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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 236 222 it is the complementary color RGB 54 19 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 236 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 236 222 shade: RGB 206 236 217, RGB 223 254 236 and RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 236 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 236 222 shade: RGB 201 236 222, RGB 184 218 203, RGB 167 200 184, RGB 150 182 165 and RGB 133 164 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 236 222 shade: RGB 202 236 222, RGB 202 236 213, RGB 202 236 204, RGB 209 236 202 and RGB 218 236 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 236 222 shade: RGB 202 236 222, RGB 202 236 231, RGB 202 231 236, RGB 202 222 236 and RGB 202 213 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 236 222 shade matches the following richer shades: RGB 202 236 222, RGB 196 242 223, RGB 190 247 225 and RGB 184 253 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 236 222 shade: RGB 202 236 222, RGB 207 230 221, RGB 213 224 220, RGB 219 219 219 and RGB 225 213 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 236 222 shade: RGB 202 236 204, RGB 202 236 213, RGB 202 236 222, RGB 202 236 231 and RGB 202 231 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 236 222 shade: RGB 141 214 185, RGB 171 225 204, RGB 202 236 222 and RGB 232 247 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 236 222 shade: RGB 201 236 222, RGB 202 209 236 and RGB 236 209 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 236 222 shade: RGB 201 236 222, RGB 222 202 236 and RGB 236 222 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 236 222 shade: RGB 201 236 222, RGB 202 209 236, RGB 236 202 215 and RGB 236 229 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 236 222 shade: RGB 201 236 222, RGB 205 202 236, RGB 236 202 215 and RGB 233 236 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

Complementary color

CMYK 0 / 65 / 39 / 79

HEX #361321

RGB 54 19 33

HSL 336, 0.48%, 0.14%

LAB 11.69, 19.35, -1.19

 

CMYK 13 / 0 / 8 / 7

HEX #CEECD9

RGB 206 236 217

HSL 142, 0.44%, 0.87%

LAB 90.84, -13.37, 5.9

 

CMYK 12 / 0 / 7 / 0

HEX #DFFEEC

RGB 223 254 236

HSL 145.16, 0.94%, 0.94%

LAB 97.08, -13.33, 5.22

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

CMYK 16 / 0 / 7 / 15

HEX #B8DACB

RGB 184 218 203

HSL 153.53, 0.31%, 0.79%

LAB 84.3, -14.12, 3.63

 

CMYK 17 / 0 / 8 / 22

HEX #A7C8B8

RGB 167 200 184

HSL 150.91, 0.23%, 0.72%

LAB 77.87, -14.2, 4.32

 

CMYK 18 / 0 / 9 / 29

HEX #96B6A5

RGB 150 182 165

HSL 148.13, 0.18%, 0.65%

LAB 71.32, -14.3, 5.05

 

CMYK 19 / 0 / 11 / 36

HEX #85A492

RGB 133 164 146

HSL 145.16, 0.15%, 0.58%

LAB 64.65, -14.41, 5.81

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 14 / 0 / 10 / 7

HEX #CAECD5

RGB 202 236 213

HSL 139.41, 0.47%, 0.86%

LAB 90.48, -15.41, 7.45

 

CMYK 14 / 0 / 14 / 7

HEX #CAECCC

RGB 202 236 204

HSL 123.53, 0.47%, 0.86%

LAB 90.28, -17.01, 11.84

 

CMYK 11 / 0 / 14 / 7

HEX #D1ECCA

RGB 209 236 202

HSL 107.65, 0.47%, 0.86%

LAB 90.69, -15.01, 13.53

 

CMYK 8 / 0 / 14 / 7

HEX #DAECCA

RGB 218 236 202

HSL 91.76, 0.47%, 0.86%

LAB 91.31, -11.92, 14.49

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 14 / 0 / 2 / 7

HEX #CAECE7

RGB 202 236 231

HSL 171.18, 0.47%, 0.86%

LAB 90.92, -11.99, -1.3

 

CMYK 14 / 2 / 0 / 7

HEX #CAE7EC

RGB 202 231 236

HSL 188.82, 0.47%, 0.86%

LAB 89.75, -8.47, -5.64

 

CMYK 14 / 6 / 0 / 7

HEX #CADEEC

RGB 202 222 236

HSL 204.71, 0.47%, 0.86%

LAB 87.41, -3.84, -9.1

 

CMYK 14 / 10 / 0 / 7

HEX #CAD5EC

RGB 202 213 236

HSL 220.59, 0.47%, 0.86%

LAB 85.1, 0.85, -12.55

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 19 / 0 / 8 / 5

HEX #C4F2DF

RGB 196 242 223

HSL 155.22, 0.64%, 0.86%

LAB 91.94, -18.42, 4.3

 

CMYK 23 / 0 / 9 / 3

HEX #BEF7E1

RGB 190 247 225

HSL 156.84, 0.78%, 0.86%

LAB 92.97, -22.33, 4.71

 

CMYK 27 / 0 / 11 / 1

HEX #B8FDE2

RGB 184 253 226

HSL 156.52, 0.95%, 0.86%

LAB 94.28, -26.81, 6.05

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 10 / 0 / 4 / 10

HEX #CFE6DD

RGB 207 230 221

HSL 156.52, 0.32%, 0.86%

LAB 89.43, -9.27, 1.79

 

CMYK 5 / 0 / 2 / 12

HEX #D5E0DC

RGB 213 224 220

HSL 158.18, 0.15%, 0.86%

LAB 88.27, -4.41, 0.67

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 0 / 5 / 3 / 12

HEX #E1D5DA

RGB 225 213 218

HSL 335, 0.17%, 0.86%

LAB 86.33, 5, -0.99

 

CMYK 14 / 0 / 14 / 7

HEX #CAECCC

RGB 202 236 204

HSL 123.53, 0.47%, 0.86%

LAB 90.28, -17.01, 11.84

 

CMYK 14 / 0 / 10 / 7

HEX #CAECD5

RGB 202 236 213

HSL 139.41, 0.47%, 0.86%

LAB 90.48, -15.41, 7.45

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 14 / 0 / 2 / 7

HEX #CAECE7

RGB 202 236 231

HSL 171.18, 0.47%, 0.86%

LAB 90.92, -11.99, -1.3

 

CMYK 14 / 2 / 0 / 7

HEX #CAE7EC

RGB 202 231 236

HSL 188.82, 0.47%, 0.86%

LAB 89.75, -8.47, -5.64

 

CMYK 34 / 0 / 14 / 16

HEX #8DD6B9

RGB 141 214 185

HSL 156.16, 0.47%, 0.7%

LAB 80.32, -29.03, 7.14

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 6 / 0 / 2 / 3

HEX #E8F7F1

RGB 232 247 241

HSL 156, 0.48%, 0.94%

LAB 96.01, -6, 1.17

 

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

CMYK 14 / 11 / 0 / 7

HEX #CAD1EC

RGB 202 209 236

HSL 227.65, 0.47%, 0.86%

LAB 84.08, 2.96, -14.08

 

CMYK 0 / 11 / 14 / 7

HEX #ECD1CA

RGB 236 209 202

HSL 12.35, 0.47%, 0.86%

LAB 85.86, 8.28, 6.9

 

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

CMYK 6 / 14 / 0 / 7

HEX #DECAEC

RGB 222 202 236

HSL 275.29, 0.47%, 0.86%

LAB 83.88, 13.13, -14.22

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

CMYK 14 / 11 / 0 / 7

HEX #CAD1EC

RGB 202 209 236

HSL 227.65, 0.47%, 0.86%

LAB 84.08, 2.96, -14.08

 

CMYK 0 / 14 / 9 / 7

HEX #ECCAD7

RGB 236 202 215

HSL 337.06, 0.47%, 0.86%

LAB 84.47, 14.07, -2.01

 

CMYK 0 / 3 / 14 / 7

HEX #ECE5CA

RGB 236 229 202

HSL 47.65, 0.47%, 0.86%

LAB 90.84, -2.06, 14.02

 

CMYK 15 / 0 / 6 / 7

HEX #C9ECDE

RGB 201 236 222

HSL 156, 0.48%, 0.86%

LAB 90.63, -14.05, 2.97

 

CMYK 13 / 14 / 0 / 7

HEX #CDCAEC

RGB 205 202 236

HSL 245.29, 0.47%, 0.86%

LAB 82.53, 7.63, -16.38

 

CMYK 0 / 14 / 9 / 7

HEX #ECCAD7

RGB 236 202 215

HSL 337.06, 0.47%, 0.86%

LAB 84.47, 14.07, -2.01

 

CMYK 1 / 0 / 14 / 7

HEX #E9ECCA

RGB 233 236 202

HSL 65.29, 0.47%, 0.86%

LAB 92.39, -6.68, 16.17

 

Description

Color code: RGB 201 236 222 | qconv.com Color code: RGB 201 236 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 236 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 236 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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