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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 73 193 it is the complementary color RGB 59 182 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 73 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 73 193 shade: RGB 201 73 188, RGB 218 91 207, RGB 235 109 226, RGB 252 127 245 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 73 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 73 193 shade: RGB 196 73 193, RGB 179 55 174, RGB 162 37 155, RGB 145 19 136 and RGB 128 1 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 73 193 shade: RGB 196 74 193, RGB 196 74 160, RGB 196 74 127, RGB 196 74 94 and RGB 196 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 73 193 shade: RGB 196 74 193, RGB 166 74 196, RGB 133 74 196, RGB 100 74 196 and RGB 74 74 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 73 193 shade matches the following richer shades: RGB 196 74 193, RGB 215 54 211, RGB 235 35 230 and RGB 254 15 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 73 193 shade: RGB 196 74 193, RGB 176 93 174, RGB 157 112 156, RGB 138 132 137 and RGB 118 151 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 73 193 shade: RGB 133 74 196, RGB 165 74 196, RGB 196 74 194, RGB 196 74 161 and RGB 196 74 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 73 193 shade: RGB 141 46 139, RGB 172 56 170, RGB 196 74 193, RGB 206 105 203 and RGB 216 136 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 73 193 shade: RGB 196 73 193, RGB 196 100 74 and RGB 74 196 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 73 193 shade: RGB 196 73 193, RGB 194 196 74 and RGB 74 194 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 73 193 shade: RGB 196 73 193, RGB 196 100 74, RGB 74 196 76 and RGB 74 169 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 73 193 shade: RGB 196 73 193, RGB 196 137 74, RGB 74 196 76 and RGB 74 133 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

Complementary color

CMYK 68 / 0 / 66 / 29

HEX #3BB63E

RGB 59 182 62

HSL 121.46, 0.51%, 0.47%

LAB 65.54, -57.07, 49.64

 

CMYK 0 / 64 / 6 / 21

HEX #C949BC

RGB 201 73 188

HSL 306.09, 0.54%, 0.54%

LAB 52.74, 63.93, -35.49

 

CMYK 0 / 58 / 5 / 15

HEX #DA5BCF

RGB 218 91 207

HSL 305.2, 0.63%, 0.61%

LAB 58.87, 63.81, -36.59

 

CMYK 0 / 54 / 4 / 8

HEX #EB6DE2

RGB 235 109 226

HSL 304.29, 0.76%, 0.67%

LAB 65.03, 63.44, -37.47

 

CMYK 0 / 50 / 3 / 1

HEX #FC7FF5

RGB 252 127 245

HSL 303.36, 0.95%, 0.74%

LAB 71.19, 62.91, -38.2

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

CMYK 0 / 69 / 3 / 30

HEX #B337AE

RGB 179 55 174

HSL 302.42, 0.53%, 0.46%

LAB 46.14, 63.24, -37.94

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 0 / 87 / 6 / 43

HEX #911388

RGB 145 19 136

HSL 304.29, 0.77%, 0.32%

LAB 34.52, 60.32, -33.74

 

CMYK 0 / 99 / 9 / 50

HEX #800175

RGB 128 1 117

HSL 305.2, 0.98%, 0.25%

LAB 29.15, 57.09, -30.54

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC1

RGB 196 74 193

HSL 301.48, 0.51%, 0.53%

LAB 52.38, 63.09, -39

 

CMYK 0 / 62 / 18 / 23

HEX #C44AA0

RGB 196 74 160

HSL 317.7, 0.51%, 0.53%

LAB 50.89, 57.92, -22.06

 

CMYK 0 / 62 / 35 / 23

HEX #C44A7F

RGB 196 74 127

HSL 333.93, 0.51%, 0.53%

LAB 49.7, 53.61, -4.19

 

CMYK 0 / 62 / 52 / 23

HEX #C44A5E

RGB 196 74 94

HSL 350.16, 0.51%, 0.53%

LAB 48.81, 50.27, 14.49

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC1

RGB 196 74 193

HSL 301.48, 0.51%, 0.53%

LAB 52.38, 63.09, -39

 

CMYK 15 / 62 / 0 / 23

HEX #A64AC4

RGB 166 74 196

HSL 285.25, 0.51%, 0.53%

LAB 48.25, 56.31, -47.56

 

CMYK 32 / 62 / 0 / 23

HEX #854AC4

RGB 133 74 196

HSL 269.02, 0.51%, 0.53%

LAB 44.05, 48.58, -54.53

 

CMYK 49 / 62 / 0 / 23

HEX #644AC4

RGB 100 74 196

HSL 252.79, 0.51%, 0.53%

LAB 40.56, 41.56, -60.33

 

CMYK 62 / 62 / 0 / 23

HEX #4A4AC4

RGB 74 74 196

HSL 240, 0.51%, 0.53%

LAB 38.44, 36.94, -63.87

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC1

RGB 196 74 193

HSL 301.48, 0.51%, 0.53%

LAB 52.38, 63.09, -39

 

CMYK 0 / 75 / 2 / 16

HEX #D736D3

RGB 215 54 211

HSL 301.49, 0.67%, 0.53%

LAB 53.8, 77.23, -46.9

 

CMYK 0 / 85 / 2 / 8

HEX #EB23E6

RGB 235 35 230

HSL 301.5, 0.83%, 0.53%

LAB 56.66, 88.12, -52.92

 

CMYK 0 / 94 / 2 / 0

HEX #FE0FF8

RGB 254 15 248

HSL 301.51, 0.99%, 0.53%

LAB 60.06, 96.22, -57.38

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC1

RGB 196 74 193

HSL 301.48, 0.51%, 0.53%

LAB 52.38, 63.09, -39

 

CMYK 0 / 47 / 1 / 31

HEX #B05DAE

RGB 176 93 174

HSL 301.45, 0.34%, 0.53%

LAB 51.97, 45.41, -28.84

 

CMYK 0 / 29 / 1 / 38

HEX #9D709C

RGB 157 112 156

HSL 301.33, 0.19%, 0.53%

LAB 53.12, 25.39, -16.75

 

CMYK 0 / 4 / 1 / 46

HEX #8A8489

RGB 138 132 137

HSL 310, 0.02%, 0.53%

LAB 55.8, 3.22, -1.89

 

CMYK 22 / 0 / 21 / 41

HEX #769777

RGB 118 151 119

HSL 121.82, 0.14%, 0.53%

LAB 59.27, -18.05, 13.17

 

CMYK 32 / 62 / 0 / 23

HEX #854AC4

RGB 133 74 196

HSL 269.02, 0.51%, 0.53%

LAB 44.05, 48.58, -54.53

 

CMYK 16 / 62 / 0 / 23

HEX #A54AC4

RGB 165 74 196

HSL 284.75, 0.51%, 0.53%

LAB 48.11, 56.07, -47.78

 

CMYK 0 / 62 / 1 / 23

HEX #C44AC2

RGB 196 74 194

HSL 300.98, 0.51%, 0.53%

LAB 52.43, 63.26, -39.5

 

CMYK 0 / 62 / 18 / 23

HEX #C44AA1

RGB 196 74 161

HSL 317.21, 0.51%, 0.53%

LAB 50.93, 58.07, -22.59

 

CMYK 0 / 62 / 34 / 23

HEX #C44A81

RGB 196 74 129

HSL 332.95, 0.51%, 0.53%

LAB 49.76, 53.84, -5.29

 

CMYK 0 / 67 / 1 / 45

HEX #8D2E8B

RGB 141 46 139

HSL 301.26, 0.51%, 0.37%

LAB 36.89, 51.62, -31.89

 

CMYK 0 / 67 / 1 / 33

HEX #AC38AA

RGB 172 56 170

HSL 301.03, 0.51%, 0.45%

LAB 44.94, 60.56, -37.54

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC1

RGB 196 74 193

HSL 301.48, 0.51%, 0.53%

LAB 52.38, 63.09, -39

 

CMYK 0 / 49 / 1 / 19

HEX #CE69CB

RGB 206 105 203

HSL 301.78, 0.51%, 0.61%

LAB 59.47, 53.37, -33.52

 

CMYK 0 / 37 / 1 / 15

HEX #D888D6

RGB 216 136 214

HSL 301.5, 0.51%, 0.69%

LAB 67.32, 42.47, -27.44

 

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 62 / 0 / 24 / 23

HEX #4AC495

RGB 74 196 149

HSL 156.89, 0.51%, 0.53%

LAB 71.63, -45.05, 13.71

 

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

CMYK 1 / 0 / 62 / 23

HEX #C2C44A

RGB 194 196 74

HSL 60.98, 0.51%, 0.53%

LAB 76.95, -16.13, 59

 

CMYK 62 / 1 / 0 / 23

HEX #4AC2C4

RGB 74 194 196

HSL 180.98, 0.51%, 0.53%

LAB 72.25, -32.24, -10.93

 

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 62 / 0 / 61 / 23

HEX #4AC44C

RGB 74 196 76

HSL 120.98, 0.51%, 0.53%

LAB 70.5, -57.37, 49.2

 

CMYK 62 / 14 / 0 / 23

HEX #4AA9C4

RGB 74 169 196

HSL 193.28, 0.51%, 0.53%

LAB 64.82, -19.76, -22.16

 

CMYK 0 / 63 / 2 / 23

HEX #C449C1

RGB 196 73 193

HSL 301.46, 0.51%, 0.53%

LAB 52.23, 63.5, -39.24

 

CMYK 0 / 30 / 62 / 23

HEX #C4894A

RGB 196 137 74

HSL 30.98, 0.51%, 0.53%

LAB 61.76, 16.06, 42.19

 

CMYK 62 / 0 / 61 / 23

HEX #4AC44C

RGB 74 196 76

HSL 120.98, 0.51%, 0.53%

LAB 70.5, -57.37, 49.2

 

CMYK 62 / 32 / 0 / 23

HEX #4A85C4

RGB 74 133 196

HSL 210.98, 0.51%, 0.53%

LAB 54.26, 0.28, -38.53

 

Description

Color code: RGB 196 73 193 | qconv.com Color code: RGB 196 73 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 73 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 73 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 2 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 2% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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