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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 157 113 it is the complementary color RGB 52 98 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 157 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 157 113 shade: RGB 208 157 108, RGB 225 175 127, RGB 242 193 146, RGB 255 211 165 and RGB 255 229 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 157 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 157 113 shade: RGB 203 157 113, RGB 186 139 94, RGB 169 121 75, RGB 152 103 56 and RGB 135 85 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 157 113 shade: RGB 202 157 113, RGB 202 133 113 and RGB 202 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 157 113 shade: RGB 202 157 113, RGB 202 181 113, RGB 200 202 113, RGB 176 202 113 and RGB 152 202 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 157 113 shade matches the following richer shades: RGB 202 157 113, RGB 218 156 97, RGB 234 156 82 and RGB 249 156 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 157 113 shade: RGB 202 157 113, RGB 186 157 129, RGB 171 157 144, RGB 155 158 160 and RGB 139 158 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 157 113 shade: RGB 202 113 117, RGB 202 132 113, RGB 202 156 113, RGB 202 180 113 and RGB 201 202 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 157 113 shade: RGB 170 115 63, RGB 191 136 83, RGB 202 157 113, RGB 213 177 143 and RGB 224 198 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 157 113 shade: RGB 203 157 113, RGB 141 202 113 and RGB 120 113 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 157 113 shade: RGB 203 157 113, RGB 113 202 156 and RGB 156 113 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 157 113 shade: RGB 203 157 113, RGB 141 202 113, RGB 113 159 202 and RGB 174 113 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 157 113 shade: RGB 203 157 113, RGB 115 202 113, RGB 113 159 202 and RGB 201 113 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

Complementary color

CMYK 63 / 31 / 0 / 44

HEX #34628E

RGB 52 98 142

HSL 209.33, 0.46%, 0.38%

LAB 40.28, -1.4, -28.98

 

CMYK 0 / 25 / 48 / 18

HEX #D09D6C

RGB 208 157 108

HSL 29.4, 0.52%, 0.62%

LAB 68.47, 13.03, 32.92

 

CMYK 0 / 22 / 44 / 12

HEX #E1AF7F

RGB 225 175 127

HSL 29.39, 0.62%, 0.69%

LAB 74.95, 12.17, 31.57

 

CMYK 0 / 20 / 40 / 5

HEX #F2C192

RGB 242 193 146

HSL 29.38, 0.79%, 0.76%

LAB 81.34, 11.42, 30.32

 

CMYK 0 / 17 / 35 / 0

HEX #FFD3A5

RGB 255 211 165

HSL 30.67, 1%, 0.82%

LAB 87.27, 9.22, 28.58

 

CMYK 0 / 10 / 28 / 0

HEX #FFE5B8

RGB 255 229 184

HSL 38.03, 1%, 0.86%

LAB 92.02, 2.32, 25.22

 

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

CMYK 0 / 25 / 49 / 27

HEX #BA8B5E

RGB 186 139 94

HSL 29.35, 0.4%, 0.55%

LAB 61.41, 12.38, 30.94

 

CMYK 0 / 28 / 56 / 34

HEX #A9794B

RGB 169 121 75

HSL 29.36, 0.39%, 0.48%

LAB 54.68, 13.44, 32.43

 

CMYK 0 / 32 / 63 / 40

HEX #986738

RGB 152 103 56

HSL 29.38, 0.46%, 0.41%

LAB 47.83, 14.7, 34.02

 

CMYK 0 / 37 / 73 / 47

HEX #875525

RGB 135 85 37

HSL 29.39, 0.57%, 0.34%

LAB 40.87, 16.24, 35.63

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 34 / 44 / 21

HEX #CA8571

RGB 202 133 113

HSL 13.48, 0.46%, 0.62%

LAB 62.1, 24.19, 21.67

 

CMYK 0 / 44 / 44 / 21

HEX #CA7171

RGB 202 113 113

HSL 0, 0.46%, 0.62%

LAB 57.62, 34.97, 15.55

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 10 / 44 / 21

HEX #CAB571

RGB 202 181 113

HSL 45.84, 0.46%, 0.62%

LAB 74.06, -1.8, 37.31

 

CMYK 1 / 0 / 44 / 21

HEX #C8CA71

RGB 200 202 113

HSL 61.35, 0.46%, 0.62%

LAB 79.45, -13.47, 44.01

 

CMYK 13 / 0 / 44 / 21

HEX #B0CA71

RGB 176 202 113

HSL 77.53, 0.46%, 0.62%

LAB 77.68, -22.92, 41.42

 

CMYK 25 / 0 / 44 / 21

HEX #98CA71

RGB 152 202 113

HSL 93.71, 0.46%, 0.62%

LAB 76.14, -31.89, 39.16

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 0 / 33 / 65 / 8

HEX #EA9C52

RGB 234 156 82

HSL 29.21, 0.78%, 0.62%

LAB 70.79, 22.27, 49.73

 

CMYK 0 / 37 / 73 / 2

HEX #F99C42

RGB 249 156 66

HSL 29.51, 0.94%, 0.62%

LAB 72.44, 27.59, 59.41

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 16 / 31 / 27

HEX #BA9D81

RGB 186 157 129

HSL 29.47, 0.29%, 0.62%

LAB 66.63, 6.52, 18.64

 

CMYK 0 / 8 / 16 / 33

HEX #AB9D90

RGB 171 157 144

HSL 28.89, 0.14%, 0.62%

LAB 65.58, 2.89, 8.64

 

CMYK 3 / 1 / 0 / 37

HEX #9B9EA0

RGB 155 158 160

HSL 204, 0.03%, 0.62%

LAB 64.93, -0.68, -1.42

 

CMYK 21 / 10 / 0 / 31

HEX #8B9EB0

RGB 139 158 176

HSL 209.19, 0.19%, 0.62%

LAB 64.22, -2.69, -11.58

 

CMYK 0 / 44 / 42 / 21

HEX #CA7175

RGB 202 113 117

HSL 357.3, 0.46%, 0.62%

LAB 57.7, 35.4, 13.36

 

CMYK 0 / 35 / 44 / 21

HEX #CA8471

RGB 202 132 113

HSL 12.81, 0.46%, 0.62%

LAB 61.87, 24.73, 21.36

 

CMYK 0 / 23 / 44 / 21

HEX #CA9C71

RGB 202 156 113

HSL 28.99, 0.46%, 0.62%

LAB 67.67, 11.62, 29.08

 

CMYK 0 / 11 / 44 / 21

HEX #CAB471

RGB 202 180 113

HSL 45.17, 0.46%, 0.62%

LAB 73.8, -1.28, 36.98

 

CMYK 0 / 0 / 44 / 21

HEX #C9CA71

RGB 201 202 113

HSL 60.67, 0.46%, 0.62%

LAB 79.53, -13.07, 44.12

 

CMYK 0 / 32 / 63 / 33

HEX #AA733F

RGB 170 115 63

HSL 29.16, 0.46%, 0.46%

LAB 53.13, 16.31, 37.05

 

CMYK 0 / 29 / 57 / 25

HEX #BF8853

RGB 191 136 83

HSL 29.44, 0.46%, 0.54%

LAB 61.05, 15.17, 36.53

 

CMYK 0 / 22 / 44 / 21

HEX #CA9D71

RGB 202 157 113

HSL 29.66, 0.46%, 0.62%

LAB 67.92, 11.07, 29.4

 

CMYK 0 / 17 / 33 / 16

HEX #D5B18F

RGB 213 177 143

HSL 29.14, 0.45%, 0.7%

LAB 74.56, 8.18, 22.29

 

CMYK 0 / 12 / 23 / 12

HEX #E0C6AD

RGB 224 198 173

HSL 29.41, 0.45%, 0.78%

LAB 81.43, 5.3, 15.88

RGB 224 198 173

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

CMYK 30 / 0 / 44 / 21

HEX #8DCA71

RGB 141 202 113

HSL 101.12, 0.46%, 0.62%

LAB 75.51, -35.77, 38.24

 

CMYK 41 / 44 / 0 / 21

HEX #7871CA

RGB 120 113 202

HSL 244.72, 0.46%, 0.62%

LAB 51.91, 24.66, -45.47

 

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

CMYK 44 / 0 / 23 / 21

HEX #71CA9C

RGB 113 202 156

HSL 148.99, 0.46%, 0.62%

LAB 74.92, -37.2, 14.77

 

CMYK 23 / 44 / 0 / 21

HEX #9C71CA

RGB 156 113 202

HSL 268.99, 0.46%, 0.62%

LAB 55.22, 34.5, -40.03

 

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

CMYK 30 / 0 / 44 / 21

HEX #8DCA71

RGB 141 202 113

HSL 101.12, 0.46%, 0.62%

LAB 75.51, -35.77, 38.24

 

CMYK 44 / 21 / 0 / 21

HEX #719FCA

RGB 113 159 202

HSL 208.99, 0.46%, 0.62%

LAB 63.81, -4.08, -26.9

 

CMYK 14 / 44 / 0 / 21

HEX #AE71CA

RGB 174 113 202

HSL 281.12, 0.46%, 0.62%

LAB 57.15, 39.72, -36.87

 

CMYK 0 / 23 / 44 / 20

HEX #CB9D71

RGB 203 157 113

HSL 29.33, 0.46%, 0.62%

LAB 68.02, 11.48, 29.56

 

CMYK 43 / 0 / 44 / 21

HEX #73CA71

RGB 115 202 113

HSL 118.65, 0.46%, 0.62%

LAB 74.24, -44.16, 36.36

 

CMYK 44 / 21 / 0 / 21

HEX #719FCA

RGB 113 159 202

HSL 208.99, 0.46%, 0.62%

LAB 63.81, -4.08, -26.9

 

CMYK 0 / 44 / 0 / 21

HEX #C971CA

RGB 201 113 202

HSL 299.33, 0.46%, 0.62%

LAB 60.33, 47.71, -31.66

 

Description

Color code: RGB 203 157 113 | qconv.com Color code: RGB 203 157 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 157 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 157 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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