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Color name
RGB 201 125 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 125 59 it is the complementary color RGB 54 130 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 125 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 125 59 shade: RGB 206 125 54, RGB 223 143 73, RGB 240 161 92, RGB 255 179 111 and RGB 255 197 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 125 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 125 59 shade: RGB 201 125 59, RGB 184 107 40, RGB 167 89 21, RGB 150 71 2 and RGB 133 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 125 59 shade: RGB 201 125 58, RGB 201 86 58 and RGB 201 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 125 59 shade: RGB 201 125 58, RGB 201 163 58, RGB 200 201 58, RGB 162 201 58 and RGB 123 201 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 125 59 shade matches the following richer shades: RGB 201 125 58, RGB 221 123 38 and RGB 241 122 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 125 59 shade: RGB 201 125 58, RGB 181 126 79, RGB 160 127 99, RGB 140 129 119 and RGB 120 130 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 125 59 shade: RGB 201 58 70, RGB 201 84 58, RGB 201 122 58, RGB 201 160 58 and RGB 201 198 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 125 59 shade: RGB 139 85 38, RGB 171 105 47, RGB 201 125 58, RGB 210 146 91 and RGB 219 167 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 125 59 shade: RGB 201 125 59, RGB 108 201 58 and RGB 65 58 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 125 59 shade: RGB 201 125 59, RGB 58 201 122 and RGB 122 58 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 125 59 shade: RGB 201 125 59, RGB 108 201 58, RGB 58 137 201 and RGB 151 58 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 125 59 shade: RGB 201 125 59, RGB 65 201 58, RGB 58 137 201 and RGB 194 58 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

Complementary color

CMYK 72 / 34 / 0 / 23

HEX #3682C4

RGB 54 130 196

HSL 207.89, 0.57%, 0.49%

LAB 52.66, -1.21, -41.1

 

CMYK 0 / 39 / 74 / 19

HEX #CE7D36

RGB 206 125 54

HSL 28.03, 0.61%, 0.51%

LAB 59.94, 25.7, 50.27

 

CMYK 0 / 36 / 67 / 13

HEX #DF8F49

RGB 223 143 73

HSL 28, 0.7%, 0.58%

LAB 66.38, 24.11, 48.79

 

CMYK 0 / 33 / 62 / 6

HEX #F0A15C

RGB 240 161 92

HSL 27.97, 0.83%, 0.65%

LAB 72.75, 22.72, 47.26

 

CMYK 0 / 30 / 56 / 0

HEX #FFB36F

RGB 255 179 111

HSL 28.33, 1%, 0.72%

LAB 78.84, 20.68, 45.43

 

CMYK 0 / 23 / 49 / 0

HEX #FFC582

RGB 255 197 130

HSL 32.16, 1%, 0.75%

LAB 83.34, 12.86, 41.42

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

CMYK 0 / 42 / 78 / 28

HEX #B86B28

RGB 184 107 40

HSL 27.92, 0.64%, 0.44%

LAB 52.79, 25.56, 48.48

 

CMYK 0 / 47 / 87 / 35

HEX #A75915

RGB 167 89 21

HSL 27.95, 0.78%, 0.37%

LAB 46.2, 27.53, 49.28

 

CMYK 0 / 53 / 99 / 41

HEX #964702

RGB 150 71 2

HSL 27.97, 0.97%, 0.3%

LAB 39.57, 29.71, 48.99

 

CMYK 0 / 60 / 100 / 48

HEX #853500

RGB 133 53 0

HSL 23.91, 1%, 0.26%

LAB 32.99, 32.1, 44.33

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3A

RGB 201 125 58

HSL 28.11, 0.57%, 0.51%

LAB 59.33, 23.79, 47.56

 

CMYK 0 / 57 / 71 / 21

HEX #C9563A

RGB 201 86 58

HSL 11.75, 0.57%, 0.51%

LAB 51.13, 44.06, 38.55

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3A

RGB 201 125 58

HSL 28.11, 0.57%, 0.51%

LAB 59.33, 23.79, 47.56

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33A

RGB 201 163 58

HSL 44.06, 0.57%, 0.51%

LAB 68.69, 3.13, 57.27

 

CMYK 0 / 0 / 71 / 21

HEX #C8C93A

RGB 200 201 58

HSL 60.42, 0.57%, 0.51%

LAB 78.67, -17.01, 67.07

 

CMYK 19 / 0 / 71 / 21

HEX #A2C93A

RGB 162 201 58

HSL 76.36, 0.57%, 0.51%

LAB 75.92, -32.62, 63.45

 

CMYK 39 / 0 / 71 / 21

HEX #7BC93A

RGB 123 201 58

HSL 92.73, 0.57%, 0.51%

LAB 73.73, -47.04, 60.54

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3A

RGB 201 125 58

HSL 28.11, 0.57%, 0.51%

LAB 59.33, 23.79, 47.56

 

CMYK 0 / 44 / 83 / 13

HEX #DD7B26

RGB 221 123 38

HSL 27.87, 0.73%, 0.51%

LAB 61.38, 32.39, 59.03

 

CMYK 0 / 49 / 93 / 5

HEX #F17A12

RGB 241 122 18

HSL 27.98, 0.89%, 0.51%

LAB 63.89, 40.52, 68.12

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3A

RGB 201 125 58

HSL 28.11, 0.57%, 0.51%

LAB 59.33, 23.79, 47.56

 

CMYK 0 / 30 / 56 / 29

HEX #B57E4F

RGB 181 126 79

HSL 27.65, 0.41%, 0.51%

LAB 57.38, 16.13, 33.9

 

CMYK 0 / 21 / 38 / 37

HEX #A07F63

RGB 160 127 99

HSL 27.54, 0.24%, 0.51%

LAB 55.64, 8.73, 20.06

 

CMYK 0 / 8 / 15 / 45

HEX #8C8177

RGB 140 129 119

HSL 28.57, 0.08%, 0.51%

LAB 54.67, 2.38, 6.92

 

CMYK 14 / 6 / 0 / 45

HEX #78828B

RGB 120 130 139

HSL 208.42, 0.08%, 0.51%

LAB 53.84, -1.72, -6.11

 

CMYK 0 / 71 / 65 / 21

HEX #C93A46

RGB 201 58 70

HSL 354.97, 0.57%, 0.51%

LAB 46.82, 56.69, 26.5

 

CMYK 0 / 58 / 71 / 21

HEX #C9543A

RGB 201 84 58

HSL 10.91, 0.57%, 0.51%

LAB 50.76, 45.01, 38.14

 

CMYK 0 / 39 / 71 / 21

HEX #C97A3A

RGB 201 122 58

HSL 26.85, 0.57%, 0.51%

LAB 58.64, 25.42, 46.82

 

CMYK 0 / 20 / 71 / 21

HEX #C9A03A

RGB 201 160 58

HSL 42.8, 0.57%, 0.51%

LAB 67.92, 4.74, 56.49

 

CMYK 0 / 1 / 71 / 21

HEX #C9C63A

RGB 201 198 58

HSL 58.74, 0.57%, 0.51%

LAB 77.94, -15.09, 66.4

 

CMYK 0 / 39 / 73 / 45

HEX #8B5526

RGB 139 85 38

HSL 27.92, 0.57%, 0.35%

LAB 41.42, 18.11, 35.87

 

CMYK 0 / 39 / 73 / 33

HEX #AB692F

RGB 171 105 47

HSL 28.06, 0.57%, 0.43%

LAB 50.65, 21.38, 42.48

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3A

RGB 201 125 58

HSL 28.11, 0.57%, 0.51%

LAB 59.33, 23.79, 47.56

 

CMYK 0 / 30 / 57 / 18

HEX #D2925B

RGB 210 146 91

HSL 27.73, 0.57%, 0.59%

LAB 65.76, 18.32, 38.57

 

CMYK 0 / 24 / 44 / 14

HEX #DBA77B

RGB 219 167 123

HSL 27.5, 0.57%, 0.67%

LAB 72.31, 13.62, 30.12

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

CMYK 46 / 0 / 71 / 21

HEX #6CC93A

RGB 108 201 58

HSL 99.02, 0.57%, 0.51%

LAB 73.07, -51.87, 59.65

 

CMYK 68 / 71 / 0 / 21

HEX #413AC9

RGB 65 58 201

HSL 242.94, 0.57%, 0.51%

LAB 34.74, 46.84, -72.88

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

CMYK 71 / 0 / 39 / 21

HEX #3AC97A

RGB 58 201 122

HSL 146.85, 0.57%, 0.51%

LAB 72.28, -55.34, 28.86

 

CMYK 39 / 71 / 0 / 21

HEX #7A3AC9

RGB 122 58 201

HSL 266.85, 0.57%, 0.51%

LAB 40.21, 55.5, -63.7

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

CMYK 46 / 0 / 71 / 21

HEX #6CC93A

RGB 108 201 58

HSL 99.02, 0.57%, 0.51%

LAB 73.07, -51.87, 59.65

 

CMYK 71 / 32 / 0 / 21

HEX #3A89C9

RGB 58 137 201

HSL 206.85, 0.57%, 0.51%

LAB 55.08, -3, -40.11

 

CMYK 25 / 71 / 0 / 21

HEX #973AC9

RGB 151 58 201

HSL 279.02, 0.57%, 0.51%

LAB 43.98, 61.06, -57.42

 

CMYK 0 / 38 / 71 / 21

HEX #C97D3B

RGB 201 125 59

HSL 27.89, 0.57%, 0.51%

LAB 59.34, 23.84, 47.09

 

CMYK 68 / 0 / 71 / 21

HEX #41C93A

RGB 65 201 58

HSL 117.06, 0.57%, 0.51%

LAB 71.69, -62.7, 57.8

 

CMYK 71 / 32 / 0 / 21

HEX #3A89C9

RGB 58 137 201

HSL 206.85, 0.57%, 0.51%

LAB 55.08, -3, -40.11

 

CMYK 3 / 71 / 0 / 21

HEX #C23AC9

RGB 194 58 201

HSL 297.06, 0.57%, 0.51%

LAB 50.35, 70, -46.85

 

Description

Color code: RGB 201 125 59 | qconv.com Color code: RGB 201 125 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 125 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 125 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 71% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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