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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 195 71 it is the complementary color RGB 232 60 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 195 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 195 71 shade: RGB 28 195 66, RGB 45 213 85, RGB 62 231 104, RGB 79 249 123 and RGB 96 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 195 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 195 71 shade: RGB 23 195 71, RGB 6 177 52, RGB 0 159 33, RGB 0 141 14 and RGB 0 123 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 195 71 shade: RGB 23 196 71, RGB 23 196 24, RGB 68 196 23, RGB 114 196 23 and RGB 161 196 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 195 71 shade: RGB 23 196 71, RGB 23 196 118, RGB 23 196 164, RGB 23 181 196 and RGB 23 134 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 195 71 shade matches the following richer shades: RGB 23 196 71 and RGB 5 214 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 195 71 shade: RGB 23 196 71, RGB 40 178 79, RGB 58 160 87, RGB 76 143 94 and RGB 93 125 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 195 71 shade: RGB 69 196 23, RGB 23 196 23, RGB 23 196 69, RGB 23 196 115 and RGB 23 196 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 195 71 shade: RGB 14 122 44, RGB 18 159 57, RGB 23 196 71, RGB 31 228 86 and RGB 68 233 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 195 71 shade: RGB 23 195 71, RGB 23 115 196 and RGB 196 23 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 195 71 shade: RGB 23 195 71, RGB 69 23 196 and RGB 196 69 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 195 71 shade: RGB 23 195 71, RGB 23 115 196, RGB 196 23 150 and RGB 196 103 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 195 71 shade: RGB 23 195 71, RGB 23 63 196, RGB 196 23 150 and RGB 196 155 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

Complementary color

CMYK 0 / 74 / 21 / 9

HEX #E83CB8

RGB 232 60 184

HSL 316.74, 0.79%, 0.57%

LAB 55.94, 75.39, -27.82

 

CMYK 86 / 0 / 66 / 24

HEX #1CC342

RGB 28 195 66

HSL 133.65, 0.75%, 0.44%

LAB 69.23, -65.23, 51.86

 

CMYK 79 / 0 / 60 / 16

HEX #2DD555

RGB 45 213 85

HSL 134.29, 0.67%, 0.51%

LAB 75.33, -66.95, 50.58

 

CMYK 73 / 0 / 55 / 9

HEX #3EE768

RGB 62 231 104

HSL 134.91, 0.78%, 0.57%

LAB 81.39, -68.14, 49.19

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 62 / 0 / 44 / 0

HEX #60FF8E

RGB 96 255 142

HSL 137.36, 1%, 0.69%

LAB 89.84, -65.17, 41.85

 

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

CMYK 97 / 0 / 71 / 31

HEX #06B134

RGB 6 177 52

HSL 136.14, 0.93%, 0.36%

LAB 63.12, -62.58, 50.91

 

CMYK 100 / 0 / 79 / 38

HEX #009F21

RGB 0 159 33

HSL 132.45, 1%, 0.31%

LAB 56.98, -59.15, 51.55

 

CMYK 100 / 0 / 90 / 45

HEX #008D0E

RGB 0 141 14

HSL 125.96, 1%, 0.28%

LAB 50.78, -54.97, 51

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 88 / 0 / 88 / 23

HEX #17C418

RGB 23 196 24

HSL 120.35, 0.79%, 0.43%

LAB 69.28, -68.9, 65.17

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 42 / 0 / 88 / 23

HEX #72C417

RGB 114 196 23

HSL 88.44, 0.79%, 0.43%

LAB 71.64, -49.73, 68.32

 

CMYK 18 / 0 / 88 / 23

HEX #A1C417

RGB 161 196 23

HSL 72.14, 0.79%, 0.43%

LAB 74.27, -32.09, 71.58

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 88 / 0 / 40 / 23

HEX #17C476

RGB 23 196 118

HSL 152.95, 0.79%, 0.43%

LAB 70.15, -58.15, 28.04

 

CMYK 88 / 0 / 16 / 23

HEX #17C4A4

RGB 23 196 164

HSL 168.9, 0.79%, 0.43%

LAB 71.11, -47.61, 4.73

 

CMYK 88 / 8 / 0 / 23

HEX #17B5C4

RGB 23 181 196

HSL 185.2, 0.79%, 0.43%

LAB 67.44, -31.61, -18.26

 

CMYK 88 / 32 / 0 / 23

HEX #1786C4

RGB 23 134 196

HSL 201.5, 0.79%, 0.43%

LAB 53.19, -6.68, -40.31

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 98 / 0 / 71 / 16

HEX #05D63F

RGB 5 214 63

HSL 136.65, 0.95%, 0.43%

LAB 75.13, -72.41, 59.29

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 78 / 0 / 56 / 30

HEX #28B24F

RGB 40 178 79

HSL 136.96, 0.63%, 0.43%

LAB 64.04, -56.79, 40.09

 

CMYK 64 / 0 / 46 / 37

HEX #3AA057

RGB 58 160 87

HSL 137.06, 0.47%, 0.43%

LAB 58.72, -45.8, 29.52

 

CMYK 47 / 0 / 34 / 44

HEX #4C8F5E

RGB 76 143 94

HSL 136.12, 0.31%, 0.43%

LAB 54.02, -32.66, 19.65

 

CMYK 26 / 0 / 18 / 51

HEX #5D7D66

RGB 93 125 102

HSL 136.88, 0.15%, 0.43%

LAB 49.44, -16.47, 8.88

 

CMYK 65 / 0 / 88 / 23

HEX #45C417

RGB 69 196 23

HSL 104.05, 0.79%, 0.43%

LAB 70.04, -62.25, 66.33

 

CMYK 88 / 0 / 88 / 23

HEX #17C417

RGB 23 196 23

HSL 120, 0.79%, 0.43%

LAB 69.27, -68.93, 65.36

 

CMYK 88 / 0 / 65 / 23

HEX #17C445

RGB 23 196 69

HSL 135.95, 0.79%, 0.43%

LAB 69.53, -65.61, 50.92

 

CMYK 88 / 0 / 41 / 23

HEX #17C473

RGB 23 196 115

HSL 151.91, 0.79%, 0.43%

LAB 70.11, -58.72, 29.53

 

CMYK 88 / 0 / 18 / 23

HEX #17C4A1

RGB 23 196 161

HSL 167.86, 0.79%, 0.43%

LAB 71.03, -48.39, 6.26

 

CMYK 89 / 0 / 64 / 52

HEX #0E7A2C

RGB 14 122 44

HSL 136.67, 0.79%, 0.27%

LAB 44.51, -45.46, 34.06

 

CMYK 89 / 0 / 64 / 38

HEX #129F39

RGB 18 159 57

HSL 136.6, 0.8%, 0.35%

LAB 57.29, -55.76, 42.48

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 86 / 0 / 62 / 11

HEX #1FE456

RGB 31 228 86

HSL 136.75, 0.78%, 0.51%

LAB 79.87, -72.84, 55.28

 

CMYK 71 / 0 / 51 / 9

HEX #44E972

RGB 68 233 114

HSL 136.73, 0.79%, 0.59%

LAB 82.23, -66.53, 45.57

 

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

CMYK 88 / 41 / 0 / 23

HEX #1773C4

RGB 23 115 196

HSL 208.09, 0.79%, 0.43%

LAB 47.53, 4.78, -49.29

 

CMYK 0 / 88 / 77 / 23

HEX #C4172E

RGB 196 23 46

HSL 352.02, 0.79%, 0.43%

LAB 42.07, 63.8, 34.97

 

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

CMYK 65 / 88 / 0 / 23

HEX #4517C4

RGB 69 23 196

HSL 255.95, 0.79%, 0.43%

LAB 29.07, 61.53, -79.32

 

CMYK 0 / 65 / 88 / 23

HEX #C44517

RGB 196 69 23

HSL 15.95, 0.79%, 0.43%

LAB 47.05, 48.82, 51.19

 

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

CMYK 88 / 41 / 0 / 23

HEX #1773C4

RGB 23 115 196

HSL 208.09, 0.79%, 0.43%

LAB 47.53, 4.78, -49.29

 

CMYK 0 / 88 / 23 / 23

HEX #C41796

RGB 196 23 150

HSL 315.95, 0.79%, 0.43%

LAB 45.01, 71.98, -25.17

 

CMYK 0 / 47 / 88 / 23

HEX #C46717

RGB 196 103 23

HSL 27.75, 0.79%, 0.43%

LAB 53.49, 32.25, 56.24

 

CMYK 88 / 0 / 64 / 24

HEX #17C347

RGB 23 195 71

HSL 136.74, 0.79%, 0.43%

LAB 69.23, -65.08, 49.72

 

CMYK 88 / 68 / 0 / 23

HEX #173FC4

RGB 23 63 196

HSL 226.13, 0.79%, 0.43%

LAB 33.4, 38.57, -72.23

 

CMYK 0 / 88 / 23 / 23

HEX #C41796

RGB 196 23 150

HSL 315.95, 0.79%, 0.43%

LAB 45.01, 71.98, -25.17

 

CMYK 0 / 21 / 88 / 23

HEX #C49B17

RGB 196 155 23

HSL 45.78, 0.79%, 0.43%

LAB 65.94, 3.98, 66.07

 

Description

Color code: RGB 23 195 71 | qconv.com Color code: RGB 23 195 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 195 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 195 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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