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Color name
RGB 194 111 120

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 111 120 it is the complementary color RGB 61 144 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 111 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 111 120 shade: RGB 199 111 115, RGB 216 129 134, RGB 233 147 153, RGB 250 165 172 and RGB 255 183 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 111 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 111 120 shade: RGB 194 111 120, RGB 177 93 101, RGB 160 75 82, RGB 143 57 63 and RGB 126 39 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 111 120 shade: RGB 193 112 121 and RGB 193 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 111 120 shade: RGB 193 112 121, RGB 193 112 143, RGB 193 112 165, RGB 193 112 187 and RGB 178 112 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 111 120 shade matches the following richer shades: RGB 193 112 121, RGB 210 95 108, RGB 226 79 95 and RGB 243 62 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 111 120 shade: RGB 193 112 121, RGB 177 128 133, RGB 160 145 146, RGB 144 161 159 and RGB 127 178 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 111 120 shade: RGB 193 112 165, RGB 193 112 143, RGB 193 112 121, RGB 193 124 112 and RGB 193 146 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 111 120 shade: RGB 156 67 76, RGB 181 83 93, RGB 193 112 121, RGB 206 141 148 and RGB 218 169 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 111 120 shade: RGB 194 111 120, RGB 187 193 112 and RGB 112 154 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 111 120 shade: RGB 194 111 120, RGB 121 193 112 and RGB 112 121 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 111 120 shade: RGB 194 111 120, RGB 187 193 112, RGB 112 193 184 and RGB 118 112 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 111 120 shade: RGB 194 111 120, RGB 162 193 112, RGB 112 193 184 and RGB 143 112 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

Complementary color

CMYK 58 / 0 / 6 / 44

HEX #3D9087

RGB 61 144 135

HSL 173.49, 0.4%, 0.4%

LAB 54.75, -27.33, -2.8

 

CMYK 0 / 44 / 42 / 22

HEX #C76F73

RGB 199 111 115

HSL 357.27, 0.44%, 0.61%

LAB 56.83, 35.11, 13.24

 

CMYK 0 / 40 / 38 / 15

HEX #D88186

RGB 216 129 134

HSL 356.55, 0.53%, 0.68%

LAB 63.36, 34.09, 11.8

 

CMYK 0 / 37 / 34 / 9

HEX #E99399

RGB 233 147 153

HSL 355.81, 0.66%, 0.75%

LAB 69.82, 33.15, 10.53

 

CMYK 0 / 34 / 31 / 2

HEX #FAA5AC

RGB 250 165 172

HSL 355.06, 0.89%, 0.81%

LAB 76.2, 32.28, 9.39

 

CMYK 0 / 28 / 25 / 0

HEX #FFB7BF

RGB 255 183 191

HSL 353.33, 1%, 0.86%

LAB 81.23, 27.17, 6.36

 

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

CMYK 0 / 47 / 43 / 31

HEX #B15D65

RGB 177 93 101

HSL 354.29, 0.35%, 0.53%

LAB 49.64, 34.84, 10.98

 

CMYK 0 / 53 / 49 / 37

HEX #A04B52

RGB 160 75 82

HSL 355.06, 0.36%, 0.46%

LAB 42.94, 35.92, 12.79

 

CMYK 0 / 60 / 56 / 44

HEX #8F393F

RGB 143 57 63

HSL 355.81, 0.43%, 0.39%

LAB 36.22, 36.98, 15.04

 

CMYK 0 / 69 / 65 / 51

HEX #7E272C

RGB 126 39 44

HSL 356.55, 0.53%, 0.32%

LAB 29.58, 37.85, 17.93

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 42 / 26 / 24

HEX #C1708F

RGB 193 112 143

HSL 337.04, 0.4%, 0.6%

LAB 56.99, 35.91, -2.94

 

CMYK 0 / 42 / 15 / 24

HEX #C170A5

RGB 193 112 165

HSL 320.74, 0.4%, 0.6%

LAB 57.7, 39.28, -14.64

 

CMYK 0 / 42 / 3 / 24

HEX #C170BB

RGB 193 112 187

HSL 304.44, 0.4%, 0.6%

LAB 58.52, 43.07, -26.01

 

CMYK 8 / 42 / 0 / 24

HEX #B270C1

RGB 178 112 193

HSL 288.89, 0.4%, 0.6%

LAB 56.98, 39.59, -31.97

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 55 / 49 / 18

HEX #D25F6C

RGB 210 95 108

HSL 353.22, 0.56%, 0.6%

LAB 55.04, 46.55, 15.08

 

CMYK 0 / 65 / 58 / 11

HEX #E24F5F

RGB 226 79 95

HSL 353.47, 0.72%, 0.6%

LAB 54.64, 58.02, 22.62

 

CMYK 0 / 74 / 66 / 5

HEX #F33E52

RGB 243 62 82

HSL 353.37, 0.88%, 0.6%

LAB 55.18, 68.51, 31.53

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 28 / 25 / 31

HEX #B18085

RGB 177 128 133

HSL 353.88, 0.24%, 0.6%

LAB 58.49, 19.68, 4.8

 

CMYK 0 / 9 / 9 / 37

HEX #A09192

RGB 160 145 146

HSL 356, 0.07%, 0.6%

LAB 61.48, 5.75, 1.49

 

CMYK 11 / 0 / 1 / 37

HEX #90A19F

RGB 144 161 159

HSL 172.94, 0.08%, 0.6%

LAB 64.9, -6.38, -1.01

 

CMYK 29 / 0 / 3 / 30

HEX #7FB2AC

RGB 127 178 172

HSL 172.94, 0.25%, 0.6%

LAB 68.99, -18.07, -2.36

 

CMYK 0 / 42 / 15 / 24

HEX #C170A5

RGB 193 112 165

HSL 320.74, 0.4%, 0.6%

LAB 57.7, 39.28, -14.64

 

CMYK 0 / 42 / 26 / 24

HEX #C1708F

RGB 193 112 143

HSL 337.04, 0.4%, 0.6%

LAB 56.99, 35.91, -2.94

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 36 / 42 / 24

HEX #C17C70

RGB 193 124 112

HSL 8.89, 0.4%, 0.6%

LAB 58.9, 25.43, 17.71

 

CMYK 0 / 24 / 42 / 24

HEX #C19270

RGB 193 146 112

HSL 25.19, 0.4%, 0.6%

LAB 64.21, 13.3, 24.88

 

CMYK 0 / 57 / 51 / 39

HEX #9C434C

RGB 156 67 76

HSL 353.93, 0.4%, 0.44%

LAB 40.58, 37.96, 13.16

 

CMYK 0 / 54 / 49 / 29

HEX #B5535D

RGB 181 83 93

HSL 353.88, 0.4%, 0.52%

LAB 48.01, 40.68, 13.61

 

CMYK 0 / 42 / 37 / 24

HEX #C17079

RGB 193 112 121

HSL 353.33, 0.4%, 0.6%

LAB 56.39, 33.01, 9.02

 

CMYK 0 / 32 / 28 / 19

HEX #CE8D94

RGB 206 141 148

HSL 353.54, 0.4%, 0.68%

LAB 65.21, 25.67, 6.33

 

CMYK 0 / 22 / 20 / 15

HEX #DAA9AF

RGB 218 169 175

HSL 352.65, 0.4%, 0.76%

LAB 73.79, 18.85, 3.84

 

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 20 / 0 / 24

HEX #709AC1

RGB 112 154 193

HSL 208.89, 0.4%, 0.6%

LAB 62, -4.07, -24.65

 

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

CMYK 37 / 0 / 42 / 24

HEX #79C170

RGB 121 193 112

HSL 113.33, 0.4%, 0.6%

LAB 71.81, -38.51, 33.81

 

CMYK 42 / 37 / 0 / 24

HEX #7079C1

RGB 112 121 193

HSL 233.33, 0.4%, 0.6%

LAB 52.92, 15.18, -38.78

 

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 0 / 5 / 24

HEX #70C1B8

RGB 112 193 184

HSL 173.33, 0.4%, 0.6%

LAB 72.92, -26.95, -3.25

 

CMYK 39 / 42 / 0 / 24

HEX #7670C1

RGB 118 112 193

HSL 244.44, 0.4%, 0.6%

LAB 51.02, 22.18, -41.74

 

CMYK 0 / 43 / 38 / 24

HEX #C26F78

RGB 194 111 120

HSL 353.49, 0.4%, 0.6%

LAB 56.28, 33.8, 9.46

 

CMYK 16 / 0 / 42 / 24

HEX #A2C170

RGB 162 193 112

HSL 82.96, 0.4%, 0.6%

LAB 74.18, -23.99, 37.33

 

CMYK 42 / 0 / 5 / 24

HEX #70C1B8

RGB 112 193 184

HSL 173.33, 0.4%, 0.6%

LAB 72.92, -26.95, -3.25

 

CMYK 26 / 42 / 0 / 24

HEX #8F70C1

RGB 143 112 193

HSL 262.96, 0.4%, 0.6%

LAB 53.25, 29.15, -38.07

 

Description

Color code: RGB 194 111 120 | qconv.com Color code: RGB 194 111 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 111 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 111 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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