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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 170 24 it is the complementary color RGB 46 85 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 170 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 170 24 shade: RGB 214 170 19, RGB 231 188 38, RGB 248 206 57, RGB 255 224 76 and RGB 255 242 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 170 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 192 152 5, RGB 175 134 0, RGB 158 116 0 and RGB 141 98 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 209 120 24, RGB 209 70 24 and RGB 209 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 199 209 24, RGB 149 209 24, RGB 99 209 24 and RGB 49 209 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 170 24 shade matches the following richer shades: RGB 209 170 24 and RGB 228 181 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 190 159 43, RGB 172 148 62, RGB 153 137 81 and RGB 134 126 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 170 24 shade: RGB 209 70 24, RGB 209 120 24, RGB 209 169 24, RGB 200 209 24 and RGB 151 209 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 170 24 shade: RGB 136 110 15, RGB 173 140 20, RGB 209 170 24, RGB 230 191 45 and RGB 234 202 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 27 209 24 and RGB 95 24 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 24 209 169 and RGB 169 24 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 27 209 24, RGB 24 64 209 and RGB 206 24 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 170 24 shade: RGB 209 170 24, RGB 24 209 77, RGB 24 64 209 and RGB 209 24 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

Complementary color

CMYK 80 / 63 / 0 / 9

HEX #2E55E7

RGB 46 85 231

HSL 227.35, 0.79%, 0.54%

LAB 42.53, 39.02, -77.34

 

CMYK 0 / 21 / 91 / 16

HEX #D6AA13

RGB 214 170 19

HSL 46.46, 0.84%, 0.46%

LAB 71.62, 3.85, 72.07

 

CMYK 0 / 19 / 84 / 9

HEX #E7BC26

RGB 231 188 38

HSL 46.63, 0.8%, 0.53%

LAB 77.93, 2.19, 73.62

 

CMYK 0 / 17 / 77 / 3

HEX #F8CE39

RGB 248 206 57

HSL 46.81, 0.93%, 0.6%

LAB 84.17, 0.74, 74.08

 

CMYK 0 / 12 / 70 / 0

HEX #FFE04C

RGB 255 224 76

HSL 49.61, 1%, 0.65%

LAB 89.44, -4.66, 72.67

 

CMYK 0 / 5 / 63 / 0

HEX #FFF25F

RGB 255 242 95

HSL 55.13, 1%, 0.69%

LAB 94.14, -12.57, 70.11

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 0 / 21 / 97 / 25

HEX #C09805

RGB 192 152 5

HSL 47.17, 0.95%, 0.39%

LAB 64.7, 3.54, 67.98

 

CMYK 0 / 23 / 100 / 31

HEX #AF8600

RGB 175 134 0

HSL 45.94, 1%, 0.34%

LAB 58.19, 5.63, 63.32

 

CMYK 0 / 27 / 100 / 38

HEX #9E7400

RGB 158 116 0

HSL 44.05, 1%, 0.31%

LAB 51.56, 7.87, 57.87

 

CMYK 0 / 30 / 100 / 45

HEX #8D6200

RGB 141 98 0

HSL 41.7, 1%, 0.28%

LAB 44.8, 10.24, 52.32

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 0 / 43 / 89 / 18

HEX #D17818

RGB 209 120 24

HSL 31.14, 0.79%, 0.46%

LAB 59.02, 28.66, 61.05

 

CMYK 0 / 67 / 89 / 18

HEX #D14618

RGB 209 70 24

HSL 14.92, 0.79%, 0.46%

LAB 49.5, 52.93, 53.69

 

CMYK 0 / 89 / 89 / 18

HEX #D11818

RGB 209 24 24

HSL 0, 0.79%, 0.46%

LAB 44.62, 66.5, 49.99

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 5 / 0 / 89 / 18

HEX #C7D118

RGB 199 209 24

HSL 63.24, 0.79%, 0.46%

LAB 80.63, -22.49, 77.68

 

CMYK 29 / 0 / 89 / 18

HEX #95D118

RGB 149 209 24

HSL 79.46, 0.79%, 0.46%

LAB 77.31, -42.61, 73.61

 

CMYK 53 / 0 / 89 / 18

HEX #63D118

RGB 99 209 24

HSL 95.68, 0.79%, 0.46%

LAB 75.03, -59.22, 70.77

 

CMYK 77 / 0 / 89 / 18

HEX #31D118

RGB 49 209 24

HSL 111.89, 0.79%, 0.46%

LAB 73.75, -69.82, 69.18

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 0 / 21 / 98 / 11

HEX #E4B505

RGB 228 181 5

HSL 47.35, 0.96%, 0.46%

LAB 75.79, 4.01, 77.58

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 0 / 16 / 77 / 25

HEX #BE9F2B

RGB 190 159 43

HSL 47.35, 0.63%, 0.46%

LAB 66.46, -0.24, 60.47

 

CMYK 0 / 14 / 64 / 33

HEX #AC943E

RGB 172 148 62

HSL 46.91, 0.47%, 0.46%

LAB 61.91, -1.27, 47.52

 

CMYK 0 / 10 / 47 / 40

HEX #998951

RGB 153 137 81

HSL 46.67, 0.31%, 0.46%

LAB 57.33, -1.94, 32.11

 

CMYK 0 / 6 / 25 / 47

HEX #867E64

RGB 134 126 100

HSL 45.88, 0.15%, 0.46%

LAB 52.85, -1.41, 15.28

 

CMYK 0 / 67 / 89 / 18

HEX #D14618

RGB 209 70 24

HSL 14.92, 0.79%, 0.46%

LAB 49.5, 52.93, 53.69

 

CMYK 0 / 43 / 89 / 18

HEX #D17818

RGB 209 120 24

HSL 31.14, 0.79%, 0.46%

LAB 59.02, 28.66, 61.05

 

CMYK 0 / 19 / 89 / 18

HEX #D1A918

RGB 209 169 24

HSL 47.03, 0.79%, 0.46%

LAB 70.87, 2.27, 70.32

 

CMYK 4 / 0 / 89 / 18

HEX #C8D118

RGB 200 209 24

HSL 62.92, 0.79%, 0.46%

LAB 80.71, -22.07, 77.78

 

CMYK 28 / 0 / 89 / 18

HEX #97D118

RGB 151 209 24

HSL 78.81, 0.79%, 0.46%

LAB 77.43, -41.86, 73.75

 

CMYK 0 / 19 / 89 / 47

HEX #886E0F

RGB 136 110 15

HSL 47.11, 0.8%, 0.3%

LAB 47.52, 1.21, 50.57

 

CMYK 0 / 19 / 88 / 32

HEX #AD8C14

RGB 173 140 20

HSL 47.06, 0.79%, 0.38%

LAB 59.61, 1.72, 60.72

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 0 / 17 / 80 / 10

HEX #E6BF2D

RGB 230 191 45

HSL 47.35, 0.79%, 0.54%

LAB 78.62, 0.4, 72.21

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 87 / 0 / 89 / 18

HEX #1BD118

RGB 27 209 24

HSL 119.03, 0.79%, 0.46%

LAB 73.48, -72.24, 68.83

 

CMYK 55 / 89 / 0 / 18

HEX #5F18D1

RGB 95 24 209

HSL 263.03, 0.79%, 0.46%

LAB 33.33, 66.61, -79.77

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 89 / 0 / 19 / 18

HEX #18D1A9

RGB 24 209 169

HSL 167.03, 0.79%, 0.46%

LAB 75.24, -51.56, 7.97

 

CMYK 19 / 89 / 0 / 18

HEX #A918D1

RGB 169 24 209

HSL 287.03, 0.79%, 0.46%

LAB 43.79, 75.77, -62.22

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 87 / 0 / 89 / 18

HEX #1BD118

RGB 27 209 24

HSL 119.03, 0.79%, 0.46%

LAB 73.48, -72.24, 68.83

 

CMYK 89 / 69 / 0 / 18

HEX #1840D1

RGB 24 64 209

HSL 227.03, 0.79%, 0.46%

LAB 34.93, 42.74, -77.27

 

CMYK 1 / 89 / 0 / 18

HEX #CE18D1

RGB 206 24 209

HSL 299.03, 0.79%, 0.46%

LAB 49.95, 81.75, -51.97

 

CMYK 0 / 19 / 89 / 18

HEX #D1AA18

RGB 209 170 24

HSL 47.35, 0.79%, 0.46%

LAB 71.13, 1.74, 70.52

 

CMYK 89 / 0 / 63 / 18

HEX #18D14D

RGB 24 209 77

HSL 137.19, 0.79%, 0.46%

LAB 73.76, -68.61, 52.22

 

CMYK 89 / 69 / 0 / 18

HEX #1840D1

RGB 24 64 209

HSL 227.03, 0.79%, 0.46%

LAB 34.93, 42.74, -77.27

 

CMYK 0 / 89 / 25 / 18

HEX #D1189D

RGB 209 24 157

HSL 316.86, 0.79%, 0.46%

LAB 47.81, 75.35, -24.85

 

Description

Color code: RGB 209 170 24 | qconv.com Color code: RGB 209 170 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 170 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 170 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 89% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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