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Color name
RGB 201 82 54

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 82 54 it is the complementary color RGB 54 173 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 82 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 82 54 shade: RGB 206 82 49, RGB 223 100 68, RGB 240 118 87, RGB 255 136 106 and RGB 255 154 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 82 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 82 54 shade: RGB 201 82 54, RGB 184 64 35, RGB 167 46 16, RGB 150 28 0 and RGB 133 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 82 54 shade: RGB 201 81 53 and RGB 201 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 82 54 shade: RGB 201 81 53, RGB 201 121 53, RGB 201 161 53, RGB 201 201 53 and RGB 161 201 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 82 54 shade matches the following richer shades: RGB 201 81 53, RGB 222 68 32 and RGB 242 56 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 82 54 shade: RGB 201 81 53, RGB 180 94 74, RGB 160 107 94, RGB 139 120 115 and RGB 118 132 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 82 54 shade: RGB 201 53 105, RGB 201 53 65, RGB 201 80 53, RGB 201 120 53 and RGB 201 159 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 82 54 shade: RGB 136 55 36, RGB 168 68 44, RGB 201 81 53, RGB 210 109 86 and RGB 218 137 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 82 54 shade: RGB 201 82 54, RGB 144 201 53 and RGB 53 85 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 82 54 shade: RGB 201 82 54, RGB 53 201 80 and RGB 80 53 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 82 54 shade: RGB 201 82 54, RGB 144 201 53, RGB 53 174 201 and RGB 110 53 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 82 54 shade: RGB 201 82 54, RGB 100 201 53, RGB 53 174 201 and RGB 154 53 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

Complementary color

CMYK 73 / 14 / 0 / 21

HEX #36ADC9

RGB 54 173 201

HSL 191.43, 0.58%, 0.5%

LAB 65.66, -23.28, -23.69

 

CMYK 0 / 60 / 76 / 19

HEX #CE5231

RGB 206 82 49

HSL 12.61, 0.62%, 0.5%

LAB 51.13, 47.37, 43.56

 

CMYK 0 / 55 / 70 / 13

HEX #DF6444

RGB 223 100 68

HSL 12.39, 0.71%, 0.57%

LAB 57.29, 45.97, 41.09

 

CMYK 0 / 51 / 64 / 6

HEX #F07657

RGB 240 118 87

HSL 12.16, 0.84%, 0.64%

LAB 63.48, 44.58, 38.81

 

CMYK 0 / 47 / 58 / 0

HEX #FF886A

RGB 255 136 106

HSL 12.08, 1%, 0.71%

LAB 69.4, 42.5, 36.35

 

CMYK 0 / 40 / 51 / 0

HEX #FF9A7D

RGB 255 154 125

HSL 13.38, 1%, 0.75%

LAB 73.45, 34.85, 31.31

 

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

 

CMYK 0 / 65 / 81 / 28

HEX #B84023

RGB 184 64 35

HSL 11.68, 0.68%, 0.43%

LAB 44.2, 47.06, 42.51

 

CMYK 0 / 72 / 90 / 35

HEX #A72E10

RGB 167 46 16

HSL 11.92, 0.83%, 0.36%

LAB 38.21, 48.08, 44.85

 

CMYK 0 / 81 / 100 / 41

HEX #961C00

RGB 150 28 0

HSL 11.2, 1%, 0.29%

LAB 32.51, 48.46, 45.66

 

CMYK 0 / 92 / 100 / 48

HEX #850A00

RGB 133 10 0

HSL 4.51, 1%, 0.26%

LAB 27.31, 47.64, 40.09

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 40 / 74 / 21

HEX #C97935

RGB 201 121 53

HSL 27.57, 0.58%, 0.5%

LAB 58.37, 25.71, 48.91

 

CMYK 0 / 20 / 74 / 21

HEX #C9A135

RGB 201 161 53

HSL 43.78, 0.58%, 0.5%

LAB 68.14, 3.96, 58.73

 

CMYK 0 / 0 / 74 / 21

HEX #C9C935

RGB 201 201 53

HSL 60, 0.58%, 0.5%

LAB 78.72, -16.82, 68.85

 

CMYK 20 / 0 / 74 / 21

HEX #A1C935

RGB 161 201 53

HSL 76.22, 0.58%, 0.5%

LAB 75.83, -33.29, 65.08

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 69 / 86 / 13

HEX #DE4420

RGB 222 68 32

HSL 11.37, 0.75%, 0.5%

LAB 51.57, 58.2, 53.09

 

CMYK 0 / 77 / 95 / 5

HEX #F2380C

RGB 242 56 12

HSL 11.48, 0.91%, 0.5%

LAB 53.74, 68.05, 63.14

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 0 / 33 / 41 / 37

HEX #A06B5E

RGB 160 107 94

HSL 11.82, 0.26%, 0.5%

LAB 50.45, 19.53, 15.91

 

CMYK 0 / 14 / 17 / 45

HEX #8B7873

RGB 139 120 115

HSL 12.5, 0.09%, 0.5%

LAB 52.02, 6.47, 5.45

 

CMYK 13 / 3 / 0 / 47

HEX #768488

RGB 118 132 136

HSL 193.33, 0.07%, 0.5%

LAB 54.17, -4.22, -3.9

 

CMYK 0 / 74 / 48 / 21

HEX #C93569

RGB 201 53 105

HSL 338.92, 0.58%, 0.5%

LAB 46.95, 60.99, 5.29

 

CMYK 0 / 74 / 68 / 21

HEX #C93541

RGB 201 53 65

HSL 355.14, 0.58%, 0.5%

LAB 46.1, 58.19, 28.61

 

CMYK 0 / 60 / 74 / 21

HEX #C95035

RGB 201 80 53

HSL 10.95, 0.58%, 0.5%

LAB 49.99, 46.65, 39.99

 

CMYK 0 / 40 / 74 / 21

HEX #C97835

RGB 201 120 53

HSL 27.16, 0.58%, 0.5%

LAB 58.14, 26.25, 48.67

 

CMYK 0 / 21 / 74 / 21

HEX #C99F35

RGB 201 159 53

HSL 42.97, 0.58%, 0.5%

LAB 67.63, 5.03, 58.23

 

CMYK 0 / 60 / 74 / 47

HEX #883724

RGB 136 55 36

HSL 11.4, 0.58%, 0.34%

LAB 34.18, 33.41, 28.87

 

CMYK 0 / 60 / 74 / 34

HEX #A8442C

RGB 168 68 44

HSL 11.61, 0.58%, 0.42%

LAB 42.22, 39.72, 34.79

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 48 / 59 / 18

HEX #D26D56

RGB 210 109 86

HSL 11.13, 0.58%, 0.58%

LAB 57.38, 37.7, 30.86

 

CMYK 0 / 37 / 46 / 15

HEX #DA8976

RGB 218 137 118

HSL 11.4, 0.57%, 0.66%

LAB 65.05, 28.85, 23.17

 

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

 

CMYK 28 / 0 / 74 / 21

HEX #90C935

RGB 144 201 53

HSL 83.11, 0.58%, 0.5%

LAB 74.8, -39.85, 63.73

 

CMYK 74 / 58 / 0 / 21

HEX #3555C9

RGB 53 85 201

HSL 227.03, 0.58%, 0.5%

LAB 40.36, 28.81, -63.7

 

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

 

CMYK 74 / 0 / 60 / 21

HEX #35C950

RGB 53 201 80

HSL 130.95, 0.58%, 0.5%

LAB 71.63, -62.55, 48.59

 

CMYK 60 / 74 / 0 / 21

HEX #5035C9

RGB 80 53 201

HSL 250.95, 0.58%, 0.5%

LAB 34.94, 51.37, -72.5

 

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

 

CMYK 28 / 0 / 74 / 21

HEX #90C935

RGB 144 201 53

HSL 83.11, 0.58%, 0.5%

LAB 74.8, -39.85, 63.73

 

CMYK 74 / 13 / 0 / 21

HEX #35AEC9

RGB 53 174 201

HSL 190.95, 0.58%, 0.5%

LAB 65.94, -23.91, -23.27

 

CMYK 45 / 74 / 0 / 21

HEX #6E35C9

RGB 110 53 201

HSL 263.11, 0.58%, 0.5%

LAB 37.98, 55.75, -67.4

 

CMYK 0 / 59 / 73 / 21

HEX #C95236

RGB 201 82 54

HSL 11.43, 0.58%, 0.5%

LAB 50.36, 45.76, 39.86

 

CMYK 50 / 0 / 74 / 21

HEX #64C935

RGB 100 201 53

HSL 100.95, 0.58%, 0.5%

LAB 72.72, -54.61, 60.98

 

CMYK 74 / 13 / 0 / 21

HEX #35AEC9

RGB 53 174 201

HSL 190.95, 0.58%, 0.5%

LAB 65.94, -23.91, -23.27

 

CMYK 23 / 74 / 0 / 21

HEX #9A35C9

RGB 154 53 201

HSL 280.95, 0.58%, 0.5%

LAB 43.7, 63.63, -57.84

 

Description

Color code: RGB 201 82 54 | qconv.com Color code: RGB 201 82 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 82 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 82 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 73 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 73% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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