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Color name
RGB 204 104 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 104 129 it is the complementary color RGB 51 151 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 104 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 104 129 shade: RGB 209 104 124, RGB 226 122 143, RGB 243 140 162, RGB 255 158 181 and RGB 255 176 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 104 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 104 129 shade: RGB 204 104 129, RGB 187 86 110, RGB 170 68 91, RGB 153 50 72 and RGB 136 32 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 104 129 shade: RGB 204 101 127 and RGB 204 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 104 129 shade: RGB 204 101 127, RGB 204 101 155, RGB 204 101 182, RGB 197 101 204 and RGB 170 101 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 104 129 shade matches the following richer shades: RGB 204 101 127, RGB 220 85 119, RGB 237 68 110 and RGB 253 52 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 104 129 shade: RGB 204 101 127, RGB 187 118 135, RGB 170 135 144, RGB 154 151 152 and RGB 137 168 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 104 129 shade: RGB 204 101 181, RGB 204 101 154, RGB 204 101 127, RGB 204 103 101 and RGB 204 130 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 104 129 shade: RGB 167 55 83, RGB 193 71 101, RGB 204 101 127, RGB 214 132 153 and RGB 224 163 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 104 129 shade: RGB 204 104 129, RGB 204 198 101 and RGB 101 168 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 104 129 shade: RGB 204 104 129, RGB 127 204 101 and RGB 101 127 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 104 129 shade: RGB 204 104 129, RGB 204 198 101, RGB 101 204 178 and RGB 101 107 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 104 129 shade: RGB 204 104 129, RGB 178 204 101, RGB 101 204 178 and RGB 127 101 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

Complementary color

CMYK 66 / 0 / 17 / 41

HEX #33977E

RGB 51 151 126

HSL 165, 0.5%, 0.4%

LAB 56.43, -34.99, 4.77

 

CMYK 0 / 50 / 41 / 18

HEX #D1687C

RGB 209 104 124

HSL 348.57, 0.53%, 0.61%

LAB 56.99, 43.38, 8.41

 

CMYK 0 / 46 / 37 / 11

HEX #E27A8F

RGB 226 122 143

HSL 347.88, 0.64%, 0.68%

LAB 63.4, 42.42, 6.91

 

CMYK 0 / 42 / 33 / 5

HEX #F38CA2

RGB 243 140 162

HSL 347.18, 0.81%, 0.75%

LAB 69.77, 41.5, 5.6

 

CMYK 0 / 38 / 29 / 0

HEX #FF9EB5

RGB 255 158 181

HSL 345.77, 1%, 0.81%

LAB 75.48, 38.86, 3.5

 

CMYK 0 / 31 / 22 / 0

HEX #FFB0C8

RGB 255 176 200

HSL 341.77, 1%, 0.85%

LAB 79.89, 32.11, -0.45

 

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

CMYK 0 / 54 / 41 / 27

HEX #BB566E

RGB 187 86 110

HSL 345.74, 0.43%, 0.54%

LAB 49.91, 43.09, 6.18

 

CMYK 0 / 60 / 46 / 33

HEX #AA445B

RGB 170 68 91

HSL 346.47, 0.43%, 0.47%

LAB 43.41, 43.93, 8.15

 

CMYK 0 / 67 / 53 / 40

HEX #993248

RGB 153 50 72

HSL 347.18, 0.51%, 0.4%

LAB 36.97, 44.54, 10.62

 

CMYK 0 / 76 / 61 / 47

HEX #882035

RGB 136 32 53

HSL 347.88, 0.62%, 0.33%

LAB 30.7, 44.66, 13.86

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 50 / 24 / 20

HEX #CC659B

RGB 204 101 155

HSL 328.54, 0.5%, 0.6%

LAB 56.6, 47.07, -10.35

 

CMYK 0 / 50 / 11 / 20

HEX #CC65B6

RGB 204 101 182

HSL 312.82, 0.5%, 0.6%

LAB 57.58, 51.18, -24.48

 

CMYK 3 / 50 / 0 / 20

HEX #C565CC

RGB 197 101 204

HSL 295.92, 0.5%, 0.6%

LAB 57.6, 52.98, -37.1

 

CMYK 17 / 50 / 0 / 20

HEX #AA65CC

RGB 170 101 204

HSL 280.19, 0.5%, 0.6%

LAB 54.25, 45.5, -42.59

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 61 / 46 / 14

HEX #DC5577

RGB 220 85 119

HSL 344.89, 0.66%, 0.6%

LAB 55.12, 55.53, 8.93

 

CMYK 0 / 71 / 54 / 7

HEX #ED446E

RGB 237 68 110

HSL 345.09, 0.82%, 0.6%

LAB 55.34, 66.57, 15.01

 

CMYK 0 / 79 / 60 / 1

HEX #FD3466

RGB 253 52 102

HSL 345.07, 0.98%, 0.6%

LAB 56.38, 75.18, 21.66

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 37 / 28 / 27

HEX #BB7687

RGB 187 118 135

HSL 345.22, 0.34%, 0.6%

LAB 57.34, 29.33, 2.13

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 2 / 1 / 40

HEX #9A9798

RGB 154 151 152

HSL 340, 0.01%, 0.6%

LAB 62.74, 1.29, -0.14

 

CMYK 18 / 0 / 5 / 34

HEX #89A8A0

RGB 137 168 160

HSL 164.52, 0.15%, 0.6%

LAB 66.41, -12.31, 0.59

 

CMYK 0 / 50 / 11 / 20

HEX #CC65B5

RGB 204 101 181

HSL 313.4, 0.5%, 0.6%

LAB 57.54, 51.02, -23.97

 

CMYK 0 / 50 / 25 / 20

HEX #CC659A

RGB 204 101 154

HSL 329.13, 0.5%, 0.6%

LAB 56.56, 46.93, -9.82

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 50 / 50 / 20

HEX #CC6765

RGB 204 103 101

HSL 1.17, 0.5%, 0.6%

LAB 55.56, 39.75, 19.74

 

CMYK 0 / 36 / 50 / 20

HEX #CC8265

RGB 204 130 101

HSL 16.89, 0.5%, 0.6%

LAB 61.43, 25.42, 27.53

 

CMYK 0 / 67 / 50 / 35

HEX #A73753

RGB 167 55 83

HSL 345, 0.5%, 0.44%

LAB 40.53, 48, 9

 

CMYK 0 / 63 / 48 / 24

HEX #C14765

RGB 193 71 101

HSL 345.25, 0.5%, 0.52%

LAB 47.99, 51.23, 9.02

 

CMYK 0 / 50 / 38 / 20

HEX #CC657F

RGB 204 101 127

HSL 344.85, 0.5%, 0.6%

LAB 55.76, 43.46, 4.81

 

CMYK 0 / 38 / 29 / 16

HEX #D68499

RGB 214 132 153

HSL 344.63, 0.5%, 0.68%

LAB 64.24, 34.16, 2.23

 

CMYK 0 / 27 / 20 / 12

HEX #E0A3B3

RGB 224 163 179

HSL 344.26, 0.5%, 0.76%

LAB 73.09, 24.88, 0.7

 

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

CMYK 0 / 3 / 50 / 20

HEX #CCC665

RGB 204 198 101

HSL 56.5, 0.5%, 0.6%

LAB 78.56, -10.95, 48.84

 

CMYK 50 / 18 / 0 / 20

HEX #65A8CC

RGB 101 168 204

HSL 200.97, 0.5%, 0.6%

LAB 65.85, -11.36, -24.93

 

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

CMYK 38 / 0 / 50 / 20

HEX #7FCC65

RGB 127 204 101

HSL 104.85, 0.5%, 0.6%

LAB 75.23, -42.88, 43.64

 

CMYK 50 / 38 / 0 / 20

HEX #657FCC

RGB 101 127 204

HSL 224.85, 0.5%, 0.6%

LAB 54.35, 12.16, -42.84

 

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

CMYK 0 / 3 / 50 / 20

HEX #CCC665

RGB 204 198 101

HSL 56.5, 0.5%, 0.6%

LAB 78.56, -10.95, 48.84

 

CMYK 50 / 0 / 13 / 20

HEX #65CCB2

RGB 101 204 178

HSL 164.85, 0.5%, 0.6%

LAB 75.55, -36.27, 3.8

 

CMYK 50 / 48 / 0 / 20

HEX #656BCC

RGB 101 107 204

HSL 236.5, 0.5%, 0.6%

LAB 49.06, 24.34, -51.25

 

CMYK 0 / 49 / 37 / 20

HEX #CC6881

RGB 204 104 129

HSL 345, 0.5%, 0.6%

LAB 56.41, 42.18, 4.57

 

CMYK 13 / 0 / 50 / 20

HEX #B2CC65

RGB 178 204 101

HSL 75.15, 0.5%, 0.6%

LAB 78.22, -24.38, 47.96

 

CMYK 50 / 0 / 13 / 20

HEX #65CCB2

RGB 101 204 178

HSL 164.85, 0.5%, 0.6%

LAB 75.55, -36.27, 3.8

 

CMYK 38 / 50 / 0 / 20

HEX #7F65CC

RGB 127 101 204

HSL 255.15, 0.5%, 0.6%

LAB 49.71, 34.12, -50.08

 

Description

Color code: RGB 204 104 129 | qconv.com Color code: RGB 204 104 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 104 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 104 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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