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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 60 202 it is the complementary color RGB 61 195 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 60 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 60 202 shade: RGB 199 60 197, RGB 216 78 216, RGB 233 96 235, RGB 250 114 254 and RGB 255 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 60 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 60 202 shade: RGB 194 60 202, RGB 177 42 183, RGB 160 24 164, RGB 143 6 145 and RGB 126 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 60 202 shade: RGB 193 58 201, RGB 201 58 170, RGB 201 58 132, RGB 201 58 94 and RGB 201 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 60 202 shade: RGB 193 58 201, RGB 154 58 201, RGB 116 58 201, RGB 78 58 201 and RGB 58 58 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 60 202 shade matches the following richer shades: RGB 193 58 201, RGB 211 38 221 and RGB 229 18 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 60 202 shade: RGB 193 58 201, RGB 175 79 181, RGB 157 99 160, RGB 139 119 140 and RGB 121 139 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 60 202 shade: RGB 115 58 201, RGB 153 58 201, RGB 191 58 201, RGB 201 58 172 and RGB 201 58 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 60 202 shade: RGB 133 38 139, RGB 164 47 171, RGB 193 58 201, RGB 203 91 210 and RGB 213 123 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 60 202 shade: RGB 194 60 202, RGB 201 77 58 and RGB 58 201 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 60 202 shade: RGB 194 60 202, RGB 201 191 58 and RGB 58 201 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 60 202 shade: RGB 194 60 202, RGB 201 77 58, RGB 68 201 58 and RGB 58 182 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 60 202 shade: RGB 194 60 202, RGB 201 120 58, RGB 68 201 58 and RGB 58 139 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

Complementary color

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 0 / 70 / 1 / 22

HEX #C73CC5

RGB 199 60 197

HSL 300.86, 0.55%, 0.51%

LAB 51.16, 69.75, -43.21

 

CMYK 0 / 64 / 0 / 15

HEX #D84ED8

RGB 216 78 216

HSL 300, 0.64%, 0.58%

LAB 57.08, 70.13, -44.54

 

CMYK 1 / 59 / 0 / 8

HEX #E960EB

RGB 233 96 235

HSL 299.14, 0.78%, 0.65%

LAB 63.08, 70.1, -45.56

 

CMYK 2 / 55 / 0 / 0

HEX #FA72FE

RGB 250 114 254

HSL 298.29, 0.99%, 0.72%

LAB 69.12, 69.81, -46.38

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 3 / 77 / 0 / 28

HEX #B12AB7

RGB 177 42 183

HSL 297.45, 0.63%, 0.44%

LAB 44.83, 68.52, -45.33

 

CMYK 2 / 85 / 0 / 36

HEX #A018A4

RGB 160 24 164

HSL 298.29, 0.74%, 0.37%

LAB 39.25, 66.61, -43.13

 

CMYK 1 / 96 / 0 / 43

HEX #8F0691

RGB 143 6 145

HSL 299.14, 0.92%, 0.3%

LAB 34.01, 63.37, -40.14

 

CMYK 0 / 100 / 0 / 51

HEX #7E007E

RGB 126 0 126

HSL 300, 1%, 0.25%

LAB 29.27, 58.27, -36.09

 

CMYK 4 / 71 / 0 / 21

HEX #C13AC9

RGB 193 58 201

HSL 296.64, 0.57%, 0.51%

LAB 50.19, 69.79, -47.11

 

CMYK 0 / 71 / 15 / 21

HEX #C93AAA

RGB 201 58 170

HSL 313.01, 0.57%, 0.51%

LAB 49.91, 66.8, -29.4

 

CMYK 0 / 71 / 34 / 21

HEX #C93A84

RGB 201 58 132

HSL 328.95, 0.57%, 0.51%

LAB 48.4, 61.97, -9.05

 

CMYK 0 / 71 / 53 / 21

HEX #C93A5E

RGB 201 58 94

HSL 344.9, 0.57%, 0.51%

LAB 47.3, 58.33, 12.54

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 4 / 71 / 0 / 21

HEX #C13AC9

RGB 193 58 201

HSL 296.64, 0.57%, 0.51%

LAB 50.19, 69.79, -47.11

 

CMYK 23 / 71 / 0 / 21

HEX #9A3AC9

RGB 154 58 201

HSL 280.28, 0.57%, 0.51%

LAB 44.39, 61.66, -56.72

 

CMYK 42 / 71 / 0 / 21

HEX #743AC9

RGB 116 58 201

HSL 264.34, 0.57%, 0.51%

LAB 39.51, 54.42, -64.88

 

CMYK 61 / 71 / 0 / 21

HEX #4E3AC9

RGB 78 58 201

HSL 248.39, 0.57%, 0.51%

LAB 35.72, 48.46, -71.23

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 4 / 71 / 0 / 21

HEX #C13AC9

RGB 193 58 201

HSL 296.64, 0.57%, 0.51%

LAB 50.19, 69.79, -47.11

 

CMYK 5 / 83 / 0 / 13

HEX #D326DD

RGB 211 38 221

HSL 296.72, 0.73%, 0.51%

LAB 52.35, 81.98, -54.95

 

CMYK 5 / 93 / 0 / 5

HEX #E512F1

RGB 229 18 241

HSL 296.77, 0.89%, 0.51%

LAB 55.52, 91, -60.98

 

CMYK 4 / 71 / 0 / 21

HEX #C13AC9

RGB 193 58 201

HSL 296.64, 0.57%, 0.51%

LAB 50.19, 69.79, -47.11

 

CMYK 3 / 56 / 0 / 29

HEX #AF4FB5

RGB 175 79 181

HSL 296.47, 0.41%, 0.51%

LAB 49.55, 53.36, -36.71

 

CMYK 2 / 38 / 0 / 37

HEX #9D63A0

RGB 157 99 160

HSL 297.05, 0.24%, 0.51%

LAB 50.25, 33.56, -23.49

 

CMYK 1 / 15 / 0 / 45

HEX #8B778C

RGB 139 119 140

HSL 297.14, 0.08%, 0.51%

LAB 52.48, 11.71, -8.54

 

CMYK 13 / 0 / 14 / 45

HEX #798B78

RGB 121 139 120

HSL 116.84, 0.08%, 0.51%

LAB 55.97, -10.34, 7.99

 

CMYK 43 / 71 / 0 / 21

HEX #733AC9

RGB 115 58 201

HSL 263.92, 0.57%, 0.51%

LAB 39.39, 54.24, -65.07

 

CMYK 24 / 71 / 0 / 21

HEX #993AC9

RGB 153 58 201

HSL 279.86, 0.57%, 0.51%

LAB 44.26, 61.46, -56.96

 

CMYK 5 / 71 / 0 / 21

HEX #BF3AC9

RGB 191 58 201

HSL 295.8, 0.57%, 0.51%

LAB 49.88, 69.36, -47.63

 

CMYK 0 / 71 / 14 / 21

HEX #C93AAC

RGB 201 58 172

HSL 312.17, 0.57%, 0.51%

LAB 50, 67.09, -30.44

 

CMYK 0 / 71 / 33 / 21

HEX #C93A86

RGB 201 58 134

HSL 328.11, 0.57%, 0.51%

LAB 48.47, 62.19, -10.15

 

CMYK 4 / 73 / 0 / 45

HEX #85268B

RGB 133 38 139

HSL 296.44, 0.57%, 0.35%

LAB 34.47, 52.81, -35.81

 

CMYK 4 / 73 / 0 / 33

HEX #A42FAB

RGB 164 47 171

HSL 296.61, 0.57%, 0.43%

LAB 42.56, 62.19, -41.99

 

CMYK 4 / 71 / 0 / 21

HEX #C13AC9

RGB 193 58 201

HSL 296.64, 0.57%, 0.51%

LAB 50.19, 69.79, -47.11

 

CMYK 3 / 57 / 0 / 18

HEX #CB5BD2

RGB 203 91 210

HSL 296.47, 0.57%, 0.59%

LAB 56.91, 60.43, -41.53

 

CMYK 3 / 44 / 0 / 14

HEX #D57BDB

RGB 213 123 219

HSL 296.25, 0.57%, 0.67%

LAB 64.5, 49.25, -34.61

 

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 0 / 62 / 71 / 21

HEX #C94D3A

RGB 201 77 58

HSL 7.97, 0.57%, 0.51%

LAB 49.53, 48.25, 36.74

 

CMYK 71 / 0 / 33 / 21

HEX #3AC986

RGB 58 201 134

HSL 151.89, 0.57%, 0.51%

LAB 72.49, -53.01, 22.86

 

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 0 / 5 / 71 / 21

HEX #C9BF3A

RGB 201 191 58

HSL 55.8, 0.57%, 0.51%

LAB 76.06, -11.54, 64.57

 

CMYK 71 / 0 / 5 / 21

HEX #3AC9BF

RGB 58 201 191

HSL 175.8, 0.57%, 0.51%

LAB 73.83, -39.22, -5.9

 

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 0 / 62 / 71 / 21

HEX #C94D3A

RGB 201 77 58

HSL 7.97, 0.57%, 0.51%

LAB 49.53, 48.25, 36.74

 

CMYK 66 / 0 / 71 / 21

HEX #44C93A

RGB 68 201 58

HSL 115.8, 0.57%, 0.51%

LAB 71.76, -62.11, 57.9

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 0 / 40 / 71 / 21

HEX #C9783A

RGB 201 120 58

HSL 26.01, 0.57%, 0.51%

LAB 58.18, 26.5, 46.33

 

CMYK 66 / 0 / 71 / 21

HEX #44C93A

RGB 68 201 58

HSL 115.8, 0.57%, 0.51%

LAB 71.76, -62.11, 57.9

 

CMYK 71 / 31 / 0 / 21

HEX #3A8BC9

RGB 58 139 201

HSL 206.01, 0.57%, 0.51%

LAB 55.67, -4.16, -39.19

 

Description

Color code: RGB 194 60 202 | qconv.com Color code: RGB 194 60 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 60 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 60 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 70 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 70% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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