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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 65 56 it is the complementary color RGB 57 190 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 65 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 65 56 shade: RGB 203 65 51, RGB 220 83 70, RGB 237 101 89, RGB 254 119 108 and RGB 255 137 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 65 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 181 47 37, RGB 164 29 18, RGB 147 11 0 and RGB 130 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 65 56 shade: RGB 198 65 56 and RGB 198 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 198 103 56, RGB 198 142 56, RGB 198 180 56 and RGB 178 198 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 65 56 shade matches the following richer shades: RGB 198 65 56, RGB 219 47 35 and RGB 240 29 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 178 83 76, RGB 157 101 97, RGB 137 119 117 and RGB 116 137 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 65 56 shade: RGB 198 56 125, RGB 198 56 87, RGB 198 63 56, RGB 198 101 56 and RGB 198 139 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 65 56 shade: RGB 134 44 37, RGB 166 54 47, RGB 198 65 56, RGB 207 95 88 and RGB 217 126 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 163 198 56 and RGB 56 106 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 56 198 63 and RGB 63 56 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 163 198 56, RGB 56 191 198 and RGB 91 56 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 65 56 shade: RGB 198 65 56, RGB 120 198 56, RGB 56 191 198 and RGB 134 56 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

Complementary color

CMYK 71 / 5 / 0 / 22

HEX #39BEC7

RGB 57 190 199

HSL 183.8, 0.56%, 0.5%

LAB 70.75, -31.93, -14.86

 

CMYK 0 / 68 / 75 / 20

HEX #CB4133

RGB 203 65 51

HSL 5.53, 0.6%, 0.5%

LAB 47.9, 53.72, 38.89

 

CMYK 0 / 62 / 68 / 14

HEX #DC5346

RGB 220 83 70

HSL 5.2, 0.68%, 0.57%

LAB 53.86, 52.81, 35.88

 

CMYK 0 / 57 / 62 / 7

HEX #ED6559

RGB 237 101 89

HSL 4.86, 0.8%, 0.64%

LAB 59.92, 51.72, 33.22

 

CMYK 0 / 53 / 57 / 0

HEX #FE776C

RGB 254 119 108

HSL 4.52, 0.99%, 0.71%

LAB 66.02, 50.58, 30.91

 

CMYK 0 / 46 / 50 / 0

HEX #FF897F

RGB 255 137 127

HSL 4.69, 1%, 0.75%

LAB 69.95, 43.67, 25.59

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 74 / 80 / 29

HEX #B52F25

RGB 181 47 37

HSL 4.17, 0.66%, 0.43%

LAB 41.2, 52.84, 38.29

 

CMYK 0 / 82 / 89 / 36

HEX #A41D12

RGB 164 29 18

HSL 4.52, 0.8%, 0.36%

LAB 35.63, 52.74, 41.74

 

CMYK 0 / 93 / 100 / 42

HEX #930B00

RGB 147 11 0

HSL 4.49, 1%, 0.29%

LAB 30.5, 51.45, 43.96

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 48 / 72 / 22

HEX #C66738

RGB 198 103 56

HSL 19.86, 0.56%, 0.5%

LAB 54.02, 34.23, 42.69

 

CMYK 0 / 28 / 72 / 22

HEX #C68E38

RGB 198 142 56

HSL 36.34, 0.56%, 0.5%

LAB 63.04, 13.11, 52.26

 

CMYK 0 / 9 / 72 / 22

HEX #C6B438

RGB 198 180 56

HSL 52.39, 0.56%, 0.5%

LAB 72.85, -7.26, 62.09

 

CMYK 10 / 0 / 72 / 22

HEX #B2C638

RGB 178 198 56

HSL 68.45, 0.56%, 0.5%

LAB 76.15, -24.82, 64.76

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 79 / 84 / 14

HEX #DB2F23

RGB 219 47 35

HSL 3.91, 0.72%, 0.5%

LAB 48.53, 64.3, 48.88

 

CMYK 0 / 88 / 94 / 6

HEX #F01D0E

RGB 240 29 14

HSL 3.98, 0.89%, 0.5%

LAB 51.19, 73.65, 61

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 53 / 57 / 30

HEX #B2534C

RGB 178 83 76

HSL 4.12, 0.4%, 0.5%

LAB 47.2, 38.06, 22.63

 

CMYK 0 / 36 / 38 / 38

HEX #9D6561

RGB 157 101 97

HSL 4, 0.24%, 0.5%

LAB 48.68, 22.09, 11.64

 

CMYK 0 / 13 / 15 / 46

HEX #897775

RGB 137 119 117

HSL 6, 0.08%, 0.5%

LAB 51.61, 6.6, 3.66

 

CMYK 16 / 1 / 0 / 46

HEX #74898A

RGB 116 137 138

HSL 182.73, 0.09%, 0.5%

LAB 55.52, -7.29, -3.07

 

CMYK 0 / 72 / 37 / 22

HEX #C6387D

RGB 198 56 125

HSL 330.85, 0.56%, 0.5%

LAB 47.38, 61.08, -6.37

 

CMYK 0 / 72 / 56 / 22

HEX #C63857

RGB 198 56 87

HSL 346.9, 0.56%, 0.5%

LAB 46.34, 57.61, 15.42

 

CMYK 0 / 68 / 72 / 22

HEX #C63F38

RGB 198 63 56

HSL 2.96, 0.56%, 0.5%

LAB 46.77, 53.09, 34.56

 

CMYK 0 / 49 / 72 / 22

HEX #C66538

RGB 198 101 56

HSL 19.01, 0.56%, 0.5%

LAB 53.6, 35.28, 42.24

 

CMYK 0 / 30 / 72 / 22

HEX #C68B38

RGB 198 139 56

HSL 35.07, 0.56%, 0.5%

LAB 62.3, 14.75, 51.49

 

CMYK 0 / 67 / 72 / 47

HEX #862C25

RGB 134 44 37

HSL 4.33, 0.57%, 0.34%

LAB 31.81, 38.05, 25.45

 

CMYK 0 / 67 / 72 / 35

HEX #A6362F

RGB 166 54 47

HSL 3.53, 0.56%, 0.42%

LAB 39.5, 45.55, 29.88

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 0 / 54 / 57 / 19

HEX #CF5F58

RGB 207 95 88

HSL 3.53, 0.55%, 0.58%

LAB 54.19, 43.78, 25.55

 

CMYK 0 / 42 / 45 / 15

HEX #D97E78

RGB 217 126 120

HSL 3.71, 0.56%, 0.66%

LAB 62.53, 34.52, 18.62

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 18 / 0 / 72 / 22

HEX #A3C638

RGB 163 198 56

HSL 74.79, 0.56%, 0.5%

LAB 75.11, -30.93, 63.39

 

CMYK 72 / 46 / 0 / 22

HEX #386AC6

RGB 56 106 198

HSL 218.87, 0.56%, 0.5%

LAB 45.94, 14.6, -52.94

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 72 / 0 / 68 / 22

HEX #38C63F

RGB 56 198 63

HSL 122.96, 0.56%, 0.5%

LAB 70.59, -62.9, 54.66

 

CMYK 68 / 72 / 0 / 22

HEX #3F38C6

RGB 63 56 198

HSL 242.96, 0.56%, 0.5%

LAB 33.9, 46.78, -72.51

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 18 / 0 / 72 / 22

HEX #A3C638

RGB 163 198 56

HSL 74.79, 0.56%, 0.5%

LAB 75.11, -30.93, 63.39

 

CMYK 72 / 4 / 0 / 22

HEX #38BFC6

RGB 56 191 198

HSL 182.96, 0.56%, 0.5%

LAB 70.99, -32.83, -13.94

 

CMYK 54 / 72 / 0 / 22

HEX #5B38C6

RGB 91 56 198

HSL 254.79, 0.56%, 0.5%

LAB 36.23, 50.48, -68.59

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 39 / 0 / 72 / 22

HEX #78C638

RGB 120 198 56

HSL 92.96, 0.56%, 0.5%

LAB 72.67, -46.95, 60.15

 

CMYK 72 / 4 / 0 / 22

HEX #38BFC6

RGB 56 191 198

HSL 182.96, 0.56%, 0.5%

LAB 70.99, -32.83, -13.94

 

CMYK 32 / 72 / 0 / 22

HEX #8638C6

RGB 134 56 198

HSL 272.96, 0.56%, 0.5%

LAB 41.17, 57.92, -60.32

 

Description

Color code: RGB 198 65 56 | qconv.com Color code: RGB 198 65 56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 65 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 65 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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