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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63373 it is the complementary color #39CC8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63373 shade: #CB336E, #DC4581, #ED5794, #FE69A7 and #FF7BBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63373 shade: #C63373, #B52160, #A40F4D, #93003A and #820027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63373 shade: #C63373, #C6334B and #C63333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63373 shade: #C63373, #C6339B, #C633C2, #A233C6 and #7A33C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63373 shade matches the following richer shades: #C63373, #DA1F70 and #EF0A6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63373 shade: #C63373, #B24776, #9E5B78, #8A6F7B and #75847D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63373 shade: #C633C4, #C6339C, #C63375, #C6334E and #C63F33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63373 shade: #85224D, #A52A60, #C63373, #D25189 and #DA719F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63373 shade: #C63373, #C6A133 and #33B0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63373 shade: #C63373, #75C633 and #3375C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63373 shade: #C63373, #C6A133, #33C684 and #3358C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63373 shade: #C63373, #BFC633, #33C684 and #3A33C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

Complementary color

CMYK 72 / 0 / 31 / 20

HEX #39CC8C

RGB 57 204 140

HSL 153.88, 0.59%, 0.51%

LAB 73.51, -53.08, 21.08

 

CMYK 0 / 75 / 46 / 20

HEX #CB336E

RGB 203 51 110

HSL 336.71, 0.6%, 0.5%

LAB 47.22, 62.65, 2.66

 

CMYK 0 / 69 / 41 / 14

HEX #DC4581

RGB 220 69 129

HSL 336.16, 0.68%, 0.57%

LAB 53.01, 62.97, -0.05

 

CMYK 0 / 63 / 38 / 7

HEX #ED5794

RGB 237 87 148

HSL 335.6, 0.81%, 0.64%

LAB 58.94, 62.84, -2.26

 

CMYK 0 / 59 / 34 / 0

HEX #FE69A7

RGB 254 105 167

HSL 335.03, 0.99%, 0.7%

LAB 64.93, 62.43, -4.09

 

CMYK 0 / 52 / 27 / 0

HEX #FF7BBA

RGB 255 123 186

HSL 331.36, 1%, 0.74%

LAB 68.73, 56.89, -9.2

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 82 / 47 / 29

HEX #B52160

RGB 181 33 96

HSL 334.46, 0.69%, 0.42%

LAB 40.83, 60.71, 1.58

 

CMYK 0 / 91 / 53 / 36

HEX #A40F4D

RGB 164 15 77

HSL 335.03, 0.83%, 0.35%

LAB 35.54, 58.57, 5.7

 

CMYK 0 / 100 / 61 / 42

HEX #93003A

RGB 147 0 58

HSL 336.33, 1%, 0.29%

LAB 30.66, 55.14, 10.87

 

CMYK 0 / 100 / 70 / 49

HEX #820027

RGB 130 0 39

HSL 342, 1%, 0.25%

LAB 26.43, 49.76, 17.39

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 74 / 62 / 22

HEX #C6334B

RGB 198 51 75

HSL 350.2, 0.59%, 0.49%

LAB 45.47, 58.54, 21.62

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 74 / 22 / 22

HEX #C6339B

RGB 198 51 155

HSL 317.55, 0.59%, 0.49%

LAB 47.93, 66.33, -23.63

 

CMYK 0 / 74 / 2 / 22

HEX #C633C2

RGB 198 51 194

HSL 301.63, 0.59%, 0.49%

LAB 49.82, 71.96, -43.61

 

CMYK 18 / 74 / 0 / 22

HEX #A233C6

RGB 162 51 198

HSL 285.31, 0.59%, 0.49%

LAB 44.41, 65.32, -54.9

 

CMYK 38 / 74 / 0 / 22

HEX #7A33C6

RGB 122 51 198

HSL 268.98, 0.59%, 0.49%

LAB 38.87, 57.91, -64.14

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 86 / 49 / 15

HEX #DA1F70

RGB 218 31 112

HSL 334.01, 0.75%, 0.49%

LAB 48.33, 71.74, 3.39

 

CMYK 0 / 96 / 54 / 6

HEX #EF0A6E

RGB 239 10 110

HSL 333.8, 0.92%, 0.49%

LAB 51.49, 79.11, 9.68

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 60 / 34 / 30

HEX #B24776

RGB 178 71 118

HSL 333.64, 0.43%, 0.49%

LAB 46.01, 48.21, -4.51

 

CMYK 0 / 42 / 24 / 38

HEX #9E5B78

RGB 158 91 120

HSL 334.03, 0.27%, 0.49%

LAB 47.11, 31.33, -4.41

 

CMYK 0 / 20 / 11 / 46

HEX #8A6F7B

RGB 138 111 123

HSL 333.33, 0.11%, 0.49%

LAB 49.74, 12.74, -2.6

 

CMYK 11 / 0 / 5 / 48

HEX #75847D

RGB 117 132 125

HSL 152, 0.06%, 0.49%

LAB 53.78, -6.93, 1.91

 

CMYK 0 / 74 / 1 / 22

HEX #C633C4

RGB 198 51 196

HSL 300.82, 0.59%, 0.49%

LAB 49.93, 72.27, -44.59

 

CMYK 0 / 74 / 21 / 22

HEX #C6339C

RGB 198 51 156

HSL 317.14, 0.59%, 0.49%

LAB 47.97, 66.46, -24.16

 

CMYK 0 / 74 / 41 / 22

HEX #C63375

RGB 198 51 117

HSL 333.06, 0.59%, 0.49%

LAB 46.52, 61.94, -2.76

 

CMYK 0 / 74 / 61 / 22

HEX #C6334E

RGB 198 51 78

HSL 348.98, 0.59%, 0.49%

LAB 45.53, 58.73, 19.86

 

CMYK 0 / 68 / 74 / 22

HEX #C63F33

RGB 198 63 51

HSL 4.9, 0.59%, 0.49%

LAB 46.71, 52.86, 37.33

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 75 / 42 / 35

HEX #A52A60

RGB 165 42 96

HSL 333.66, 0.59%, 0.41%

LAB 38.72, 53.65, -1.86

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 61 / 35 / 18

HEX #D25189

RGB 210 81 137

HSL 333.95, 0.59%, 0.57%

LAB 53.38, 56.02, -4.47

 

CMYK 0 / 48 / 27 / 15

HEX #DA719F

RGB 218 113 159

HSL 333.71, 0.59%, 0.65%

LAB 60.97, 46.24, -5.93

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 19 / 74 / 22

HEX #C6A133

RGB 198 161 51

HSL 44.9, 0.59%, 0.49%

LAB 67.82, 2.55, 59.1

 

CMYK 74 / 11 / 0 / 22

HEX #33B0C6

RGB 51 176 198

HSL 188.98, 0.59%, 0.49%

LAB 66.39, -26.11, -20.92

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 41 / 0 / 74 / 22

HEX #75C633

RGB 117 198 51

HSL 93.06, 0.59%, 0.49%

LAB 72.5, -48.27, 61.69

 

CMYK 74 / 41 / 0 / 22

HEX #3375C6

RGB 51 117 198

HSL 213.06, 0.59%, 0.49%

LAB 48.89, 7.01, -48.23

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 19 / 74 / 22

HEX #C6A133

RGB 198 161 51

HSL 44.9, 0.59%, 0.49%

LAB 67.82, 2.55, 59.1

 

CMYK 74 / 0 / 33 / 22

HEX #33C684

RGB 51 198 132

HSL 153.06, 0.59%, 0.49%

LAB 71.39, -53.26, 22.4

 

CMYK 74 / 56 / 0 / 22

HEX #3358C6

RGB 51 88 198

HSL 224.9, 0.59%, 0.49%

LAB 40.83, 25.52, -61.2

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 4 / 0 / 74 / 22

HEX #BFC633

RGB 191 198 51

HSL 62.86, 0.59%, 0.49%

LAB 77.1, -19.63, 67.7

 

CMYK 74 / 0 / 33 / 22

HEX #33C684

RGB 51 198 132

HSL 153.06, 0.59%, 0.49%

LAB 71.39, -53.26, 22.4

 

CMYK 71 / 74 / 0 / 22

HEX #3A33C6

RGB 58 51 198

HSL 242.86, 0.59%, 0.49%

LAB 32.58, 49.03, -74.7

 

Description

Color code: HEX #C63373 | qconv.com Color code: HEX #C63373 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 51 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 51 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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