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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 17 174 it is the complementary color RGB 59 238 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 17 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 17 174 shade: RGB 201 17 169, RGB 218 35 188, RGB 235 53 207, RGB 252 71 226 and RGB 255 89 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 17 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 17 174 shade: RGB 196 17 174, RGB 179 0 155, RGB 162 0 136, RGB 145 0 117 and RGB 128 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 17 174 shade: RGB 197 17 174, RGB 197 17 126, RGB 197 17 77, RGB 197 17 29 and RGB 197 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 17 174 shade: RGB 197 17 174, RGB 170 17 197, RGB 122 17 197, RGB 73 17 197 and RGB 25 17 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 17 174 shade matches the following richer shades: RGB 197 17 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 17 174 shade: RGB 197 17 174, RGB 179 34 161, RGB 162 51 148, RGB 145 69 135 and RGB 127 86 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 17 174 shade: RGB 122 17 197, RGB 170 17 197, RGB 197 17 176, RGB 197 17 128 and RGB 197 17 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 17 174 shade: RGB 121 10 107, RGB 159 13 141, RGB 197 17 174, RGB 234 20 208 and RGB 237 58 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 17 174 shade: RGB 196 17 174, RGB 197 74 17 and RGB 17 197 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 17 174 shade: RGB 196 17 174, RGB 176 197 17 and RGB 17 176 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 17 174 shade: RGB 196 17 174, RGB 197 74 17, RGB 17 197 38 and RGB 17 140 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 17 174 shade: RGB 196 17 174, RGB 197 128 17, RGB 17 197 38 and RGB 17 86 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

Complementary color

CMYK 75 / 0 / 66 / 7

HEX #3BEE51

RGB 59 238 81

HSL 127.37, 0.84%, 0.58%

LAB 83.27, -73.43, 61.19

 

CMYK 0 / 92 / 16 / 21

HEX #C911A9

RGB 201 17 169

HSL 310.43, 0.84%, 0.43%

LAB 46.56, 76.19, -34.07

 

CMYK 0 / 84 / 14 / 15

HEX #DA23BC

RGB 218 35 188

HSL 309.84, 0.72%, 0.5%

LAB 51.54, 79.12, -37.18

 

CMYK 0 / 77 / 12 / 8

HEX #EB35CF

RGB 235 53 207

HSL 309.23, 0.82%, 0.56%

LAB 56.8, 81.04, -39.67

 

CMYK 0 / 72 / 10 / 1

HEX #FC47E2

RGB 252 71 226

HSL 308.62, 0.97%, 0.63%

LAB 62.25, 82.21, -41.66

 

CMYK 0 / 65 / 4 / 0

HEX #FF59F5

RGB 255 89 245

HSL 303.61, 1%, 0.67%

LAB 65.75, 79.62, -46.69

 

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

CMYK 0 / 100 / 13 / 30

HEX #B3009B

RGB 179 0 155

HSL 308.04, 1%, 0.35%

LAB 41.14, 71.96, -34.49

 

CMYK 0 / 100 / 16 / 36

HEX #A20088

RGB 162 0 136

HSL 309.63, 1%, 0.32%

LAB 36.85, 66.29, -29.85

 

CMYK 0 / 100 / 19 / 43

HEX #910075

RGB 145 0 117

HSL 311.59, 1%, 0.28%

LAB 32.49, 60.52, -25.04

 

CMYK 0 / 100 / 23 / 50

HEX #800062

RGB 128 0 98

HSL 314.06, 1%, 0.25%

LAB 28.04, 54.63, -20.03

 

CMYK 0 / 91 / 12 / 23

HEX #C511AE

RGB 197 17 174

HSL 307.67, 0.84%, 0.42%

LAB 46.08, 76.1, -37.83

 

CMYK 0 / 91 / 36 / 23

HEX #C5117E

RGB 197 17 126

HSL 323.67, 0.84%, 0.42%

LAB 43.91, 70.41, -12.21

 

CMYK 0 / 91 / 61 / 23

HEX #C5114D

RGB 197 17 77

HSL 340, 0.84%, 0.42%

LAB 42.47, 66.46, 16.36

 

CMYK 0 / 91 / 85 / 23

HEX #C5111D

RGB 197 17 29

HSL 356, 0.84%, 0.42%

LAB 41.78, 64.53, 44.24

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 12 / 23

HEX #C511AE

RGB 197 17 174

HSL 307.67, 0.84%, 0.42%

LAB 46.08, 76.1, -37.83

 

CMYK 14 / 91 / 0 / 23

HEX #AA11C5

RGB 170 17 197

HSL 291, 0.84%, 0.42%

LAB 42.73, 74.95, -56.97

 

CMYK 38 / 91 / 0 / 23

HEX #7A11C5

RGB 122 17 197

HSL 275, 0.84%, 0.42%

LAB 35.14, 68.3, -69.66

 

CMYK 63 / 91 / 0 / 23

HEX #4911C5

RGB 73 17 197

HSL 258.67, 0.84%, 0.42%

LAB 29.03, 63.71, -79.96

 

CMYK 87 / 91 / 0 / 23

HEX #1911C5

RGB 25 17 197

HSL 242.67, 0.84%, 0.42%

LAB 25.68, 61.62, -85.62

 

CMYK 0 / 91 / 12 / 23

HEX #C511AE

RGB 197 17 174

HSL 307.67, 0.84%, 0.42%

LAB 46.08, 76.1, -37.83

 

CMYK 0 / 91 / 12 / 23

HEX #C511AE

RGB 197 17 174

HSL 307.67, 0.84%, 0.42%

LAB 46.08, 76.1, -37.83

 

CMYK 0 / 81 / 10 / 30

HEX #B322A1

RGB 179 34 161

HSL 307.45, 0.68%, 0.42%

LAB 43.21, 67.65, -34.83

 

CMYK 0 / 69 / 9 / 36

HEX #A23394

RGB 162 51 148

HSL 307.57, 0.52%, 0.42%

LAB 41.51, 56.42, -29.87

 

CMYK 0 / 52 / 7 / 43

HEX #914587

RGB 145 69 135

HSL 307.89, 0.36%, 0.42%

LAB 41.26, 41.28, -22.57

 

CMYK 0 / 32 / 4 / 50

HEX #7F567A

RGB 127 86 122

HSL 307.32, 0.19%, 0.42%

LAB 42.11, 23.23, -13.53

 

CMYK 38 / 91 / 0 / 23

HEX #7A11C5

RGB 122 17 197

HSL 275, 0.84%, 0.42%

LAB 35.14, 68.3, -69.66

 

CMYK 14 / 91 / 0 / 23

HEX #AA11C5

RGB 170 17 197

HSL 291, 0.84%, 0.42%

LAB 42.73, 74.95, -56.97

 

CMYK 0 / 91 / 11 / 23

HEX #C511B0

RGB 197 17 176

HSL 307, 0.84%, 0.42%

LAB 46.19, 76.37, -38.85

 

CMYK 0 / 91 / 35 / 23

HEX #C51180

RGB 197 17 128

HSL 323, 0.84%, 0.42%

LAB 43.99, 70.61, -13.33

 

CMYK 0 / 91 / 59 / 23

HEX #C51150

RGB 197 17 80

HSL 339, 0.84%, 0.42%

LAB 42.54, 66.65, 14.56

 

CMYK 0 / 92 / 12 / 53

HEX #790A6B

RGB 121 10 107

HSL 307.57, 0.85%, 0.26%

LAB 27.69, 52.7, -26.52

 

CMYK 0 / 92 / 11 / 38

HEX #9F0D8D

RGB 159 13 141

HSL 307.4, 0.85%, 0.34%

LAB 37.08, 64.83, -32.61

 

CMYK 0 / 91 / 12 / 23

HEX #C511AE

RGB 197 17 174

HSL 307.67, 0.84%, 0.42%

LAB 46.08, 76.1, -37.83

 

CMYK 0 / 91 / 11 / 8

HEX #EA14D0

RGB 234 20 208

HSL 307.29, 0.84%, 0.5%

LAB 54.6, 87.01, -43.71

 

CMYK 0 / 76 / 9 / 7

HEX #ED3AD7

RGB 237 58 215

HSL 307.37, 0.83%, 0.58%

LAB 57.98, 81.24, -42.34

 

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

CMYK 0 / 62 / 91 / 23

HEX #C54A11

RGB 197 74 17

HSL 19, 0.84%, 0.42%

LAB 48.02, 46.86, 54.09

 

CMYK 91 / 0 / 26 / 23

HEX #11C592

RGB 17 197 146

HSL 163, 0.84%, 0.42%

LAB 70.96, -52.82, 14.26

 

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

CMYK 11 / 0 / 91 / 23

HEX #B0C511

RGB 176 197 17

HSL 67, 0.84%, 0.42%

LAB 75.58, -26.48, 74.03

 

CMYK 91 / 11 / 0 / 23

HEX #11B0C5

RGB 17 176 197

HSL 187, 0.84%, 0.42%

LAB 65.9, -29.15, -21.15

 

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

CMYK 0 / 62 / 91 / 23

HEX #C54A11

RGB 197 74 17

HSL 19, 0.84%, 0.42%

LAB 48.02, 46.86, 54.09

 

CMYK 91 / 0 / 81 / 23

HEX #11C526

RGB 17 197 38

HSL 127, 0.84%, 0.42%

LAB 69.61, -68.91, 62.09

 

CMYK 91 / 29 / 0 / 23

HEX #118CC5

RGB 17 140 197

HSL 199, 0.84%, 0.42%

LAB 54.98, -10.09, -38.07

 

CMYK 0 / 91 / 11 / 23

HEX #C411AE

RGB 196 17 174

HSL 307.37, 0.84%, 0.42%

LAB 45.9, 75.91, -38.13

 

CMYK 0 / 35 / 91 / 23

HEX #C58011

RGB 197 128 17

HSL 37, 0.84%, 0.42%

LAB 59.3, 19.05, 62.33

 

CMYK 91 / 0 / 81 / 23

HEX #11C526

RGB 17 197 38

HSL 127, 0.84%, 0.42%

LAB 69.61, -68.91, 62.09

 

CMYK 91 / 56 / 0 / 23

HEX #1156C5

RGB 17 86 197

HSL 217, 0.84%, 0.42%

LAB 39.25, 23.6, -63.23

 

Description

Color code: RGB 196 17 174 | qconv.com Color code: RGB 196 17 174 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 17 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 17 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 11 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 11% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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