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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 114 111 it is the complementary color RGB 48 141 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 114 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 114 111 shade: RGB 212 114 106, RGB 229 132 125, RGB 246 150 144, RGB 255 168 163 and RGB 255 186 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 114 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 114 111 shade: RGB 207 114 111, RGB 190 96 92, RGB 173 78 73, RGB 156 60 54 and RGB 139 42 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 114 111 shade: RGB 206 112 109 and RGB 206 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 114 111 shade: RGB 206 112 109, RGB 206 138 109, RGB 206 164 109, RGB 206 191 109 and RGB 195 206 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 114 111 shade matches the following richer shades: RGB 206 112 109, RGB 222 97 93, RGB 237 83 78 and RGB 253 68 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 114 111 shade: RGB 206 112 109, RGB 190 127 125, RGB 175 142 141, RGB 159 156 156 and RGB 143 171 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 114 111 shade: RGB 206 109 159, RGB 206 109 133, RGB 206 111 109, RGB 206 137 109 and RGB 206 162 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 114 111 shade: RGB 175 62 58, RGB 196 82 78, RGB 206 112 109, RGB 216 142 140 and RGB 227 173 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 114 111 shade: RGB 207 114 111, RGB 185 206 109 and RGB 109 146 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 114 111 shade: RGB 207 114 111, RGB 109 206 111 and RGB 111 109 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 114 111 shade: RGB 207 114 111, RGB 185 206 109, RGB 109 204 206 and RGB 130 109 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 114 111 shade: RGB 207 114 111, RGB 156 206 109, RGB 109 204 206 and RGB 159 109 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

Complementary color

CMYK 67 / 2 / 0 / 44

HEX #308D90

RGB 48 141 144

HSL 181.88, 0.5%, 0.38%

LAB 53.7, -25.63, -9.6

 

CMYK 0 / 46 / 50 / 17

HEX #D4726A

RGB 212 114 106

HSL 4.53, 0.55%, 0.62%

LAB 59.04, 37.54, 21.74

 

CMYK 0 / 42 / 45 / 10

HEX #E5847D

RGB 229 132 125

HSL 4.04, 0.67%, 0.69%

LAB 65.47, 36.41, 20.06

 

CMYK 0 / 39 / 41 / 4

HEX #F69690

RGB 246 150 144

HSL 3.53, 0.85%, 0.76%

LAB 71.84, 35.36, 18.58

 

CMYK 0 / 34 / 36 / 0

HEX #FFA8A3

RGB 255 168 163

HSL 3.26, 1%, 0.82%

LAB 77.23, 31.45, 15.83

 

CMYK 0 / 27 / 29 / 0

HEX #FFBAB6

RGB 255 186 182

HSL 3.29, 1%, 0.86%

LAB 81.7, 24.38, 11.88

 

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

CMYK 0 / 49 / 52 / 25

HEX #BE605C

RGB 190 96 92

HSL 2.45, 0.43%, 0.55%

LAB 51.93, 37.28, 19.77

 

CMYK 0 / 55 / 58 / 32

HEX #AD4E49

RGB 173 78 73

HSL 3, 0.41%, 0.48%

LAB 45.38, 38.48, 21.89

 

CMYK 0 / 62 / 65 / 39

HEX #9C3C36

RGB 156 60 54

HSL 3.53, 0.49%, 0.41%

LAB 38.84, 39.65, 24.46

 

CMYK 0 / 70 / 75 / 45

HEX #8B2A23

RGB 139 42 35

HSL 4.04, 0.6%, 0.34%

LAB 32.41, 40.64, 27.6

 

CMYK 0 / 46 / 47 / 19

HEX #CE706D

RGB 206 112 109

HSL 1.86, 0.5%, 0.62%

LAB 57.86, 36.6, 18.28

 

CMYK 0 / 47 / 47 / 19

HEX #CE6D6D

RGB 206 109 109

HSL 0, 0.5%, 0.62%

LAB 57.23, 38.16, 17.42

 

CMYK 0 / 46 / 47 / 19

HEX #CE706D

RGB 206 112 109

HSL 1.86, 0.5%, 0.62%

LAB 57.86, 36.6, 18.28

 

CMYK 0 / 33 / 47 / 19

HEX #CE8A6D

RGB 206 138 109

HSL 17.94, 0.5%, 0.62%

LAB 63.67, 22.65, 26.09

 

CMYK 0 / 20 / 47 / 19

HEX #CEA46D

RGB 206 164 109

HSL 34.02, 0.5%, 0.62%

LAB 70.02, 8.52, 34.33

 

CMYK 0 / 7 / 47 / 19

HEX #CEBF6D

RGB 206 191 109

HSL 50.72, 0.5%, 0.62%

LAB 76.97, -5.8, 43.05

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 0 / 46 / 47 / 19

HEX #CE706D

RGB 206 112 109

HSL 1.86, 0.5%, 0.62%

LAB 57.86, 36.6, 18.28

 

CMYK 0 / 56 / 58 / 13

HEX #DE615D

RGB 222 97 93

HSL 1.86, 0.66%, 0.62%

LAB 56.95, 48.58, 26.69

 

CMYK 0 / 65 / 67 / 7

HEX #ED534E

RGB 237 83 78

HSL 1.89, 0.82%, 0.62%

LAB 56.82, 58.9, 35.6

 

CMYK 0 / 73 / 75 / 1

HEX #FD443E

RGB 253 68 62

HSL 1.88, 0.98%, 0.62%

LAB 57.43, 68.65, 45.86

 

CMYK 0 / 46 / 47 / 19

HEX #CE706D

RGB 206 112 109

HSL 1.86, 0.5%, 0.62%

LAB 57.86, 36.6, 18.28

 

CMYK 0 / 33 / 34 / 25

HEX #BE7F7D

RGB 190 127 125

HSL 1.85, 0.33%, 0.62%

LAB 59.53, 24.16, 11.09

 

CMYK 0 / 19 / 19 / 31

HEX #AF8E8D

RGB 175 142 141

HSL 1.76, 0.18%, 0.62%

LAB 61.98, 12.28, 5.23

 

CMYK 0 / 2 / 2 / 38

HEX #9F9C9C

RGB 159 156 156

HSL 0, 0.02%, 0.62%

LAB 64.6, 1.09, 0.38

 

CMYK 17 / 1 / 0 / 33

HEX #8FABAC

RGB 143 171 172

HSL 182.07, 0.15%, 0.62%

LAB 67.98, -9.37, -3.74

 

CMYK 0 / 47 / 23 / 19

HEX #CE6D9F

RGB 206 109 159

HSL 329.07, 0.5%, 0.62%

LAB 58.57, 44.27, -9.69

 

CMYK 0 / 47 / 35 / 19

HEX #CE6D85

RGB 206 109 133

HSL 345.15, 0.5%, 0.62%

LAB 57.8, 40.8, 4.27

 

CMYK 0 / 46 / 47 / 19

HEX #CE6F6D

RGB 206 111 109

HSL 1.24, 0.5%, 0.62%

LAB 57.65, 37.12, 17.99

 

CMYK 0 / 33 / 47 / 19

HEX #CE896D

RGB 206 137 109

HSL 17.32, 0.5%, 0.62%

LAB 63.44, 23.19, 25.78

 

CMYK 0 / 21 / 47 / 19

HEX #CEA26D

RGB 206 162 109

HSL 32.78, 0.5%, 0.62%

LAB 69.52, 9.6, 33.69

 

CMYK 0 / 65 / 67 / 31

HEX #AF3E3A

RGB 175 62 58

HSL 2.05, 0.5%, 0.46%

LAB 42.56, 45.81, 27.38

 

CMYK 0 / 58 / 60 / 23

HEX #C4524E

RGB 196 82 78

HSL 2.03, 0.5%, 0.54%

LAB 49.88, 45.35, 25.47

 

CMYK 0 / 46 / 47 / 19

HEX #CE706D

RGB 206 112 109

HSL 1.86, 0.5%, 0.62%

LAB 57.86, 36.6, 18.28

 

CMYK 0 / 34 / 35 / 15

HEX #D88E8C

RGB 216 142 140

HSL 1.58, 0.49%, 0.7%

LAB 66.4, 27.86, 12.68

 

CMYK 0 / 24 / 25 / 11

HEX #E3ADAB

RGB 227 173 171

HSL 2.14, 0.5%, 0.78%

LAB 75.55, 19.44, 8.68

 

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

CMYK 10 / 0 / 47 / 19

HEX #B9CE6D

RGB 185 206 109

HSL 72.99, 0.5%, 0.62%

LAB 79.36, -21.82, 45.6

 

CMYK 47 / 29 / 0 / 19

HEX #6D92CE

RGB 109 146 206

HSL 217.11, 0.5%, 0.62%

LAB 60.13, 3.47, -34.86

 

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

CMYK 47 / 0 / 46 / 19

HEX #6DCE6F

RGB 109 206 111

HSL 121.24, 0.5%, 0.62%

LAB 75.17, -47.87, 38.48

 

CMYK 46 / 47 / 0 / 19

HEX #6F6DCE

RGB 111 109 206

HSL 241.24, 0.5%, 0.62%

LAB 50.42, 26.02, -50.17

 

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

CMYK 10 / 0 / 47 / 19

HEX #B9CE6D

RGB 185 206 109

HSL 72.99, 0.5%, 0.62%

LAB 79.36, -21.82, 45.6

 

CMYK 47 / 1 / 0 / 19

HEX #6DCCCE

RGB 109 204 206

HSL 181.24, 0.5%, 0.62%

LAB 76.61, -27.53, -9.72

 

CMYK 37 / 47 / 0 / 19

HEX #826DCE

RGB 130 109 206

HSL 252.99, 0.5%, 0.62%

LAB 51.99, 30.72, -47.57

 

CMYK 0 / 45 / 46 / 19

HEX #CF726F

RGB 207 114 111

HSL 1.88, 0.5%, 0.62%

LAB 58.46, 36.13, 17.97

 

CMYK 24 / 0 / 47 / 19

HEX #9CCE6D

RGB 156 206 109

HSL 90.93, 0.5%, 0.62%

LAB 77.47, -32.8, 42.85

 

CMYK 47 / 1 / 0 / 19

HEX #6DCCCE

RGB 109 204 206

HSL 181.24, 0.5%, 0.62%

LAB 76.61, -27.53, -9.72

 

CMYK 23 / 47 / 0 / 19

HEX #9F6DCE

RGB 159 109 206

HSL 270.93, 0.5%, 0.62%

LAB 54.83, 38.53, -42.9

 

Description

Color code: RGB 207 114 111 | qconv.com Color code: RGB 207 114 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 114 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 114 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 46 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 46% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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