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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 70 229 it is the complementary color RGB 65 185 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 70 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 70 229 shade: RGB 195 70 224, RGB 212 88 243, RGB 229 106 255, RGB 246 124 255 and RGB 255 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 70 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 70 229 shade: RGB 190 70 229, RGB 173 52 210, RGB 156 34 191, RGB 139 16 172 and RGB 122 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 70 229 shade: RGB 190 72 228, RGB 228 72 225, RGB 228 72 182, RGB 228 72 140 and RGB 228 72 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 70 229 shade: RGB 190 72 228, RGB 148 72 228, RGB 105 72 228 and RGB 72 72 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 70 229 shade matches the following richer shades: RGB 190 72 228 and RGB 199 55 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 70 229 shade: RGB 190 72 228, RGB 181 88 211, RGB 173 105 195, RGB 164 122 178 and RGB 155 139 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 70 229 shade: RGB 106 72 228, RGB 147 72 228, RGB 189 72 228, RGB 228 72 226 and RGB 228 72 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 70 229 shade: RGB 150 27 191, RGB 177 35 223, RGB 190 72 228, RGB 203 108 234 and RGB 215 144 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 70 229 shade: RGB 190 70 229, RGB 228 72 79 and RGB 72 228 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 70 229 shade: RGB 190 70 229, RGB 228 189 72 and RGB 72 228 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 70 229 shade: RGB 190 70 229, RGB 228 72 79, RGB 111 228 72 and RGB 72 228 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 70 229 shade: RGB 190 70 229, RGB 228 111 72, RGB 111 228 72 and RGB 72 189 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

Complementary color

CMYK 65 / 0 / 86 / 27

HEX #41B91A

RGB 65 185 26

HSL 105.28, 0.75%, 0.41%

LAB 66.44, -59.37, 62.53

 

CMYK 13 / 69 / 0 / 12

HEX #C346E0

RGB 195 70 224

HSL 288.7, 0.71%, 0.58%

LAB 53.35, 69.92, -55.19

 

CMYK 13 / 64 / 0 / 5

HEX #D458F3

RGB 212 88 243

HSL 288, 0.87%, 0.65%

LAB 59.39, 69.94, -56.05

 

CMYK 10 / 58 / 0 / 0

HEX #E56AFF

RGB 229 106 255

HSL 289.53, 1%, 0.71%

LAB 65.11, 68.35, -53.44

 

CMYK 4 / 51 / 0 / 0

HEX #F67CFF

RGB 246 124 255

HSL 295.88, 1%, 0.74%

LAB 70.34, 64.42, -45.05

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

CMYK 18 / 75 / 0 / 18

HEX #AD34D2

RGB 173 52 210

HSL 285.95, 0.64%, 0.51%

LAB 46.97, 69.39, -57.63

 

CMYK 18 / 82 / 0 / 25

HEX #9C22BF

RGB 156 34 191

HSL 286.62, 0.7%, 0.44%

LAB 41.17, 68.21, -56.09

 

CMYK 19 / 91 / 0 / 33

HEX #8B10AC

RGB 139 16 172

HSL 287.31, 0.83%, 0.37%

LAB 35.67, 65.89, -53.88

 

CMYK 20 / 100 / 0 / 40

HEX #7A0099

RGB 122 0 153

HSL 287.84, 1%, 0.3%

LAB 30.49, 62.25, -50.92

 

CMYK 17 / 68 / 0 / 11

HEX #BE48E4

RGB 190 72 228

HSL 285.38, 0.74%, 0.59%

LAB 53.15, 68.84, -57.8

 

CMYK 0 / 68 / 1 / 11

HEX #E448E1

RGB 228 72 225

HSL 301.15, 0.74%, 0.59%

LAB 58.57, 76.48, -47.14

 

CMYK 0 / 68 / 20 / 11

HEX #E448B6

RGB 228 72 182

HSL 317.69, 0.74%, 0.59%

LAB 56.59, 70.22, -25.71

 

CMYK 0 / 68 / 39 / 11

HEX #E4488C

RGB 228 72 140

HSL 333.85, 0.74%, 0.59%

LAB 55.1, 65.25, -3.38

 

CMYK 0 / 68 / 57 / 11

HEX #E44862

RGB 228 72 98

HSL 350, 0.74%, 0.59%

LAB 54.04, 61.6, 20.1

 

CMYK 17 / 68 / 0 / 11

HEX #BE48E4

RGB 190 72 228

HSL 285.38, 0.74%, 0.59%

LAB 53.15, 68.84, -57.8

 

CMYK 35 / 68 / 0 / 11

HEX #9448E4

RGB 148 72 228

HSL 269.23, 0.74%, 0.59%

LAB 47.66, 60.38, -66.93

 

CMYK 54 / 68 / 0 / 11

HEX #6948E4

RGB 105 72 228

HSL 252.69, 0.74%, 0.59%

LAB 43.12, 52.84, -74.53

 

CMYK 68 / 68 / 0 / 11

HEX #4848E4

RGB 72 72 228

HSL 240, 0.74%, 0.59%

LAB 40.6, 48.37, -78.77

 

CMYK 17 / 68 / 0 / 11

HEX #BE48E4

RGB 190 72 228

HSL 285.38, 0.74%, 0.59%

LAB 53.15, 68.84, -57.8

 

CMYK 19 / 78 / 0 / 4

HEX #C737F5

RGB 199 55 245

HSL 285.47, 0.9%, 0.59%

LAB 53.46, 79.63, -66.79

 

CMYK 17 / 68 / 0 / 11

HEX #BE48E4

RGB 190 72 228

HSL 285.38, 0.74%, 0.59%

LAB 53.15, 68.84, -57.8

 

CMYK 14 / 58 / 0 / 17

HEX #B558D3

RGB 181 88 211

HSL 285.37, 0.58%, 0.59%

LAB 53.5, 56.42, -47.68

 

CMYK 11 / 46 / 0 / 24

HEX #AD69C3

RGB 173 105 195

HSL 285.33, 0.43%, 0.59%

LAB 55, 42.3, -36.25

 

CMYK 8 / 31 / 0 / 30

HEX #A47AB2

RGB 164 122 178

HSL 285, 0.27%, 0.59%

LAB 57.1, 26.49, -23.33

 

CMYK 4 / 14 / 0 / 37

HEX #9B8BA1

RGB 155 139 161

HSL 283.64, 0.1%, 0.59%

LAB 59.9, 10.18, -9.44

 

CMYK 54 / 68 / 0 / 11

HEX #6A48E4

RGB 106 72 228

HSL 253.08, 0.74%, 0.59%

LAB 43.21, 53, -74.38

 

CMYK 36 / 68 / 0 / 11

HEX #9348E4

RGB 147 72 228

HSL 268.85, 0.74%, 0.59%

LAB 47.55, 60.18, -67.13

 

CMYK 17 / 68 / 0 / 11

HEX #BD48E4

RGB 189 72 228

HSL 285, 0.74%, 0.59%

LAB 53.01, 68.64, -58.04

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 68 / 19 / 11

HEX #E448B8

RGB 228 72 184

HSL 316.92, 0.74%, 0.59%

LAB 56.67, 70.48, -26.74

 

CMYK 21 / 86 / 0 / 25

HEX #961BBF

RGB 150 27 191

HSL 285, 0.75%, 0.43%

LAB 39.63, 68.94, -58.63

 

CMYK 21 / 84 / 0 / 13

HEX #B123DF

RGB 177 35 223

HSL 285.32, 0.75%, 0.51%

LAB 46.81, 77.28, -65.29

 

CMYK 17 / 68 / 0 / 11

HEX #BE48E4

RGB 190 72 228

HSL 285.38, 0.74%, 0.59%

LAB 53.15, 68.84, -57.8

 

CMYK 13 / 54 / 0 / 8

HEX #CB6CEA

RGB 203 108 234

HSL 285.24, 0.75%, 0.67%

LAB 61.1, 56.92, -48.4

 

CMYK 10 / 40 / 0 / 6

HEX #D790EF

RGB 215 144 239

HSL 284.84, 0.75%, 0.75%

LAB 69.91, 42.72, -37.23

 

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

CMYK 0 / 68 / 65 / 11

HEX #E4484F

RGB 228 72 79

HSL 357.31, 0.74%, 0.59%

LAB 53.7, 60.4, 30.84

 

CMYK 68 / 0 / 45 / 11

HEX #48E47E

RGB 72 228 126

HSL 140.77, 0.74%, 0.59%

LAB 80.94, -62.3, 38.17

 

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

CMYK 0 / 17 / 68 / 11

HEX #E4BD48

RGB 228 189 72

HSL 45, 0.74%, 0.59%

LAB 78.09, 1.72, 61.94

 

CMYK 68 / 0 / 17 / 11

HEX #48E4BD

RGB 72 228 189

HSL 165, 0.74%, 0.59%

LAB 82.13, -49.53, 7.3

 

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

CMYK 0 / 68 / 65 / 11

HEX #E4484F

RGB 228 72 79

HSL 357.31, 0.74%, 0.59%

LAB 53.7, 60.4, 30.84

 

CMYK 51 / 0 / 68 / 11

HEX #6FE448

RGB 111 228 72

HSL 105, 0.74%, 0.59%

LAB 81.47, -60.18, 63.15

 

CMYK 68 / 0 / 3 / 11

HEX #48E4DD

RGB 72 228 221

HSL 177.31, 0.74%, 0.59%

LAB 82.96, -41.32, -8.41

 

CMYK 17 / 69 / 0 / 10

HEX #BE46E5

RGB 190 70 229

HSL 285.28, 0.75%, 0.59%

LAB 52.93, 69.82, -58.72

 

CMYK 0 / 51 / 68 / 11

HEX #E46F48

RGB 228 111 72

HSL 15, 0.74%, 0.59%

LAB 60.19, 42.68, 42.49

 

CMYK 51 / 0 / 68 / 11

HEX #6FE448

RGB 111 228 72

HSL 105, 0.74%, 0.59%

LAB 81.47, -60.18, 63.15

 

CMYK 68 / 17 / 0 / 11

HEX #48BDE4

RGB 72 189 228

HSL 195, 0.74%, 0.59%

LAB 71.81, -20.53, -29.03

 

Description

Color code: RGB 190 70 229 | qconv.com Color code: RGB 190 70 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 70 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 70 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 69 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 69% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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