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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 48 241 it is the complementary color RGB 47 207 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 48 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 48 241 shade: RGB 213 48 236, RGB 230 66 255, RGB 247 84 255, RGB 255 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 48 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 48 241 shade: RGB 208 48 241, RGB 191 30 222, RGB 174 12 203, RGB 157 0 184 and RGB 140 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 48 241 shade: RGB 208 49 240, RGB 240 49 221, RGB 240 49 170, RGB 240 49 119 and RGB 240 49 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 48 241 shade: RGB 208 49 240, RGB 156 49 240, RGB 105 49 240, RGB 53 49 240 and RGB 49 49 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 48 241 shade matches the following richer shades: RGB 208 49 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 48 241 shade: RGB 208 49 240, RGB 196 67 223, RGB 184 85 205, RGB 173 103 187 and RGB 161 120 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 48 241 shade: RGB 104 49 240, RGB 154 49 240, RGB 205 49 240, RGB 240 49 224 and RGB 240 49 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 48 241 shade: RGB 163 13 194, RGB 196 16 233, RGB 208 49 240, RGB 216 88 243 and RGB 225 127 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 48 241 shade: RGB 208 48 241, RGB 240 53 49 and RGB 49 240 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 48 241 shade: RGB 208 48 241, RGB 240 205 49 and RGB 49 240 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 48 241 shade: RGB 208 48 241, RGB 240 53 49, RGB 84 240 49 and RGB 49 237 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 48 241 shade: RGB 208 48 241, RGB 240 110 49, RGB 84 240 49 and RGB 49 180 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

Complementary color

CMYK 77 / 0 / 93 / 19

HEX #2FCF0E

RGB 47 207 14

HSL 109.74, 0.87%, 0.43%

LAB 73.06, -69.79, 70.11

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 10 / 74 / 0 / 0

HEX #E642FF

RGB 230 66 255

HSL 292.06, 1%, 0.63%

LAB 59.83, 83.72, -61.84

 

CMYK 3 / 67 / 0 / 0

HEX #F754FF

RGB 247 84 255

HSL 297.19, 1%, 0.66%

LAB 64.43, 81.22, -54.36

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

CMYK 14 / 86 / 0 / 13

HEX #BF1EDE

RGB 191 30 222

HSL 290.31, 0.76%, 0.49%

LAB 48.61, 80.35, -61.7

 

CMYK 14 / 94 / 0 / 20

HEX #AE0CCB

RGB 174 12 203

HSL 290.89, 0.89%, 0.42%

LAB 43.61, 77.18, -58.99

 

CMYK 15 / 100 / 0 / 28

HEX #9D00B8

RGB 157 0 184

HSL 291.2, 1%, 0.36%

LAB 38.95, 72.72, -55.56

 

CMYK 15 / 100 / 0 / 35

HEX #8C00A5

RGB 140 0 165

HSL 290.91, 1%, 0.32%

LAB 34.58, 66.99, -51.43

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 0 / 80 / 8 / 6

HEX #F031DD

RGB 240 49 221

HSL 305.97, 0.86%, 0.57%

LAB 57.98, 84.97, -45.69

 

CMYK 0 / 80 / 29 / 6

HEX #F031AA

RGB 240 49 170

HSL 321.99, 0.86%, 0.57%

LAB 55.71, 78.54, -19.91

 

CMYK 0 / 80 / 50 / 6

HEX #F03177

RGB 240 49 119

HSL 338.01, 0.86%, 0.57%

LAB 54.08, 73.74, 7.94

 

CMYK 0 / 80 / 72 / 6

HEX #F03143

RGB 240 49 67

HSL 354.35, 0.86%, 0.57%

LAB 53.09, 70.7, 37.56

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 35 / 80 / 0 / 6

HEX #9C31F0

RGB 156 49 240

HSL 273.61, 0.86%, 0.57%

LAB 46.39, 73.54, -75.74

 

CMYK 56 / 80 / 0 / 6

HEX #6931F0

RGB 105 49 240

HSL 257.59, 0.86%, 0.57%

LAB 40.4, 66.91, -85.8

 

CMYK 78 / 80 / 0 / 6

HEX #3531F0

RGB 53 49 240

HSL 241.26, 0.86%, 0.57%

LAB 36.45, 62.61, -92.45

 

CMYK 80 / 80 / 0 / 6

HEX #3131F0

RGB 49 49 240

HSL 240, 0.86%, 0.57%

LAB 36.25, 62.39, -92.79

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 12 / 70 / 0 / 13

HEX #C443DF

RGB 196 67 223

HSL 289.62, 0.71%, 0.57%

LAB 53.03, 71.07, -55.11

 

CMYK 10 / 59 / 0 / 20

HEX #B855CD

RGB 184 85 205

HSL 289.5, 0.55%, 0.57%

LAB 53.05, 57.41, -44.94

 

CMYK 7 / 45 / 0 / 27

HEX #AD67BB

RGB 173 103 187

HSL 290, 0.38%, 0.57%

LAB 54.21, 41.74, -32.9

 

CMYK 5 / 29 / 0 / 34

HEX #A178A9

RGB 161 120 169

HSL 290.2, 0.22%, 0.57%

LAB 55.96, 24.78, -19.93

 

CMYK 57 / 80 / 0 / 6

HEX #6831F0

RGB 104 49 240

HSL 257.28, 0.86%, 0.57%

LAB 40.3, 66.81, -85.97

 

CMYK 36 / 80 / 0 / 6

HEX #9A31F0

RGB 154 49 240

HSL 272.98, 0.86%, 0.57%

LAB 46.12, 73.25, -76.19

 

CMYK 15 / 80 / 0 / 6

HEX #CD31F0

RGB 205 49 240

HSL 289.01, 0.86%, 0.57%

LAB 53.46, 81.46, -63.94

 

CMYK 0 / 80 / 7 / 6

HEX #F031E0

RGB 240 49 224

HSL 305.03, 0.86%, 0.57%

LAB 58.14, 85.39, -47.14

 

CMYK 0 / 80 / 28 / 6

HEX #F031AD

RGB 240 49 173

HSL 321.05, 0.86%, 0.57%

LAB 55.83, 78.88, -21.48

 

CMYK 16 / 93 / 0 / 24

HEX #A30DC2

RGB 163 13 194

HSL 289.72, 0.87%, 0.41%

LAB 41.17, 73.89, -57.8

 

CMYK 16 / 93 / 0 / 9

HEX #C410E9

RGB 196 16 233

HSL 289.77, 0.87%, 0.49%

LAB 49.48, 84.98, -66.49

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 11 / 64 / 0 / 5

HEX #D858F3

RGB 216 88 243

HSL 289.55, 0.87%, 0.65%

LAB 59.93, 70.84, -55.15

 

CMYK 9 / 48 / 0 / 4

HEX #E17FF6

RGB 225 127 246

HSL 289.41, 0.87%, 0.73%

LAB 67.9, 55.7, -44.13

 

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

CMYK 0 / 78 / 80 / 6

HEX #F03531

RGB 240 53 49

HSL 1.26, 0.86%, 0.57%

LAB 53.27, 69, 47.69

 

CMYK 80 / 0 / 46 / 6

HEX #31F081

RGB 49 240 129

HSL 145.13, 0.86%, 0.57%

LAB 84.26, -69.07, 40.84

 

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

CMYK 0 / 15 / 80 / 6

HEX #F0CD31

RGB 240 205 49

HSL 49.01, 0.86%, 0.57%

LAB 83.13, -2.41, 75.35

 

CMYK 80 / 0 / 15 / 6

HEX #31F0CD

RGB 49 240 205

HSL 169.01, 0.86%, 0.57%

LAB 85.7, -53.18, 3.99

 

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

CMYK 0 / 78 / 80 / 6

HEX #F03531

RGB 240 53 49

HSL 1.26, 0.86%, 0.57%

LAB 53.27, 69, 47.69

 

CMYK 65 / 0 / 80 / 6

HEX #54F031

RGB 84 240 49

HSL 109.01, 0.86%, 0.57%

LAB 84.19, -72.2, 73.06

 

CMYK 80 / 1 / 0 / 6

HEX #31EDF0

RGB 49 237 240

HSL 180.94, 0.86%, 0.57%

LAB 85.76, -42.46, -14.29

 

CMYK 14 / 80 / 0 / 5

HEX #D030F1

RGB 208 48 241

HSL 289.74, 0.87%, 0.57%

LAB 53.89, 82.41, -63.78

 

CMYK 0 / 54 / 80 / 6

HEX #F06E31

RGB 240 110 49

HSL 19.16, 0.86%, 0.57%

LAB 61.57, 46.7, 55.73

 

CMYK 65 / 0 / 80 / 6

HEX #54F031

RGB 84 240 49

HSL 109.01, 0.86%, 0.57%

LAB 84.19, -72.2, 73.06

 

CMYK 80 / 25 / 0 / 6

HEX #31B4F0

RGB 49 180 240

HSL 198.85, 0.86%, 0.57%

LAB 69.17, -14.59, -39.67

 

Description

Color code: RGB 208 48 241 | qconv.com Color code: RGB 208 48 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 48 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 48 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 80 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 80% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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