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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 199 24 it is the complementary color RGB 60 56 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 199 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 199 24 shade: RGB 200 199 19, RGB 217 217 38, RGB 234 235 57, RGB 251 253 76 and RGB 255 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 199 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 178 181 5, RGB 161 163 0, RGB 144 145 0 and RGB 127 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 199 156 24, RGB 199 109 24, RGB 199 62 24 and RGB 199 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 148 199 24, RGB 101 199 24, RGB 54 199 24 and RGB 24 199 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 199 24 shade matches the following richer shades: RGB 195 199 24 and RGB 213 217 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 178 181 42, RGB 161 163 60, RGB 143 145 79 and RGB 126 127 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 199 24 shade: RGB 199 109 24, RGB 199 155 24, RGB 196 199 24, RGB 150 199 24 and RGB 103 199 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 199 24 shade: RGB 123 126 15, RGB 159 162 20, RGB 195 199 24, RGB 223 228 37 and RGB 229 232 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 24 199 62 and RGB 132 24 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 24 196 199 and RGB 199 24 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 24 199 62, RGB 27 24 199 and RGB 199 24 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 199 24 shade: RGB 195 199 24, RGB 24 199 115, RGB 27 24 199 and RGB 199 24 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

Complementary color

CMYK 74 / 76 / 0 / 9

HEX #3C38E7

RGB 60 56 231

HSL 241.37, 0.78%, 0.56%

LAB 37.04, 56.92, -86.36

 

CMYK 0 / 0 / 91 / 22

HEX #C8C713

RGB 200 199 19

HSL 59.67, 0.83%, 0.43%

LAB 77.98, -17.23, 76.41

 

CMYK 0 / 0 / 82 / 15

HEX #D9D926

RGB 217 217 38

HSL 60, 0.7%, 0.5%

LAB 84.23, -18.5, 78.41

 

CMYK 0 / 0 / 76 / 8

HEX #EAEB39

RGB 234 235 57

HSL 60.34, 0.82%, 0.57%

LAB 90.42, -19.58, 79.32

 

CMYK 1 / 0 / 70 / 1

HEX #FBFD4C

RGB 251 253 76

HSL 60.68, 0.98%, 0.65%

LAB 96.53, -20.51, 79.49

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 2 / 0 / 97 / 29

HEX #B2B505

RGB 178 181 5

HSL 61.02, 0.95%, 0.36%

LAB 71.23, -17.91, 72.19

 

CMYK 1 / 0 / 100 / 36

HEX #A1A300

RGB 161 163 0

HSL 60.74, 1%, 0.32%

LAB 64.78, -16.31, 67.4

 

CMYK 1 / 0 / 100 / 43

HEX #909100

RGB 144 145 0

HSL 60.41, 1%, 0.28%

LAB 58.21, -14.61, 61.94

 

CMYK 0 / 0 / 100 / 50

HEX #7F7F00

RGB 127 127 0

HSL 60, 1%, 0.25%

LAB 51.49, -12.86, 56.36

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 0 / 22 / 88 / 22

HEX #C79C18

RGB 199 156 24

HSL 45.26, 0.78%, 0.44%

LAB 66.51, 4.8, 66.43

 

CMYK 0 / 45 / 88 / 22

HEX #C76D18

RGB 199 109 24

HSL 29.14, 0.78%, 0.44%

LAB 55.22, 30.34, 57.48

 

CMYK 0 / 69 / 88 / 22

HEX #C73E18

RGB 199 62 24

HSL 13.03, 0.78%, 0.44%

LAB 46.52, 52.76, 50.61

 

CMYK 0 / 88 / 88 / 22

HEX #C71818

RGB 199 24 24

HSL 0, 0.78%, 0.44%

LAB 42.55, 63.84, 47.5

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 26 / 0 / 88 / 22

HEX #94C718

RGB 148 199 24

HSL 77.49, 0.78%, 0.44%

LAB 74.32, -38.61, 71.11

 

CMYK 49 / 0 / 88 / 22

HEX #65C718

RGB 101 199 24

HSL 93.6, 0.78%, 0.44%

LAB 72.01, -54.98, 68.24

 

CMYK 73 / 0 / 88 / 22

HEX #36C718

RGB 54 199 24

HSL 109.71, 0.78%, 0.44%

LAB 70.66, -66.04, 66.54

 

CMYK 88 / 0 / 79 / 22

HEX #18C72A

RGB 24 199 42

HSL 126.17, 0.78%, 0.44%

LAB 70.32, -68.76, 61.62

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 2 / 0 / 97 / 15

HEX #D5D906

RGB 213 217 6

HSL 61.14, 0.95%, 0.44%

LAB 83.85, -20.72, 82.75

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 2 / 0 / 77 / 29

HEX #B2B52A

RGB 178 181 42

HSL 61.29, 0.62%, 0.44%

LAB 71.34, -17.04, 64.88

 

CMYK 1 / 0 / 63 / 36

HEX #A1A33C

RGB 161 163 60

HSL 61.17, 0.46%, 0.44%

LAB 65.04, -14.22, 51.49

 

CMYK 1 / 0 / 46 / 43

HEX #8F914F

RGB 143 145 79

HSL 61.82, 0.29%, 0.44%

LAB 58.65, -10.82, 34.62

 

CMYK 1 / 0 / 24 / 50

HEX #7E7F61

RGB 126 127 97

HSL 62, 0.13%, 0.44%

LAB 52.37, -5.72, 16.24

 

CMYK 0 / 45 / 88 / 22

HEX #C76D18

RGB 199 109 24

HSL 29.14, 0.78%, 0.44%

LAB 55.22, 30.34, 57.48

 

CMYK 0 / 22 / 88 / 22

HEX #C79B18

RGB 199 155 24

HSL 44.91, 0.78%, 0.44%

LAB 66.25, 5.34, 66.23

 

CMYK 2 / 0 / 88 / 22

HEX #C4C718

RGB 196 199 24

HSL 61.03, 0.78%, 0.44%

LAB 77.67, -18.85, 75.22

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 48 / 0 / 88 / 22

HEX #67C718

RGB 103 199 24

HSL 92.91, 0.78%, 0.44%

LAB 72.09, -54.38, 68.33

 

CMYK 2 / 0 / 88 / 51

HEX #7B7E0F

RGB 123 126 15

HSL 61.62, 0.79%, 0.28%

LAB 50.88, -13.85, 52.81

 

CMYK 2 / 0 / 88 / 36

HEX #9FA214

RGB 159 162 20

HSL 61.27, 0.78%, 0.36%

LAB 64.37, -16.36, 64.02

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 2 / 0 / 84 / 11

HEX #DFE425

RGB 223 228 37

HSL 61.57, 0.78%, 0.52%

LAB 87.63, -21.37, 81.66

 

CMYK 1 / 0 / 68 / 9

HEX #E5E84A

RGB 229 232 74

HSL 61.14, 0.77%, 0.6%

LAB 89.33, -19.43, 72.57

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 88 / 0 / 69 / 22

HEX #18C73E

RGB 24 199 62

HSL 133.03, 0.78%, 0.44%

LAB 70.45, -67.17, 54.77

 

CMYK 34 / 88 / 0 / 22

HEX #8418C7

RGB 132 24 199

HSL 277.03, 0.78%, 0.44%

LAB 37.27, 68.55, -67.29

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 88 / 2 / 0 / 22

HEX #18C4C7

RGB 24 196 199

HSL 181.03, 0.78%, 0.44%

LAB 72.09, -37.68, -12.88

 

CMYK 0 / 88 / 2 / 22

HEX #C718C4

RGB 199 24 196

HSL 301.03, 0.78%, 0.44%

LAB 47.98, 78.6, -47.68

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 88 / 0 / 69 / 22

HEX #18C73E

RGB 24 199 62

HSL 133.03, 0.78%, 0.44%

LAB 70.45, -67.17, 54.77

 

CMYK 86 / 88 / 0 / 22

HEX #1B18C7

RGB 27 24 199

HSL 241.03, 0.78%, 0.44%

LAB 26.76, 59.98, -84.99

 

CMYK 0 / 88 / 19 / 22

HEX #C718A1

RGB 199 24 161

HSL 313.03, 0.78%, 0.44%

LAB 46.13, 73.79, -29.99

 

CMYK 2 / 0 / 88 / 22

HEX #C3C718

RGB 195 199 24

HSL 61.37, 0.78%, 0.44%

LAB 77.59, -19.28, 75.12

 

CMYK 88 / 0 / 42 / 22

HEX #18C773

RGB 24 199 115

HSL 151.2, 0.78%, 0.44%

LAB 71.06, -59.7, 30.79

 

CMYK 86 / 88 / 0 / 22

HEX #1B18C7

RGB 27 24 199

HSL 241.03, 0.78%, 0.44%

LAB 26.76, 59.98, -84.99

 

CMYK 0 / 88 / 45 / 22

HEX #C7186D

RGB 199 24 109

HSL 330.86, 0.78%, 0.44%

LAB 44.09, 68.22, -1.38

 

Description

Color code: RGB 195 199 24 | qconv.com Color code: RGB 195 199 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 199 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 199 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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