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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 51 75 it is the complementary color RGB 57 204 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 51 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 51 75 shade: RGB 203 51 70, RGB 220 69 89, RGB 237 87 108, RGB 254 105 127 and RGB 255 123 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 51 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 181 33 56, RGB 164 15 37, RGB 147 0 18 and RGB 130 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 51 75 shade: RGB 198 51 75 and RGB 198 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 198 51 115, RGB 198 51 154, RGB 198 51 194 and RGB 162 51 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 51 75 shade matches the following richer shades: RGB 198 51 75, RGB 218 31 61 and RGB 239 10 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 178 71 88, RGB 158 91 102, RGB 138 111 116 and RGB 117 132 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 51 75 shade: RGB 198 51 154, RGB 198 51 115, RGB 198 51 75, RGB 198 65 51 and RGB 198 105 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 51 75 shade: RGB 133 34 50, RGB 165 42 62, RGB 198 51 75, RGB 210 81 102 and RGB 218 113 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 193 198 51 and RGB 51 134 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 75 198 51 and RGB 51 75 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 193 198 51, RGB 51 198 174 and RGB 56 51 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 51 75 shade: RGB 198 51 75, RGB 149 198 51, RGB 51 198 174 and RGB 100 51 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

Complementary color

CMYK 72 / 0 / 12 / 20

HEX #39CCB4

RGB 57 204 180

HSL 170.2, 0.59%, 0.51%

LAB 74.41, -43.63, 0.91

 

CMYK 0 / 75 / 66 / 20

HEX #CB3346

RGB 203 51 70

HSL 352.5, 0.6%, 0.5%

LAB 46.32, 59.73, 25.95

 

CMYK 0 / 69 / 60 / 14

HEX #DC4559

RGB 220 69 89

HSL 352.05, 0.68%, 0.57%

LAB 52.05, 59.66, 22.56

 

CMYK 0 / 63 / 54 / 7

HEX #ED576C

RGB 237 87 108

HSL 351.6, 0.81%, 0.64%

LAB 57.95, 59.18, 19.75

 

CMYK 0 / 59 / 50 / 0

HEX #FE697F

RGB 254 105 127

HSL 351.14, 0.99%, 0.7%

LAB 63.92, 58.48, 17.37

 

CMYK 0 / 52 / 43 / 0

HEX #FF7B92

RGB 255 123 146

HSL 349.55, 1%, 0.74%

LAB 67.65, 52.3, 11.79

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 82 / 69 / 29

HEX #B52138

RGB 181 33 56

HSL 350.68, 0.69%, 0.42%

LAB 39.91, 57.95, 25.59

 

CMYK 0 / 91 / 77 / 36

HEX #A40F25

RGB 164 15 37

HSL 351.14, 0.83%, 0.35%

LAB 34.74, 56.31, 30.39

 

CMYK 0 / 100 / 88 / 42

HEX #930012

RGB 147 0 18

HSL 352.65, 1%, 0.29%

LAB 30.03, 53.43, 35.63

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 74 / 22 / 22

HEX #C6339A

RGB 198 51 154

HSL 317.96, 0.59%, 0.49%

LAB 47.89, 66.2, -23.1

 

CMYK 0 / 74 / 2 / 22

HEX #C633C2

RGB 198 51 194

HSL 301.63, 0.59%, 0.49%

LAB 49.82, 71.96, -43.61

 

CMYK 18 / 74 / 0 / 22

HEX #A233C6

RGB 162 51 198

HSL 285.31, 0.59%, 0.49%

LAB 44.41, 65.32, -54.9

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 86 / 72 / 15

HEX #DA1F3D

RGB 218 31 61

HSL 350.37, 0.75%, 0.49%

LAB 47.26, 68.67, 33.17

 

CMYK 0 / 96 / 80 / 6

HEX #EF0A30

RGB 239 10 48

HSL 350.04, 0.92%, 0.49%

LAB 50.43, 76.22, 45.33

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 60 / 51 / 30

HEX #B24758

RGB 178 71 88

HSL 350.47, 0.43%, 0.49%

LAB 45.19, 44.99, 12.67

 

CMYK 0 / 42 / 35 / 38

HEX #9E5B66

RGB 158 91 102

HSL 350.15, 0.27%, 0.49%

LAB 46.59, 28.78, 5.7

 

CMYK 0 / 20 / 16 / 46

HEX #8A6F74

RGB 138 111 116

HSL 348.89, 0.11%, 0.49%

LAB 49.54, 11.49, 1.26

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 0 / 74 / 22 / 22

HEX #C6339A

RGB 198 51 154

HSL 317.96, 0.59%, 0.49%

LAB 47.89, 66.2, -23.1

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 67 / 74 / 22

HEX #C64133

RGB 198 65 51

HSL 5.71, 0.59%, 0.49%

LAB 47.01, 52.06, 37.66

 

CMYK 0 / 47 / 74 / 22

HEX #C66933

RGB 198 105 51

HSL 22.04, 0.59%, 0.49%

LAB 54.39, 32.94, 45.6

 

CMYK 0 / 74 / 62 / 48

HEX #852232

RGB 133 34 50

HSL 350.3, 0.59%, 0.33%

LAB 30.31, 42.74, 15.2

 

CMYK 0 / 75 / 62 / 35

HEX #A52A3E

RGB 165 42 62

HSL 350.24, 0.59%, 0.41%

LAB 37.85, 50.79, 18.55

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 61 / 51 / 18

HEX #D25166

RGB 210 81 102

HSL 350.23, 0.59%, 0.57%

LAB 52.45, 52.5, 15.06

 

CMYK 0 / 48 / 40 / 15

HEX #DA7182

RGB 218 113 130

HSL 350.29, 0.59%, 0.65%

LAB 60.18, 42.69, 9.64

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 3 / 0 / 74 / 22

HEX #C1C633

RGB 193 198 51

HSL 62.04, 0.59%, 0.49%

LAB 77.26, -18.79, 67.91

 

CMYK 74 / 32 / 0 / 22

HEX #3386C6

RGB 51 134 198

HSL 206.12, 0.59%, 0.49%

LAB 53.85, -3.26, -40.37

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 62 / 0 / 74 / 22

HEX #4BC633

RGB 75 198 51

HSL 110.2, 0.59%, 0.49%

LAB 70.96, -60.13, 59.65

 

CMYK 74 / 62 / 0 / 22

HEX #334BC6

RGB 51 75 198

HSL 230.2, 0.59%, 0.49%

LAB 37.51, 33.9, -66.62

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 3 / 0 / 74 / 22

HEX #C1C633

RGB 193 198 51

HSL 62.04, 0.59%, 0.49%

LAB 77.26, -18.79, 67.91

 

CMYK 74 / 0 / 12 / 22

HEX #33C6AE

RGB 51 198 174

HSL 170.2, 0.59%, 0.49%

LAB 72.33, -43.34, 1.11

 

CMYK 72 / 74 / 0 / 22

HEX #3833C6

RGB 56 51 198

HSL 242.04, 0.59%, 0.49%

LAB 32.45, 48.84, -74.92

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 25 / 0 / 74 / 22

HEX #95C633

RGB 149 198 51

HSL 80, 0.59%, 0.49%

LAB 74.2, -36.71, 63.93

 

CMYK 74 / 0 / 12 / 22

HEX #33C6AE

RGB 51 198 174

HSL 170.2, 0.59%, 0.49%

LAB 72.33, -43.34, 1.11

 

CMYK 49 / 74 / 0 / 22

HEX #6433C6

RGB 100 51 198

HSL 260, 0.59%, 0.49%

LAB 36.28, 54.32, -68.48

 

Description

Color code: RGB 198 51 75 | qconv.com Color code: RGB 198 51 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 51 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 51 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 62% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Weil das Echo entsch...
Link: http://www.cortent.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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