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Color name
RGB 199 224 195

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 224 195 it is the complementary color RGB 56 31 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 224 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 224 195 shade: RGB 204 224 190, RGB 221 242 209, RGB 238 255 228 and RGB 255 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 224 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 224 195 shade: RGB 199 224 195, RGB 182 206 176, RGB 165 188 157, RGB 148 170 138 and RGB 131 152 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 224 195 shade: RGB 198 223 194, RGB 206 223 194, RGB 214 223 194, RGB 222 223 194 and RGB 223 217 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 224 195 shade: RGB 198 223 194, RGB 194 223 198, RGB 194 223 206, RGB 194 223 214 and RGB 194 223 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 224 195 shade matches the following richer shades: RGB 198 223 194, RGB 193 231 186, RGB 187 238 179, RGB 182 246 172 and RGB 176 253 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 224 195 shade: RGB 198 223 194, RGB 203 216 201, RGB 209 208 209, RGB 214 201 216 and RGB 219 194 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 224 195 shade: RGB 214 223 194, RGB 206 223 194, RGB 198 223 194, RGB 194 223 197 and RGB 194 223 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 224 195 shade: RGB 147 195 139, RGB 173 209 167, RGB 198 223 194, RGB 223 237 221 and RGB 249 251 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 224 195 shade: RGB 199 224 195, RGB 194 222 223 and RGB 223 194 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 224 195 shade: RGB 199 224 195, RGB 194 198 223 and RGB 223 194 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 224 195 shade: RGB 199 224 195, RGB 194 222 223, RGB 219 194 223 and RGB 223 195 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 224 195 shade: RGB 199 224 195, RGB 194 213 223, RGB 219 194 223 and RGB 223 204 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

Complementary color

CMYK 7 / 48 / 0 / 76

HEX #381F3C

RGB 56 31 60

HSL 291.72, 0.32%, 0.18%

LAB 16.24, 17.92, -13.74

 

CMYK 9 / 0 / 15 / 12

HEX #CCE0BE

RGB 204 224 190

HSL 95.29, 0.35%, 0.81%

LAB 86.93, -12.73, 14.42

 

CMYK 9 / 0 / 14 / 5

HEX #DDF2D1

RGB 221 242 209

HSL 98.18, 0.56%, 0.88%

LAB 93.22, -12.73, 13.61

 

CMYK 7 / 0 / 11 / 0

HEX #EEFFE4

RGB 238 255 228

HSL 97.78, 1%, 0.95%

LAB 98.15, -10.27, 11.01

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

CMYK 12 / 0 / 15 / 19

HEX #B6CEB0

RGB 182 206 176

HSL 108, 0.23%, 0.75%

LAB 80.3, -13.64, 12.23

 

CMYK 12 / 0 / 16 / 26

HEX #A5BC9D

RGB 165 188 157

HSL 104.52, 0.19%, 0.68%

LAB 73.8, -13.69, 13.08

 

CMYK 13 / 0 / 19 / 33

HEX #94AA8A

RGB 148 170 138

HSL 101.25, 0.16%, 0.6%

LAB 67.19, -13.75, 13.98

 

CMYK 14 / 0 / 22 / 40

HEX #839877

RGB 131 152 119

HSL 98.18, 0.14%, 0.53%

LAB 60.44, -13.81, 14.94

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC2

RGB 206 223 194

HSL 95.17, 0.31%, 0.82%

LAB 86.89, -10.86, 12.29

 

CMYK 4 / 0 / 13 / 13

HEX #D6DFC2

RGB 214 223 194

HSL 78.62, 0.31%, 0.82%

LAB 87.47, -8.07, 13.19

 

CMYK 0 / 0 / 13 / 13

HEX #DEDFC2

RGB 222 223 194

HSL 62.07, 0.31%, 0.82%

LAB 88.06, -5.23, 14.11

 

CMYK 0 / 3 / 13 / 13

HEX #DFD9C2

RGB 223 217 194

HSL 47.59, 0.31%, 0.82%

LAB 86.61, -1.8, 12.06

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 13 / 0 / 11 / 13

HEX #C2DFC6

RGB 194 223 198

HSL 128.28, 0.31%, 0.82%

LAB 86.17, -14.27, 9.04

 

CMYK 13 / 0 / 8 / 13

HEX #C2DFCE

RGB 194 223 206

HSL 144.83, 0.31%, 0.82%

LAB 86.36, -12.8, 5.1

 

CMYK 13 / 0 / 4 / 13

HEX #C2DFD6

RGB 194 223 214

HSL 161.38, 0.31%, 0.82%

LAB 86.55, -11.29, 1.17

 

CMYK 13 / 0 / 0 / 13

HEX #C2DFDE

RGB 194 223 222

HSL 177.93, 0.31%, 0.82%

LAB 86.76, -9.72, -2.75

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 16 / 0 / 19 / 9

HEX #C1E7BA

RGB 193 231 186

HSL 110.67, 0.48%, 0.82%

LAB 87.99, -20.65, 17.88

 

CMYK 21 / 0 / 25 / 7

HEX #BBEEB3

RGB 187 238 179

HSL 111.86, 0.63%, 0.82%

LAB 89.38, -27.2, 23.38

 

CMYK 26 / 0 / 30 / 4

HEX #B6F6AC

RGB 182 246 172

HSL 111.89, 0.8%, 0.82%

LAB 91.16, -33.71, 29.33

 

CMYK 30 / 0 / 35 / 1

HEX #B0FDA4

RGB 176 253 164

HSL 111.91, 0.96%, 0.82%

LAB 92.65, -40.03, 35.28

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 6 / 0 / 7 / 15

HEX #CBD8C9

RGB 203 216 201

HSL 112, 0.16%, 0.82%

LAB 85.01, -7.12, 5.88

 

CMYK 0 / 0 / 0 / 18

HEX #D1D0D1

RGB 209 208 209

HSL 300, 0.01%, 0.82%

LAB 83.58, 0.53, -0.38

 

CMYK 1 / 7 / 0 / 15

HEX #D6C9D8

RGB 214 201 216

HSL 292, 0.16%, 0.82%

LAB 82.39, 7.21, -5.82

 

CMYK 2 / 13 / 0 / 12

HEX #DBC2E0

RGB 219 194 224

HSL 290, 0.33%, 0.82%

LAB 81.31, 14.12, -11.68

 

CMYK 4 / 0 / 13 / 13

HEX #D6DFC2

RGB 214 223 194

HSL 78.62, 0.31%, 0.82%

LAB 87.47, -8.07, 13.19

 

CMYK 8 / 0 / 13 / 13

HEX #CEDFC2

RGB 206 223 194

HSL 95.17, 0.31%, 0.82%

LAB 86.89, -10.86, 12.29

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 13 / 0 / 12 / 13

HEX #C2DFC5

RGB 194 223 197

HSL 126.21, 0.31%, 0.82%

LAB 86.14, -14.45, 9.54

 

CMYK 13 / 0 / 8 / 13

HEX #C2DFCD

RGB 194 223 205

HSL 142.76, 0.31%, 0.82%

LAB 86.33, -12.99, 5.59

 

CMYK 25 / 0 / 29 / 24

HEX #93C38B

RGB 147 195 139

HSL 111.43, 0.32%, 0.65%

LAB 74.25, -26.56, 23.18

 

CMYK 17 / 0 / 20 / 18

HEX #ADD1A7

RGB 173 209 167

HSL 111.43, 0.31%, 0.74%

LAB 80.33, -19.82, 16.97

 

CMYK 11 / 0 / 13 / 13

HEX #C6DFC2

RGB 198 223 194

HSL 111.72, 0.31%, 0.82%

LAB 86.34, -13.62, 11.43

 

CMYK 6 / 0 / 7 / 7

HEX #DFEDDD

RGB 223 237 221

HSL 112.5, 0.31%, 0.9%

LAB 92.34, -7.51, 6.14

 

CMYK 1 / 0 / 1 / 2

HEX #F9FBF8

RGB 249 251 248

HSL 100, 0.27%, 0.98%

LAB 98.4, -1.18, 1.19

 

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

CMYK 13 / 0 / 0 / 13

HEX #C2DEDF

RGB 194 222 223

HSL 182.07, 0.31%, 0.82%

LAB 86.52, -9.01, -3.62

 

CMYK 0 / 13 / 6 / 13

HEX #DFC2D2

RGB 223 194 210

HSL 326.9, 0.31%, 0.82%

LAB 81.25, 12.94, -4.21

 

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

CMYK 13 / 11 / 0 / 13

HEX #C2C6DF

RGB 194 198 223

HSL 231.72, 0.31%, 0.82%

LAB 80.28, 3.55, -12.88

 

CMYK 0 / 13 / 11 / 13

HEX #DFC2C6

RGB 223 194 198

HSL 351.72, 0.31%, 0.82%

LAB 80.93, 10.91, 1.77

 

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

CMYK 13 / 0 / 0 / 13

HEX #C2DEDF

RGB 194 222 223

HSL 182.07, 0.31%, 0.82%

LAB 86.52, -9.01, -3.62

 

CMYK 2 / 13 / 0 / 13

HEX #DBC2DF

RGB 219 194 223

HSL 291.72, 0.31%, 0.82%

LAB 81.28, 13.93, -11.19

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 11 / 0 / 13 / 12

HEX #C7E0C3

RGB 199 224 195

HSL 111.72, 0.32%, 0.82%

LAB 86.7, -13.61, 11.42

 

CMYK 13 / 4 / 0 / 13

HEX #C2D5DF

RGB 194 213 223

HSL 200.69, 0.31%, 0.82%

LAB 84.17, -4.36, -7.1

 

CMYK 2 / 13 / 0 / 13

HEX #DBC2DF

RGB 219 194 223

HSL 291.72, 0.31%, 0.82%

LAB 81.28, 13.93, -11.19

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

Description

Color code: RGB 199 224 195 | qconv.com Color code: RGB 199 224 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 224 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 224 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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