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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DC335 it is the complementary color #C23CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DC335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DC335 shade: #42C330, #53D543, #64E756, #75F969 and #86FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DC335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DC335 shade: #3DC335, #2CB122, #1B9F0F, #0A8D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DC335 shade: #3DC435, #64C435, #8AC435, #B0C435 and #C4B035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DC335 shade: #3DC435, #35C454, #35C47A, #35C4A0 and #35C0C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DC335 shade matches the following richer shades: #3DC435, #2BD821 and #19EC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DC335 shade: #3DC435, #4FAF49, #619B5E, #738772 and #857386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DC335 shade: #8BC435, #65C435, #3FC435, #35C452 and #35C478

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DC335 shade: #298323, #33A32C, #3DC435, #5ACF53 and #79D873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DC335 shade: #3DC335, #35B1C4 and #C43578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DC335 shade: #3DC335, #353FC4 and #C4353F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DC335 shade: #3DC335, #35B1C4, #BA35C4 and #C44835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DC335 shade: #3DC335, #3586C4, #BA35C4 and #C47335

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

Complementary color

CMYK 4 / 70 / 0 / 21

HEX #C23CCA

RGB 194 60 202

HSL 296.62, 0.57%, 0.51%

LAB 50.65, 69.48, -46.95

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 61 / 0 / 69 / 16

HEX #53D543

RGB 83 213 67

HSL 113.42, 0.63%, 0.55%

LAB 75.97, -62.24, 59

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 53 / 0 / 58 / 2

HEX #75F969

RGB 117 249 105

HSL 115, 0.92%, 0.69%

LAB 88.23, -63.2, 57.14

 

CMYK 47 / 0 / 51 / 0

HEX #86FF7C

RGB 134 255 124

HSL 115.42, 1%, 0.74%

LAB 90.8, -58.8, 51.81

 

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 75 / 0 / 81 / 31

HEX #2CB122

RGB 44 177 34

HSL 115.8, 0.68%, 0.41%

LAB 63.42, -60.35, 57.55

 

CMYK 83 / 0 / 91 / 38

HEX #1B9F0F

RGB 27 159 15

HSL 115, 0.83%, 0.34%

LAB 57.14, -58.05, 56.4

 

CMYK 93 / 0 / 100 / 45

HEX #0A8D00

RGB 10 141 0

HSL 115.74, 1%, 0.28%

LAB 50.82, -54.76, 53.61

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 69 / 0 / 73 / 23

HEX #3DC435

RGB 61 196 53

HSL 116.64, 0.57%, 0.49%

LAB 69.99, -62.21, 57.85

 

CMYK 49 / 0 / 73 / 23

HEX #64C435

RGB 100 196 53

HSL 100.28, 0.57%, 0.49%

LAB 71.18, -52.7, 59.44

 

CMYK 30 / 0 / 73 / 23

HEX #8AC435

RGB 138 196 53

HSL 84.34, 0.57%, 0.49%

LAB 72.98, -39.88, 61.84

 

CMYK 10 / 0 / 73 / 23

HEX #B0C435

RGB 176 196 53

HSL 68.39, 0.57%, 0.49%

LAB 75.43, -24.83, 65.05

 

CMYK 0 / 10 / 73 / 23

HEX #C4B035

RGB 196 176 53

HSL 51.61, 0.57%, 0.49%

LAB 71.58, -6.19, 61.92

 

CMYK 69 / 0 / 73 / 23

HEX #3DC435

RGB 61 196 53

HSL 116.64, 0.57%, 0.49%

LAB 69.99, -62.21, 57.85

 

CMYK 73 / 0 / 57 / 23

HEX #35C454

RGB 53 196 84

HSL 133.01, 0.57%, 0.49%

LAB 70.09, -60.37, 44.96

 

CMYK 73 / 0 / 38 / 23

HEX #35C47A

RGB 53 196 122

HSL 148.95, 0.57%, 0.49%

LAB 70.62, -54.21, 26.64

 

CMYK 73 / 0 / 18 / 23

HEX #35C4A0

RGB 53 196 160

HSL 164.9, 0.57%, 0.49%

LAB 71.4, -45.82, 7.38

 

CMYK 73 / 2 / 0 / 23

HEX #35C0C4

RGB 53 192 196

HSL 181.68, 0.57%, 0.49%

LAB 71.17, -34.26, -12.59

 

CMYK 69 / 0 / 73 / 23

HEX #3DC435

RGB 61 196 53

HSL 116.64, 0.57%, 0.49%

LAB 69.99, -62.21, 57.85

 

CMYK 80 / 0 / 85 / 15

HEX #2BD821

RGB 43 216 33

HSL 116.72, 0.73%, 0.49%

LAB 75.91, -72.3, 69.2

 

CMYK 89 / 0 / 94 / 7

HEX #19EC0D

RGB 25 236 13

HSL 116.77, 0.9%, 0.49%

LAB 81.96, -80.05, 77.48

 

CMYK 69 / 0 / 73 / 23

HEX #3DC435

RGB 61 196 53

HSL 116.64, 0.57%, 0.49%

LAB 69.99, -62.21, 57.85

 

CMYK 55 / 0 / 58 / 31

HEX #4FAF49

RGB 79 175 73

HSL 116.47, 0.41%, 0.49%

LAB 64, -48.65, 43.14

 

CMYK 37 / 0 / 39 / 39

HEX #619B5E

RGB 97 155 94

HSL 117.05, 0.24%, 0.49%

LAB 58.78, -31.68, 26.15

 

CMYK 15 / 0 / 16 / 47

HEX #738772

RGB 115 135 114

HSL 117.14, 0.08%, 0.49%

LAB 54.23, -11.52, 8.9

 

CMYK 1 / 14 / 0 / 47

HEX #857386

RGB 133 115 134

HSL 296.84, 0.08%, 0.49%

LAB 50.65, 10.63, -7.81

 

CMYK 29 / 0 / 73 / 23

HEX #8BC435

RGB 139 196 53

HSL 83.92, 0.57%, 0.49%

LAB 73.04, -39.51, 61.91

 

CMYK 48 / 0 / 73 / 23

HEX #65C435

RGB 101 196 53

HSL 99.86, 0.57%, 0.49%

LAB 71.22, -52.41, 59.5

 

CMYK 68 / 0 / 73 / 23

HEX #3FC435

RGB 63 196 53

HSL 115.8, 0.57%, 0.49%

LAB 70.03, -61.83, 57.91

 

CMYK 73 / 0 / 58 / 23

HEX #35C452

RGB 53 196 82

HSL 132.17, 0.57%, 0.49%

LAB 70.07, -60.62, 45.87

 

CMYK 73 / 0 / 39 / 23

HEX #35C478

RGB 53 196 120

HSL 148.11, 0.57%, 0.49%

LAB 70.59, -54.6, 27.64

 

CMYK 69 / 0 / 73 / 49

HEX #298323

RGB 41 131 35

HSL 116.25, 0.58%, 0.33%

LAB 48.04, -45.35, 42.06

 

CMYK 69 / 0 / 73 / 36

HEX #33A32C

RGB 51 163 44

HSL 116.47, 0.57%, 0.41%

LAB 59.05, -53.78, 49.95

 

CMYK 69 / 0 / 73 / 23

HEX #3DC435

RGB 61 196 53

HSL 116.64, 0.57%, 0.49%

LAB 69.99, -62.21, 57.85

 

CMYK 57 / 0 / 60 / 19

HEX #5ACF53

RGB 90 207 83

HSL 116.61, 0.56%, 0.57%

LAB 74.46, -56.86, 50.74

 

CMYK 44 / 0 / 47 / 15

HEX #79D873

RGB 121 216 115

HSL 116.44, 0.56%, 0.65%

LAB 78.7, -48, 41.06

 

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 73 / 10 / 0 / 23

HEX #35B1C4

RGB 53 177 196

HSL 187.97, 0.57%, 0.49%

LAB 66.66, -26.99, -19.4

 

CMYK 0 / 73 / 39 / 23

HEX #C43578

RGB 196 53 120

HSL 331.89, 0.57%, 0.49%

LAB 46.5, 61.03, -4.68

 

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 73 / 68 / 0 / 23

HEX #353FC4

RGB 53 63 196

HSL 235.8, 0.57%, 0.49%

LAB 34.59, 40.91, -70.22

 

CMYK 0 / 73 / 68 / 23

HEX #C4353F

RGB 196 53 63

HSL 355.8, 0.57%, 0.49%

LAB 45.14, 56.56, 28.41

 

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 73 / 10 / 0 / 23

HEX #35B1C4

RGB 53 177 196

HSL 187.97, 0.57%, 0.49%

LAB 66.66, -26.99, -19.4

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 0 / 63 / 73 / 23

HEX #C44835

RGB 196 72 53

HSL 7.97, 0.57%, 0.49%

LAB 47.79, 48.48, 37.31

 

CMYK 69 / 0 / 73 / 24

HEX #3DC335

RGB 61 195 53

HSL 116.62, 0.57%, 0.49%

LAB 69.67, -61.88, 57.53

 

CMYK 73 / 32 / 0 / 23

HEX #3586C4

RGB 53 134 196

HSL 206.01, 0.57%, 0.49%

LAB 53.81, -3.71, -39.29

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 0 / 41 / 73 / 23

HEX #C47335

RGB 196 115 53

HSL 26.01, 0.57%, 0.49%

LAB 56.34, 26.86, 46.59

 

Description

Color code: HEX #3DC335 | qconv.com Color code: HEX #3DC335 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 195 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 195 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 73 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 73% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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