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Color name
RGB 199 157 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 157 101 it is the complementary color RGB 56 98 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 157 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 157 101 shade: RGB 204 157 96, RGB 221 175 115, RGB 238 193 134, RGB 255 211 153 and RGB 255 229 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 157 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 182 139 82, RGB 165 121 63, RGB 148 103 44 and RGB 131 85 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 199 130 101, RGB 199 104 101 and RGB 199 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 199 183 101, RGB 188 199 101, RGB 162 199 101 and RGB 135 199 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 157 101 shade matches the following richer shades: RGB 199 157 101, RGB 216 159 84, RGB 233 162 67 and RGB 250 164 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 182 155 118, RGB 165 152 135, RGB 148 150 152 and RGB 131 147 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 157 101 shade: RGB 199 104 101, RGB 199 130 101, RGB 199 157 101, RGB 199 183 101 and RGB 189 199 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 157 101 shade: RGB 160 116 57, RGB 188 138 70, RGB 199 157 101, RGB 210 176 131 and RGB 221 195 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 124 199 101 and RGB 117 101 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 101 199 157 and RGB 157 101 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 124 199 101, RGB 101 143 199 and RGB 176 101 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 157 101 shade: RGB 199 157 101, RGB 101 199 107, RGB 101 143 199 and RGB 199 101 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

Complementary color

CMYK 64 / 36 / 0 / 40

HEX #38629A

RGB 56 98 154

HSL 214.29, 0.47%, 0.41%

LAB 41.07, 3.65, -34.91

 

CMYK 0 / 23 / 53 / 20

HEX #CC9D60

RGB 204 157 96

HSL 33.89, 0.51%, 0.59%

LAB 67.87, 10.26, 38.4

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 19 / 44 / 7

HEX #EEC186

RGB 238 193 134

HSL 34.04, 0.75%, 0.73%

LAB 80.76, 8.57, 35.73

 

CMYK 0 / 17 / 40 / 0

HEX #FFD399

RGB 255 211 153

HSL 34.12, 1%, 0.8%

LAB 87.07, 7.88, 34.5

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AC

RGB 255 229 172

HSL 41.2, 1%, 0.84%

LAB 91.81, 0.82, 31.08

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 24 / 55 / 29

HEX #B68B52

RGB 182 139 82

HSL 34.2, 0.41%, 0.52%

LAB 60.8, 9.58, 36.52

 

CMYK 0 / 27 / 62 / 35

HEX #A5793F

RGB 165 121 63

HSL 34.12, 0.45%, 0.45%

LAB 54.06, 10.72, 37.98

 

CMYK 0 / 30 / 70 / 42

HEX #94672C

RGB 148 103 44

HSL 34.04, 0.54%, 0.38%

LAB 47.21, 12.1, 39.41

 

CMYK 0 / 35 / 81 / 49

HEX #835519

RGB 131 85 25

HSL 33.96, 0.68%, 0.31%

LAB 40.23, 13.79, 40.53

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 35 / 49 / 22

HEX #C78265

RGB 199 130 101

HSL 17.76, 0.47%, 0.59%

LAB 60.82, 23.4, 26.62

 

CMYK 0 / 48 / 49 / 22

HEX #C76865

RGB 199 104 101

HSL 1.84, 0.47%, 0.59%

LAB 55.05, 37.36, 18.93

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 8 / 49 / 22

HEX #C7B765

RGB 199 183 101

HSL 50.2, 0.47%, 0.59%

LAB 74.16, -5.26, 43.45

 

CMYK 6 / 0 / 49 / 22

HEX #BCC765

RGB 188 199 101

HSL 66.73, 0.47%, 0.59%

LAB 77.57, -17.95, 47.35

 

CMYK 19 / 0 / 49 / 22

HEX #A2C765

RGB 162 199 101

HSL 82.65, 0.47%, 0.59%

LAB 75.74, -28.16, 44.72

 

CMYK 32 / 0 / 49 / 22

HEX #87C765

RGB 135 199 101

HSL 99.18, 0.47%, 0.59%

LAB 74.15, -37.99, 42.42

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 26 / 61 / 15

HEX #D89F54

RGB 216 159 84

HSL 34.09, 0.63%, 0.59%

LAB 69.49, 13.28, 46.74

 

CMYK 0 / 30 / 71 / 9

HEX #E9A243

RGB 233 162 67

HSL 34.34, 0.79%, 0.59%

LAB 71.94, 17.84, 57.87

 

CMYK 0 / 34 / 80 / 2

HEX #FAA432

RGB 250 164 50

HSL 34.2, 0.95%, 0.59%

LAB 74.26, 23.22, 67.53

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 15 / 35 / 29

HEX #B69B76

RGB 182 155 118

HSL 34.69, 0.3%, 0.59%

LAB 65.51, 4.58, 23.12

 

CMYK 0 / 8 / 18 / 35

HEX #A59887

RGB 165 152 135

HSL 34, 0.14%, 0.59%

LAB 63.51, 1.89, 10.67

 

CMYK 3 / 1 / 0 / 40

HEX #949698

RGB 148 150 152

HSL 210, 0.02%, 0.59%

LAB 61.98, -0.33, -1.31

 

CMYK 22 / 13 / 0 / 34

HEX #8393A8

RGB 131 147 168

HSL 214.05, 0.18%, 0.59%

LAB 60.36, -1, -12.93

 

CMYK 0 / 48 / 49 / 22

HEX #C76865

RGB 199 104 101

HSL 1.84, 0.47%, 0.59%

LAB 55.05, 37.36, 18.93

 

CMYK 0 / 35 / 49 / 22

HEX #C78265

RGB 199 130 101

HSL 17.76, 0.47%, 0.59%

LAB 60.82, 23.4, 26.62

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 8 / 49 / 22

HEX #C7B765

RGB 199 183 101

HSL 50.2, 0.47%, 0.59%

LAB 74.16, -5.26, 43.45

 

CMYK 5 / 0 / 49 / 22

HEX #BDC765

RGB 189 199 101

HSL 66.12, 0.47%, 0.59%

LAB 77.64, -17.55, 47.46

 

CMYK 0 / 28 / 64 / 37

HEX #A07439

RGB 160 116 57

HSL 34.37, 0.47%, 0.43%

LAB 52.13, 10.9, 38.71

 

CMYK 0 / 27 / 63 / 26

HEX #BC8A46

RGB 188 138 70

HSL 34.58, 0.47%, 0.51%

LAB 61.05, 11.79, 43.16

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 0 / 16 / 38 / 18

HEX #D2B083

RGB 210 176 131

HSL 34.18, 0.47%, 0.67%

LAB 73.8, 6.07, 27.65

 

CMYK 0 / 12 / 27 / 13

HEX #DDC3A1

RGB 221 195 161

HSL 34, 0.47%, 0.75%

LAB 80.17, 4.08, 20.47

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 38 / 0 / 49 / 22

HEX #7CC765

RGB 124 199 101

HSL 105.92, 0.47%, 0.59%

LAB 73.59, -41.69, 41.61

 

CMYK 41 / 49 / 0 / 22

HEX #7565C7

RGB 117 101 199

HSL 249.8, 0.47%, 0.59%

LAB 48.53, 30.24, -49.16

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 49 / 0 / 21 / 22

HEX #65C79D

RGB 101 199 157

HSL 154.29, 0.47%, 0.59%

LAB 73.58, -38.72, 12.28

 

CMYK 21 / 49 / 0 / 22

HEX #9D65C7

RGB 157 101 199

HSL 274.29, 0.47%, 0.59%

LAB 52.51, 40.8, -42.59

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 38 / 0 / 49 / 22

HEX #7CC765

RGB 124 199 101

HSL 105.92, 0.47%, 0.59%

LAB 73.59, -41.69, 41.61

 

CMYK 49 / 28 / 0 / 22

HEX #658FC7

RGB 101 143 199

HSL 214.29, 0.47%, 0.59%

LAB 58.54, 1.17, -33.43

 

CMYK 12 / 49 / 0 / 22

HEX #B065C7

RGB 176 101 199

HSL 285.92, 0.47%, 0.59%

LAB 54.72, 46.12, -38.95

 

CMYK 0 / 21 / 49 / 22

HEX #C79D65

RGB 199 157 101

HSL 34.29, 0.47%, 0.59%

LAB 67.42, 8.63, 35.11

 

CMYK 49 / 0 / 46 / 22

HEX #65C76B

RGB 101 199 107

HSL 123.67, 0.47%, 0.59%

LAB 72.68, -47.79, 37.28

 

CMYK 49 / 28 / 0 / 22

HEX #658FC7

RGB 101 143 199

HSL 214.29, 0.47%, 0.59%

LAB 58.54, 1.17, -33.43

 

CMYK 0 / 49 / 3 / 22

HEX #C765C1

RGB 199 101 193

HSL 303.67, 0.47%, 0.59%

LAB 57.37, 51.57, -31.17

 

Description

Color code: RGB 199 157 101 | qconv.com Color code: RGB 199 157 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 157 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 157 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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