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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 218 130 it is the complementary color RGB 62 37 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 218 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 218 130 shade: RGB 198 218 125, RGB 215 236 144, RGB 232 254 163, RGB 249 255 182 and RGB 255 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 218 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 218 130 shade: RGB 193 218 130, RGB 176 200 111, RGB 159 182 92, RGB 142 164 73 and RGB 125 146 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 218 130 shade: RGB 192 217 129, RGB 216 217 129, RGB 217 194 129, RGB 217 171 129 and RGB 217 147 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 218 130 shade: RGB 192 217 129, RGB 168 217 129, RGB 144 217 129, RGB 129 217 137 and RGB 129 217 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 218 130 shade matches the following richer shades: RGB 192 217 129, RGB 198 230 116 and RGB 203 243 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 218 130 shade: RGB 192 217 129, RGB 186 204 142, RGB 181 191 155, RGB 175 177 168 and RGB 169 164 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 218 130 shade: RGB 217 195 129, RGB 215 217 129, RGB 192 217 129, RGB 168 217 129 and RGB 145 217 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 218 130 shade: RGB 160 198 65, RGB 176 207 97, RGB 192 217 129, RGB 208 226 161 and RGB 224 236 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 218 130 shade: RGB 193 218 130, RGB 129 217 171 and RGB 207 129 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 218 130 shade: RGB 193 218 130, RGB 129 192 217 and RGB 217 129 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 218 130 shade: RGB 193 218 130, RGB 129 217 171, RGB 154 129 217 and RGB 217 129 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 218 130 shade: RGB 193 218 130, RGB 129 217 198, RGB 154 129 217 and RGB 217 129 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

Complementary color

CMYK 50 / 70 / 0 / 51

HEX #3E257D

RGB 62 37 125

HSL 257.05, 0.54%, 0.32%

LAB 23.09, 34.37, -45.92

 

CMYK 9 / 0 / 43 / 15

HEX #C6DA7D

RGB 198 218 125

HSL 72.9, 0.56%, 0.67%

LAB 83.77, -20.95, 43.43

 

CMYK 9 / 0 / 39 / 7

HEX #D7EC90

RGB 215 236 144

HSL 73.7, 0.71%, 0.75%

LAB 90.07, -21.12, 42.29

 

CMYK 9 / 0 / 36 / 0

HEX #E8FEA3

RGB 232 254 163

HSL 74.51, 0.98%, 0.82%

LAB 96.28, -21.25, 41.18

 

CMYK 2 / 0 / 29 / 0

HEX #F9FFB6

RGB 249 255 182

HSL 64.93, 1%, 0.86%

LAB 98.05, -13.16, 34.31

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

CMYK 12 / 0 / 45 / 22

HEX #B0C86F

RGB 176 200 111

HSL 76.18, 0.45%, 0.61%

LAB 77.09, -22.16, 41.68

 

CMYK 13 / 0 / 49 / 29

HEX #9FB65C

RGB 159 182 92

HSL 75.33, 0.38%, 0.54%

LAB 70.59, -21.98, 42.85

 

CMYK 13 / 0 / 55 / 36

HEX #8EA449

RGB 142 164 73

HSL 74.51, 0.38%, 0.46%

LAB 63.98, -21.72, 43.97

 

CMYK 14 / 0 / 63 / 43

HEX #7D9236

RGB 125 146 54

HSL 73.7, 0.46%, 0.39%

LAB 57.25, -21.35, 44.95

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 0 / 0 / 41 / 15

HEX #D8D981

RGB 216 217 129

HSL 60.68, 0.54%, 0.68%

LAB 84.9, -13.03, 43.16

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 21 / 41 / 15

HEX #D9AB81

RGB 217 171 129

HSL 28.64, 0.54%, 0.68%

LAB 73.2, 11.32, 28.04

 

CMYK 0 / 32 / 41 / 15

HEX #D99381

RGB 217 147 129

HSL 12.27, 0.54%, 0.68%

LAB 67.43, 24.26, 20.27

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 23 / 0 / 41 / 15

HEX #A8D981

RGB 168 217 129

HSL 93.41, 0.54%, 0.68%

LAB 81.59, -31.15, 38.26

 

CMYK 34 / 0 / 41 / 15

HEX #90D981

RGB 144 217 129

HSL 109.77, 0.54%, 0.68%

LAB 80.26, -39.35, 36.29

 

CMYK 41 / 0 / 37 / 15

HEX #81D989

RGB 129 217 137

HSL 125.45, 0.54%, 0.68%

LAB 79.67, -42.8, 31.33

 

CMYK 41 / 0 / 26 / 15

HEX #81D9A1

RGB 129 217 161

HSL 141.82, 0.54%, 0.68%

LAB 80.1, -38.62, 19.45

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 14 / 0 / 50 / 10

HEX #C6E674

RGB 198 230 116

HSL 76.84, 0.7%, 0.68%

LAB 86.93, -27.66, 51.62

 

CMYK 16 / 0 / 58 / 5

HEX #CBF366

RGB 203 243 102

HSL 77.02, 0.85%, 0.68%

LAB 90.67, -33.07, 62.32

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 9 / 0 / 30 / 20

HEX #BACC8E

RGB 186 204 142

HSL 77.42, 0.38%, 0.68%

LAB 79.37, -16.48, 28.94

 

CMYK 5 / 0 / 19 / 25

HEX #B5BF9B

RGB 181 191 155

HSL 76.67, 0.22%, 0.68%

LAB 75.73, -9.77, 17.03

 

CMYK 1 / 0 / 5 / 31

HEX #AFB1A8

RGB 175 177 168

HSL 73.33, 0.05%, 0.68%

LAB 71.82, -2.36, 4.35

 

CMYK 7 / 10 / 0 / 29

HEX #A9A4B6

RGB 169 164 182

HSL 256.67, 0.11%, 0.68%

LAB 68.29, 5.3, -8.62

 

CMYK 0 / 10 / 41 / 15

HEX #D9C381

RGB 217 195 129

HSL 45, 0.54%, 0.68%

LAB 79.25, -1.39, 35.98

 

CMYK 1 / 0 / 41 / 15

HEX #D7D981

RGB 215 217 129

HSL 61.36, 0.54%, 0.68%

LAB 84.82, -13.42, 43.04

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 23 / 0 / 41 / 15

HEX #A8D981

RGB 168 217 129

HSL 93.41, 0.54%, 0.68%

LAB 81.59, -31.15, 38.26

 

CMYK 33 / 0 / 41 / 15

HEX #91D981

RGB 145 217 129

HSL 109.09, 0.54%, 0.68%

LAB 80.31, -39.02, 36.37

 

CMYK 19 / 0 / 67 / 22

HEX #A0C641

RGB 160 198 65

HSL 77.14, 0.54%, 0.52%

LAB 74.98, -31.58, 59.83

 

CMYK 15 / 0 / 53 / 19

HEX #B0CF61

RGB 176 207 97

HSL 76.91, 0.53%, 0.6%

LAB 78.88, -26.99, 50.59

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 8 / 0 / 29 / 11

HEX #D0E2A1

RGB 208 226 161

HSL 76.62, 0.53%, 0.76%

LAB 87.18, -16.68, 29.86

 

CMYK 5 / 0 / 19 / 7

HEX #E0ECC0

RGB 224 236 192

HSL 76.36, 0.54%, 0.84%

LAB 91.52, -11.4, 20.03

 

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

CMYK 41 / 0 / 21 / 15

HEX #81D9AB

RGB 129 217 171

HSL 148.64, 0.54%, 0.68%

LAB 80.31, -36.68, 14.47

 

CMYK 5 / 41 / 0 / 15

HEX #CF81D9

RGB 207 129 217

HSL 293.18, 0.54%, 0.68%

LAB 64.94, 43.97, -32.87

 

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

CMYK 41 / 12 / 0 / 15

HEX #81C0D9

RGB 129 192 217

HSL 197.05, 0.54%, 0.68%

LAB 74.43, -13.76, -18.86

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

CMYK 41 / 0 / 21 / 15

HEX #81D9AB

RGB 129 217 171

HSL 148.64, 0.54%, 0.68%

LAB 80.31, -36.68, 14.47

 

CMYK 29 / 41 / 0 / 15

HEX #9A81D9

RGB 154 129 217

HSL 257.05, 0.54%, 0.68%

LAB 59.51, 28.43, -41.76

 

CMYK 0 / 41 / 20 / 15

HEX #D981AE

RGB 217 129 174

HSL 329.32, 0.54%, 0.68%

LAB 64.57, 39.81, -9.16

 

CMYK 11 / 0 / 40 / 15

HEX #C1DA82

RGB 193 218 130

HSL 77.05, 0.54%, 0.68%

LAB 83.49, -22.29, 40.53

 

CMYK 41 / 0 / 9 / 15

HEX #81D9C6

RGB 129 217 198

HSL 167.05, 0.54%, 0.68%

LAB 80.94, -30.9, 1.04

 

CMYK 29 / 41 / 0 / 15

HEX #9A81D9

RGB 154 129 217

HSL 257.05, 0.54%, 0.68%

LAB 59.51, 28.43, -41.76

 

CMYK 0 / 41 / 32 / 15

HEX #D98194

RGB 217 129 148

HSL 347.05, 0.54%, 0.68%

LAB 63.83, 36.18, 4.52

 

Description

Color code: RGB 193 218 130 | qconv.com Color code: RGB 193 218 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 218 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 218 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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