79, 30.05

 

CMYK 0 / 42 / 69 / 45

HEX #8B502B

RGB 139 80 43

HSL 23.13, 0.53%, 0.36%

LAB 40.25, 21.31, 31.9

 

CMYK 0 / 49 / 80 / 52

HEX #7A3E18

RGB 122 62 24

HSL 23.27, 0.67%, 0.29%

LAB 33.24, 23.12, 33.78

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 42 / 47 / 25

HEX #BE6E64

RGB 190 110 100

HSL 6.67, 0.41%, 0.57%

LAB 55.09, 30.61, 19.36

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 17 / 47 / 25

HEX #BE9E64

RGB 190 158 100

HSL 38.67, 0.41%, 0.57%

LAB 66.76, 4.22, 34.62

 

CMYK 0 / 4 / 47 / 25

HEX #BEB664

RGB 190 182 100

HSL 54.67, 0.41%, 0.57%

LAB 73.1, -8.55, 42.49

 

CMYK 9 / 0 / 47 / 25

HEX #ADBE64

RGB 173 190 100

HSL 71.33, 0.41%, 0.57%

LAB 73.95, -19.56, 43.22

 

CMYK 22 / 0 / 47 / 25

HEX #95BE64

RGB 149 190 100

HSL 87.33, 0.41%, 0.57%

LAB 72.32, -28.88, 40.85

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 38 / 61 / 18

HEX #D08252

RGB 208 130 82

HSL 22.86, 0.57%, 0.57%

LAB 61.64, 25.48, 38.25

 

CMYK 0 / 44 / 72 / 12

HEX #E17D40

RGB 225 125 64

HSL 22.73, 0.73%, 0.57%

LAB 62.55, 33.97, 49.05

 

CMYK 0 / 50 / 81 / 5

HEX #F3792F

RGB 243 121 47

HSL 22.65, 0.89%, 0.57%

LAB 64.11, 42.41, 59.12

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 20 / 31 / 33

HEX #AC8A76

RGB 172 138 118

HSL 22.22, 0.25%, 0.57%

LAB 60.12, 9.94, 15.6

 

CMYK 0 / 7 / 12 / 40

HEX #9A8F87

RGB 154 143 135

HSL 25.26, 0.09%, 0.57%

LAB 60.13, 2.66, 5.72

 

CMYK 10 / 4 / 0 / 40

HEX #899399

RGB 137 147 153

HSL 202.5, 0.07%, 0.57%

LAB 60.33, -2.34, -4.41

 

CMYK 30 / 12 / 0 / 33

HEX #7797AB

RGB 119 151 171

HSL 203.08, 0.24%, 0.57%

LAB 60.78, -6.26, -14.08

 

CMYK 0 / 47 / 39 / 25

HEX #BE6473

RGB 190 100 115

HSL 350, 0.41%, 0.57%

LAB 53.28, 37.57, 8.06

 

CMYK 0 / 43 / 47 / 25

HEX #BE6D64

RGB 190 109 100

HSL 6, 0.41%, 0.57%

LAB 54.87, 31.15, 19.06

 

CMYK 0 / 30 / 47 / 25

HEX #BE8564

RGB 190 133 100

HSL 22, 0.41%, 0.57%

LAB 60.46, 17.97, 26.51

 

CMYK 0 / 17 / 47 / 25

HEX #BE9D64

RGB 190 157 100

HSL 38, 0.41%, 0.57%

LAB 66.51, 4.77, 34.29

 

CMYK 0 / 5 / 47 / 25

HEX #BEB564

RGB 190 181 100

HSL 54, 0.41%, 0.57%

LAB 72.84, -8.03, 42.16

 

CMYK 0 / 36 / 58 / 43

HEX #925D3D

RGB 146 93 61

HSL 22.59, 0.41%, 0.41%

LAB 44.63, 18.22, 27.19

 

CMYK 0 / 36 / 58 / 31

HEX #AF7049

RGB 175 112 73

HSL 22.94, 0.41%, 0.49%

LAB 53.15, 20.91, 31.81

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 0 / 22 / 36 / 21

HEX #CA9D81

RGB 202 157 129

HSL 23.01, 0.41%, 0.65%

LAB 68.21, 12.9, 21.07

 

CMYK 0 / 16 / 26 / 16

HEX #D6B39E

RGB 214 179 158

HSL 22.5, 0.41%, 0.73%

LAB 75.45, 9.49, 15.44

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 27 / 0 / 47 / 25

HEX #8BBE64

RGB 139 190 100

HSL 94, 0.41%, 0.57%

LAB 71.71, -32.58, 39.96

 

CMYK 47 / 46 / 0 / 25

HEX #6467BE

RGB 100 103 190

HSL 238, 0.41%, 0.57%

LAB 47.14, 22.23, -46.26

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 47 / 0 / 30 / 25

HEX #64BE85

RGB 100 190 133

HSL 142, 0.41%, 0.57%

LAB 70.34, -39.83, 20.65

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 27 / 0 / 47 / 25

HEX #8BBE64

RGB 139 190 100

HSL 94, 0.41%, 0.57%

LAB 71.71, -32.58, 39.96

 

CMYK 47 / 17 / 0 / 25

HEX #649DBE

RGB 100 157 190

HSL 202, 0.41%, 0.57%

LAB 62.12, -9.64, -22.85

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 0 / 29 / 47 / 25

HEX #BE8664

RGB 190 134 100

HSL 22.67, 0.41%, 0.57%

LAB 60.71, 17.41, 26.83

 

CMYK 41 / 0 / 47 / 25

HEX #70BE64

RGB 112 190 100

HSL 112, 0.41%, 0.57%

LAB 70.31, -41.74, 37.91

 

CMYK 47 / 17 / 0 / 25

HEX #649DBE

RGB 100 157 190

HSL 202, 0.41%, 0.57%

LAB 62.12, -9.64, -22.85

 

CMYK 6 / 47 / 0 / 25

HEX #B264BE

RGB 178 100 190

HSL 292, 0.41%, 0.57%

LAB 54.34, 45.41, -34.37

 

Description

Color code: RGB 190 134 100 | qconv.com Color code: RGB 190 134 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 134 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 134 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 47 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 47% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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