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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 187 170 it is the complementary color RGB 58 68 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 187 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 187 170 shade: RGB 202 187 165, RGB 219 205 184, RGB 236 223 203, RGB 253 241 222 and RGB 255 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 187 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 180 169 151, RGB 163 151 132, RGB 146 133 113 and RGB 129 115 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 197 179 170, RGB 197 172 170 and RGB 197 170 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 197 194 170, RGB 192 197 170, RGB 185 197 170 and RGB 177 197 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 187 170 shade matches the following richer shades: RGB 197 187 170, RGB 208 190 158, RGB 220 193 146, RGB 231 196 135 and RGB 243 199 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 185 184 181, RGB 174 181 193, RGB 162 178 204 and RGB 150 175 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 187 170 shade: RGB 197 172 170, RGB 197 179 170, RGB 197 186 170, RGB 197 194 170 and RGB 193 197 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 187 170 shade: RGB 163 147 120, RGB 180 167 145, RGB 197 187 170, RGB 213 206 194 and RGB 230 226 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 175 197 170 and RGB 175 170 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 170 197 186 and RGB 186 170 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 175 197 170, RGB 170 180 197 and RGB 192 170 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 187 170 shade: RGB 197 187 170, RGB 170 197 173, RGB 170 180 197 and RGB 197 170 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

Complementary color

CMYK 32 / 20 / 0 / 67

HEX #3A4455

RGB 58 68 85

HSL 217.78, 0.19%, 0.28%

LAB 28.62, 0.52, -11.49

 

CMYK 0 / 7 / 18 / 21

HEX #CABBA5

RGB 202 187 165

HSL 35.68, 0.26%, 0.72%

LAB 76.57, 1.71, 13.06

 

CMYK 0 / 6 / 16 / 14

HEX #DBCDB8

RGB 219 205 184

HSL 36, 0.33%, 0.79%

LAB 83.01, 1.42, 12.2

 

CMYK 0 / 6 / 14 / 7

HEX #ECDFCB

RGB 236 223 203

HSL 36.36, 0.46%, 0.86%

LAB 89.36, 1.17, 11.38

 

CMYK 0 / 5 / 12 / 1

HEX #FDF1DE

RGB 253 241 222

HSL 36.77, 0.89%, 0.93%

LAB 95.61, 0.93, 10.61

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 6 / 16 / 29

HEX #B4A997

RGB 180 169 151

HSL 37.24, 0.16%, 0.65%

LAB 69.69, 0.9, 10.71

 

CMYK 0 / 7 / 19 / 36

HEX #A39784

RGB 163 151 132

HSL 36.77, 0.14%, 0.58%

LAB 63, 1.18, 11.61

 

CMYK 0 / 9 / 23 / 43

HEX #928571

RGB 146 133 113

HSL 36.36, 0.13%, 0.51%

LAB 56.17, 1.52, 12.57

 

CMYK 0 / 11 / 27 / 49

HEX #81735E

RGB 129 115 94

HSL 36, 0.16%, 0.44%

LAB 49.18, 1.91, 13.62

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 9 / 14 / 23

HEX #C5B3AA

RGB 197 179 170

HSL 20, 0.19%, 0.72%

LAB 74.2, 4.92, 6.92

 

CMYK 0 / 13 / 14 / 23

HEX #C5ACAA

RGB 197 172 170

HSL 4.44, 0.19%, 0.72%

LAB 72.41, 8.7, 4.35

 

CMYK 0 / 14 / 14 / 23

HEX #C5AAAA

RGB 197 170 170

HSL 0, 0.19%, 0.72%

LAB 71.91, 9.79, 3.62

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 2 / 14 / 23

HEX #C5C2AA

RGB 197 194 170

HSL 53.33, 0.19%, 0.72%

LAB 78.08, -3.06, 12.45

 

CMYK 3 / 0 / 14 / 23

HEX #C0C5AA

RGB 192 197 170

HSL 71.11, 0.19%, 0.72%

LAB 78.49, -6.46, 12.97

 

CMYK 6 / 0 / 14 / 23

HEX #B9C5AA

RGB 185 197 170

HSL 86.67, 0.19%, 0.72%

LAB 77.96, -8.98, 12.15

 

CMYK 10 / 0 / 14 / 23

HEX #B1C5AA

RGB 177 197 170

HSL 104.44, 0.19%, 0.72%

LAB 77.39, -11.83, 11.26

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 9 / 24 / 18

HEX #D0BE9E

RGB 208 190 158

HSL 38.4, 0.35%, 0.72%

LAB 77.7, 1.35, 18.49

 

CMYK 0 / 12 / 34 / 14

HEX #DCC192

RGB 220 193 146

HSL 38.11, 0.51%, 0.72%

LAB 79.29, 2.81, 27.21

 

CMYK 0 / 15 / 42 / 9

HEX #E7C487

RGB 231 196 135

HSL 38.13, 0.67%, 0.72%

LAB 80.86, 4.32, 35.21

 

CMYK 0 / 18 / 49 / 5

HEX #F3C77B

RGB 243 199 123

HSL 38, 0.83%, 0.72%

LAB 82.56, 6.38, 43.71

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 1 / 2 / 27

HEX #B9B8B5

RGB 185 184 181

HSL 45, 0.03%, 0.72%

LAB 74.78, -0.2, 1.64

 

CMYK 10 / 6 / 0 / 24

HEX #AEB5C1

RGB 174 181 193

HSL 217.89, 0.13%, 0.72%

LAB 73.48, -0.05, -6.93

 

CMYK 21 / 13 / 0 / 20

HEX #A2B2CC

RGB 162 178 204

HSL 217.14, 0.29%, 0.72%

LAB 72.15, 0.03, -15.03

 

CMYK 31 / 19 / 0 / 15

HEX #96AFD8

RGB 150 175 216

HSL 217.27, 0.46%, 0.72%

LAB 70.94, 0.89, -23.51

 

CMYK 0 / 13 / 14 / 23

HEX #C5ACAA

RGB 197 172 170

HSL 4.44, 0.19%, 0.72%

LAB 72.41, 8.7, 4.35

 

CMYK 0 / 9 / 14 / 23

HEX #C5B3AA

RGB 197 179 170

HSL 20, 0.19%, 0.72%

LAB 74.2, 4.92, 6.92

 

CMYK 0 / 6 / 14 / 23

HEX #C5BAAA

RGB 197 186 170

HSL 35.56, 0.19%, 0.72%

LAB 76, 1.17, 9.5

 

CMYK 0 / 2 / 14 / 23

HEX #C5C2AA

RGB 197 194 170

HSL 53.33, 0.19%, 0.72%

LAB 78.08, -3.06, 12.45

 

CMYK 2 / 0 / 14 / 23

HEX #C1C5AA

RGB 193 197 170

HSL 68.89, 0.19%, 0.72%

LAB 78.56, -6.09, 13.08

 

CMYK 0 / 10 / 26 / 36

HEX #A39378

RGB 163 147 120

HSL 37.67, 0.19%, 0.55%

LAB 61.66, 1.58, 16.48

 

CMYK 0 / 7 / 19 / 29

HEX #B4A791

RGB 180 167 145

HSL 37.71, 0.19%, 0.64%

LAB 69.03, 1.03, 13.08

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 0 / 3 / 9 / 16

HEX #D5CEC2

RGB 213 206 194

HSL 37.89, 0.18%, 0.8%

LAB 83.01, 0.35, 6.81

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 11 / 0 / 14 / 23

HEX #AFC5AA

RGB 175 197 170

HSL 108.89, 0.19%, 0.72%

LAB 77.25, -12.53, 11.04

 

CMYK 11 / 14 / 0 / 23

HEX #AFAAC5

RGB 175 170 197

HSL 251.11, 0.19%, 0.72%

LAB 70.8, 7.11, -13.11

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 14 / 0 / 6 / 23

HEX #AAC5BA

RGB 170 197 186

HSL 155.56, 0.19%, 0.72%

LAB 77.3, -11.27, 2.44

 

CMYK 6 / 14 / 0 / 23

HEX #BAAAC5

RGB 186 170 197

HSL 275.56, 0.19%, 0.72%

LAB 71.7, 10.8, -11.66

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 11 / 0 / 14 / 23

HEX #AFC5AA

RGB 175 197 170

HSL 108.89, 0.19%, 0.72%

LAB 77.25, -12.53, 11.04

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 3 / 14 / 0 / 23

HEX #C0AAC5

RGB 192 170 197

HSL 288.89, 0.19%, 0.72%

LAB 72.22, 12.85, -10.84

 

CMYK 0 / 5 / 14 / 23

HEX #C5BBAA

RGB 197 187 170

HSL 37.78, 0.19%, 0.72%

LAB 76.26, 0.64, 9.87

 

CMYK 14 / 0 / 12 / 23

HEX #AAC5AD

RGB 170 197 173

HSL 126.67, 0.19%, 0.72%

LAB 76.98, -13.73, 9

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 0 / 14 / 2 / 23

HEX #C5AAC2

RGB 197 170 194

HSL 306.67, 0.19%, 0.72%

LAB 72.57, 14, -8.62

 

Description

Color code: RGB 197 187 170 | qconv.com Color code: RGB 197 187 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 187 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 187 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 14 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 14% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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