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Color name
RGB 190 79 116

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 79 116 it is the complementary color RGB 65 176 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 79 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 79 116 shade: RGB 195 79 111, RGB 212 97 130, RGB 229 115 149, RGB 246 133 168 and RGB 255 151 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 79 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 79 116 shade: RGB 190 79 116, RGB 173 61 97, RGB 156 43 78, RGB 139 25 59 and RGB 122 7 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 79 116 shade: RGB 190 80 116, RGB 190 80 87 and RGB 190 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 79 116 shade: RGB 190 80 116, RGB 190 80 146, RGB 190 80 176, RGB 174 80 190 and RGB 144 80 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 79 116 shade matches the following richer shades: RGB 190 80 116, RGB 209 60 110, RGB 229 41 103 and RGB 248 21 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 79 116 shade: RGB 190 80 116, RGB 170 99 123, RGB 151 118 129, RGB 132 138 136 and RGB 112 157 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 79 116 shade: RGB 190 80 175, RGB 190 80 146, RGB 190 80 116, RGB 190 80 87 and RGB 190 102 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 79 116 shade: RGB 137 50 79, RGB 167 61 96, RGB 190 80 116, RGB 201 110 140 and RGB 212 140 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 79 116 shade: RGB 190 79 116, RGB 190 175 80 and RGB 80 160 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 79 116 shade: RGB 190 79 116, RGB 116 190 80 and RGB 80 116 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 79 116 shade: RGB 190 79 116, RGB 190 175 80, RGB 80 190 153 and RGB 80 94 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 79 116 shade: RGB 190 79 116, RGB 171 190 80, RGB 80 190 153 and RGB 98 80 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

Complementary color

CMYK 63 / 0 / 21 / 31

HEX #41B08B

RGB 65 176 139

HSL 160, 0.46%, 0.47%

LAB 64.99, -40.42, 9.77

 

CMYK 0 / 59 / 43 / 24

HEX #C34F6F

RGB 195 79 111

HSL 343.45, 0.49%, 0.54%

LAB 49.91, 49.28, 5.74

 

CMYK 0 / 54 / 39 / 17

HEX #D46182

RGB 212 97 130

HSL 342.78, 0.57%, 0.61%

LAB 56.25, 48.53, 3.89

 

CMYK 0 / 50 / 35 / 10

HEX #E57395

RGB 229 115 149

HSL 342.11, 0.69%, 0.67%

LAB 62.58, 47.68, 2.35

 

CMYK 0 / 46 / 32 / 4

HEX #F685A8

RGB 246 133 168

HSL 341.42, 0.86%, 0.74%

LAB 68.89, 46.82, 1.02

 

CMYK 0 / 41 / 27 / 0

HEX #FF97BB

RGB 255 151 187

HSL 339.23, 1%, 0.8%

LAB 74.18, 43.24, -1.7

 

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

CMYK 0 / 65 / 44 / 32

HEX #AD3D61

RGB 173 61 97

HSL 340.71, 0.48%, 0.46%

LAB 42.89, 48.72, 3.75

 

CMYK 0 / 72 / 50 / 39

HEX #9C2B4E

RGB 156 43 78

HSL 341.42, 0.57%, 0.39%

LAB 36.64, 48.88, 6.4

 

CMYK 0 / 82 / 58 / 45

HEX #8B193B

RGB 139 25 59

HSL 342.11, 0.7%, 0.32%

LAB 30.64, 48.29, 9.9

 

CMYK 0 / 94 / 67 / 52

HEX #7A0728

RGB 122 7 40

HSL 342.78, 0.89%, 0.25%

LAB 25.08, 46.38, 14.62

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 58 / 54 / 25

HEX #BE5057

RGB 190 80 87

HSL 356.18, 0.46%, 0.53%

LAB 48.73, 44.85, 18.42

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 58 / 23 / 25

HEX #BE5092

RGB 190 80 146

HSL 324, 0.46%, 0.53%

LAB 50.4, 51.51, -14.59

 

CMYK 0 / 58 / 7 / 25

HEX #BE50B0

RGB 190 80 176

HSL 307.64, 0.46%, 0.53%

LAB 51.63, 56.1, -30.37

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 24 / 58 / 0 / 25

HEX #9050BE

RGB 144 80 190

HSL 274.91, 0.46%, 0.53%

LAB 46.16, 46.64, -47.58

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 71 / 47 / 18

HEX #D13C6E

RGB 209 60 110

HSL 339.87, 0.62%, 0.53%

LAB 49.39, 61.3, 5.92

 

CMYK 0 / 82 / 55 / 10

HEX #E52967

RGB 229 41 103

HSL 340.21, 0.78%, 0.53%

LAB 50.95, 71.7, 12.9

 

CMYK 0 / 92 / 61 / 3

HEX #F81561

RGB 248 21 97

HSL 339.91, 0.94%, 0.53%

LAB 53.34, 79.35, 20.4

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 42 / 28 / 33

HEX #AA637B

RGB 170 99 123

HSL 339.72, 0.29%, 0.53%

LAB 50.57, 31.77, -0.94

 

CMYK 0 / 22 / 15 / 41

HEX #977681

RGB 151 118 129

HSL 340, 0.14%, 0.53%

LAB 53.08, 14.73, -1.07

 

CMYK 4 / 0 / 1 / 46

HEX #848A88

RGB 132 138 136

HSL 160, 0.02%, 0.53%

LAB 56.94, -2.6, 0.3

 

CMYK 29 / 0 / 10 / 38

HEX #709D8E

RGB 112 157 142

HSL 160, 0.19%, 0.53%

LAB 61.23, -18.53, 2.95

 

CMYK 0 / 58 / 8 / 25

HEX #BE50AF

RGB 190 80 175

HSL 308.18, 0.46%, 0.53%

LAB 51.59, 55.94, -29.86

 

CMYK 0 / 58 / 23 / 25

HEX #BE5092

RGB 190 80 146

HSL 324, 0.46%, 0.53%

LAB 50.4, 51.51, -14.59

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 58 / 54 / 25

HEX #BE5057

RGB 190 80 87

HSL 356.18, 0.46%, 0.53%

LAB 48.73, 44.85, 18.42

 

CMYK 0 / 46 / 58 / 25

HEX #BE6650

RGB 190 102 80

HSL 12, 0.46%, 0.53%

LAB 52.98, 33.1, 28.09

 

CMYK 0 / 64 / 42 / 46

HEX #89324F

RGB 137 50 79

HSL 340, 0.47%, 0.37%

LAB 34.32, 39.84, 1.98

 

CMYK 0 / 63 / 43 / 35

HEX #A73D60

RGB 167 61 96

HSL 340.19, 0.46%, 0.45%

LAB 41.84, 46.67, 2.73

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 45 / 30 / 21

HEX #C96E8C

RGB 201 110 140

HSL 340.22, 0.46%, 0.61%

LAB 57.52, 39.4, -0.29

 

CMYK 0 / 34 / 23 / 17

HEX #D48CA4

RGB 212 140 164

HSL 340, 0.46%, 0.69%

LAB 66.08, 30.71, -1.33

 

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

CMYK 0 / 8 / 58 / 25

HEX #BEAF50

RGB 190 175 80

HSL 51.82, 0.46%, 0.53%

LAB 71, -6.61, 49.71

 

CMYK 58 / 16 / 0 / 25

HEX #50A0BE

RGB 80 160 190

HSL 196.36, 0.46%, 0.53%

LAB 62.14, -15.71, -22.89

 

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

CMYK 39 / 0 / 58 / 25

HEX #74BE50

RGB 116 190 80

HSL 100.36, 0.46%, 0.53%

LAB 70.26, -42.86, 47.54

 

CMYK 58 / 39 / 0 / 25

HEX #5074BE

RGB 80 116 190

HSL 220.36, 0.46%, 0.53%

LAB 49.39, 9.71, -42.76

 

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

CMYK 0 / 8 / 58 / 25

HEX #BEAF50

RGB 190 175 80

HSL 51.82, 0.46%, 0.53%

LAB 71, -6.61, 49.71

 

CMYK 58 / 0 / 19 / 25

HEX #50BE99

RGB 80 190 153

HSL 159.82, 0.46%, 0.53%

LAB 70.06, -40.35, 9.35

 

CMYK 58 / 51 / 0 / 25

HEX #505EBE

RGB 80 94 190

HSL 232.36, 0.46%, 0.53%

LAB 43.4, 23.47, -52.33

 

CMYK 0 / 58 / 39 / 25

HEX #BE4F74

RGB 190 79 116

HSL 340, 0.46%, 0.53%

LAB 49.25, 48.17, 1.68

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE50

RGB 171 190 80

HSL 70.36, 0.46%, 0.53%

LAB 73.59, -22.2, 52.21

 

CMYK 58 / 0 / 19 / 25

HEX #50BE99

RGB 80 190 153

HSL 159.82, 0.46%, 0.53%

LAB 70.06, -40.35, 9.35

 

CMYK 48 / 58 / 0 / 25

HEX #6250BE

RGB 98 80 190

HSL 249.82, 0.46%, 0.53%

LAB 41.3, 35.84, -55.65

 

Description

Color code: RGB 190 79 116 | qconv.com Color code: RGB 190 79 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 79 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 79 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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