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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 133 95 it is the complementary color RGB 54 122 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 133 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 133 95 shade: RGB 206 133 90, RGB 223 151 109, RGB 240 169 128, RGB 255 187 147 and RGB 255 205 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 133 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 133 95 shade: RGB 201 133 95, RGB 184 115 76, RGB 167 97 57, RGB 150 79 38 and RGB 133 61 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 133 95 shade: RGB 201 132 94, RGB 201 103 94 and RGB 201 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 133 95 shade: RGB 201 132 94, RGB 201 161 94, RGB 201 190 94, RGB 183 201 94 and RGB 154 201 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 133 95 shade matches the following richer shades: RGB 201 132 94, RGB 218 127 77, RGB 236 122 59 and RGB 253 118 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 133 95 shade: RGB 201 132 94, RGB 184 137 111, RGB 166 142 129, RGB 149 147 146 and RGB 132 152 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 133 95 shade: RGB 201 94 113, RGB 201 103 94, RGB 201 131 94, RGB 201 160 94 and RGB 201 188 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 133 95 shade: RGB 159 91 53, RGB 190 109 63, RGB 201 132 94, RGB 211 156 125 and RGB 222 179 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 133 95 shade: RGB 201 133 95, RGB 142 201 94 and RGB 94 99 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 133 95 shade: RGB 201 133 95, RGB 94 201 131 and RGB 131 94 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 133 95 shade: RGB 201 133 95, RGB 142 201 94, RGB 94 163 201 and RGB 153 94 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 133 95 shade: RGB 201 133 95, RGB 110 201 94, RGB 94 163 201 and RGB 185 94 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

Complementary color

CMYK 66 / 24 / 0 / 37

HEX #367AA0

RGB 54 122 160

HSL 201.51, 0.5%, 0.42%

LAB 48.56, -9.14, -26.73

 

CMYK 0 / 35 / 56 / 19

HEX #CE855A

RGB 206 133 90

HSL 22.24, 0.54%, 0.58%

LAB 62.2, 23.65, 34.59

 

CMYK 0 / 32 / 51 / 13

HEX #DF976D

RGB 223 151 109

HSL 22.11, 0.64%, 0.65%

LAB 68.7, 22.47, 33.01

 

CMYK 0 / 30 / 47 / 6

HEX #F0A980

RGB 240 169 128

HSL 21.96, 0.79%, 0.72%

LAB 75.11, 21.43, 31.55

 

CMYK 0 / 27 / 42 / 0

HEX #FFBB93

RGB 255 187 147

HSL 22.22, 1%, 0.79%

LAB 81.24, 19.74, 29.89

 

CMYK 0 / 20 / 35 / 0

HEX #FFCDA6

RGB 255 205 166

HSL 26.29, 1%, 0.83%

LAB 85.84, 12.45, 26.12

 

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

CMYK 0 / 38 / 59 / 28

HEX #B8734C

RGB 184 115 76

HSL 21.67, 0.43%, 0.51%

LAB 55.05, 23.27, 32.75

 

CMYK 0 / 42 / 66 / 35

HEX #A76139

RGB 167 97 57

HSL 21.82, 0.49%, 0.44%

LAB 48.34, 24.72, 34.56

 

CMYK 0 / 47 / 75 / 41

HEX #964F26

RGB 150 79 38

HSL 21.96, 0.6%, 0.37%

LAB 41.56, 26.39, 36.49

 

CMYK 0 / 54 / 86 / 48

HEX #853D13

RGB 133 61 19

HSL 22.11, 0.75%, 0.3%

LAB 34.74, 28.28, 38.22

 

CMYK 0 / 34 / 53 / 21

HEX #C9845E

RGB 201 132 94

HSL 21.31, 0.5%, 0.58%

LAB 61.42, 22.48, 31.31

 

CMYK 0 / 49 / 53 / 21

HEX #C9675E

RGB 201 103 94

HSL 5.05, 0.5%, 0.58%

LAB 55, 38, 22.97

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 34 / 53 / 21

HEX #C9845E

RGB 201 132 94

HSL 21.31, 0.5%, 0.58%

LAB 61.42, 22.48, 31.31

 

CMYK 0 / 20 / 53 / 21

HEX #C9A15E

RGB 201 161 94

HSL 37.57, 0.5%, 0.58%

LAB 68.54, 6.66, 40.19

 

CMYK 0 / 5 / 53 / 21

HEX #C9BE5E

RGB 201 190 94

HSL 53.83, 0.5%, 0.58%

LAB 76.1, -8.68, 49.22

 

CMYK 9 / 0 / 53 / 21

HEX #B7C95E

RGB 183 201 94

HSL 70.09, 0.5%, 0.58%

LAB 77.67, -21.59, 50.69

 

CMYK 23 / 0 / 53 / 21

HEX #9AC95E

RGB 154 201 94

HSL 86.36, 0.5%, 0.58%

LAB 75.73, -32.85, 47.94

 

CMYK 0 / 34 / 53 / 21

HEX #C9845E

RGB 201 132 94

HSL 21.31, 0.5%, 0.58%

LAB 61.42, 22.48, 31.31

 

CMYK 0 / 42 / 65 / 15

HEX #DA7F4D

RGB 218 127 77

HSL 21.28, 0.66%, 0.58%

LAB 62.19, 30.83, 41.83

 

CMYK 0 / 48 / 75 / 7

HEX #EC7A3B

RGB 236 122 59

HSL 21.36, 0.82%, 0.58%

LAB 63.4, 39.63, 52.79

 

CMYK 0 / 53 / 83 / 1

HEX #FD762A

RGB 253 118 42

HSL 21.61, 0.98%, 0.58%

LAB 64.97, 47.52, 62.43

 

CMYK 0 / 34 / 53 / 21

HEX #C9845E

RGB 201 132 94

HSL 21.31, 0.5%, 0.58%

LAB 61.42, 22.48, 31.31

 

CMYK 0 / 26 / 40 / 28

HEX #B8896F

RGB 184 137 111

HSL 21.37, 0.34%, 0.58%

LAB 60.98, 14.49, 20.94

 

CMYK 0 / 14 / 22 / 35

HEX #A68E81

RGB 166 142 129

HSL 21.08, 0.17%, 0.58%

LAB 60.82, 6.9, 10.26

 

CMYK 0 / 1 / 2 / 42

HEX #959392

RGB 149 147 146

HSL 20, 0.01%, 0.58%

LAB 61.07, 0.54, 0.78

 

CMYK 19 / 7 / 0 / 36

HEX #8498A3

RGB 132 152 163

HSL 201.29, 0.14%, 0.58%

LAB 61.66, -4.62, -8.14

 

CMYK 0 / 53 / 44 / 21

HEX #C95E71

RGB 201 94 113

HSL 349.35, 0.5%, 0.58%

LAB 53.62, 44.37, 9.94

 

CMYK 0 / 49 / 53 / 21

HEX #C9675E

RGB 201 103 94

HSL 5.05, 0.5%, 0.58%

LAB 55, 38, 22.97

 

CMYK 0 / 35 / 53 / 21

HEX #C9835E

RGB 201 131 94

HSL 20.75, 0.5%, 0.58%

LAB 61.18, 23.02, 31.01

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 6 / 53 / 21

HEX #C9BC5E

RGB 201 188 94

HSL 52.71, 0.5%, 0.58%

LAB 75.57, -7.65, 48.6

 

CMYK 0 / 43 / 67 / 38

HEX #9F5B35

RGB 159 91 53

HSL 21.51, 0.5%, 0.42%

LAB 45.78, 24.4, 33.5

 

CMYK 0 / 43 / 67 / 25

HEX #BE6D3F

RGB 190 109 63

HSL 21.73, 0.5%, 0.5%

LAB 54.28, 28.16, 39.05

 

CMYK 0 / 34 / 53 / 21

HEX #C9845E

RGB 201 132 94

HSL 21.31, 0.5%, 0.58%

LAB 61.42, 22.48, 31.31

 

CMYK 0 / 26 / 41 / 17

HEX #D39C7D

RGB 211 156 125

HSL 21.63, 0.49%, 0.66%

LAB 68.83, 16.57, 24.26

 

CMYK 0 / 19 / 30 / 13

HEX #DEB39C

RGB 222 179 156

HSL 20.91, 0.5%, 0.74%

LAB 76.17, 12.28, 17.64

 

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

CMYK 29 / 0 / 53 / 21

HEX #8EC95E

RGB 142 201 94

HSL 93.08, 0.5%, 0.58%

LAB 75.03, -37.23, 46.94

 

CMYK 53 / 51 / 0 / 21

HEX #5E63C9

RGB 94 99 201

HSL 237.2, 0.5%, 0.58%

LAB 46.34, 26.8, -53.92

 

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

CMYK 53 / 0 / 35 / 21

HEX #5EC983

RGB 94 201 131

HSL 140.75, 0.5%, 0.58%

LAB 73.41, -46.48, 25.84

 

CMYK 35 / 53 / 0 / 21

HEX #835EC9

RGB 131 94 201

HSL 260.75, 0.5%, 0.58%

LAB 48.32, 38.37, -50.56

 

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

CMYK 29 / 0 / 53 / 21

HEX #8EC95E

RGB 142 201 94

HSL 93.08, 0.5%, 0.58%

LAB 75.03, -37.23, 46.94

 

CMYK 53 / 19 / 0 / 21

HEX #5EA3C9

RGB 94 163 201

HSL 201.31, 0.5%, 0.58%

LAB 63.99, -11.09, -26.14

 

CMYK 24 / 53 / 0 / 21

HEX #995EC9

RGB 153 94 201

HSL 273.08, 0.5%, 0.58%

LAB 50.68, 44.01, -46.66

 

CMYK 0 / 34 / 53 / 21

HEX #C9855F

RGB 201 133 95

HSL 21.51, 0.5%, 0.58%

LAB 61.67, 22.02, 31.08

 

CMYK 45 / 0 / 53 / 21

HEX #6EC95E

RGB 110 201 94

HSL 111.03, 0.5%, 0.58%

LAB 73.48, -47.77, 44.71

 

CMYK 53 / 19 / 0 / 21

HEX #5EA3C9

RGB 94 163 201

HSL 201.31, 0.5%, 0.58%

LAB 63.99, -11.09, -26.14

 

CMYK 8 / 53 / 0 / 21

HEX #B95EC9

RGB 185 94 201

HSL 291.03, 0.5%, 0.58%

LAB 54.59, 52.57, -40.22

 

Description

Color code: RGB 201 133 95 | qconv.com Color code: RGB 201 133 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 133 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 133 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 53% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - National Taiwan Univ...
Link: http://www.ntu.edu.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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