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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 78 207 it is the complementary color RGB 45 177 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 78 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 78 207 shade: RGB 215 78 202, RGB 232 96 221, RGB 249 114 240, RGB 255 132 255 and RGB 255 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 78 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 78 207 shade: RGB 210 78 207, RGB 193 60 188, RGB 176 42 169, RGB 159 24 150 and RGB 142 6 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 78 207 shade: RGB 208 76 205, RGB 208 76 170, RGB 208 76 134, RGB 208 76 98 and RGB 208 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 78 207 shade: RGB 208 76 205, RGB 176 76 208, RGB 140 76 208, RGB 104 76 208 and RGB 76 76 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 78 207 shade matches the following richer shades: RGB 208 76 205, RGB 227 58 223 and RGB 245 40 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 78 207 shade: RGB 208 76 205, RGB 190 94 188, RGB 172 112 171, RGB 154 131 154 and RGB 136 149 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 78 207 shade: RGB 140 76 208, RGB 175 76 208, RGB 208 76 206, RGB 208 76 171 and RGB 208 76 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 78 207 shade: RGB 161 41 158, RGB 194 50 190, RGB 208 76 205, RGB 217 109 215 and RGB 225 142 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 78 207 shade: RGB 210 78 207, RGB 208 105 76 and RGB 76 208 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 78 207 shade: RGB 210 78 207, RGB 206 208 76 and RGB 76 206 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 78 207 shade: RGB 210 78 207, RGB 208 105 76, RGB 76 208 78 and RGB 76 180 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 78 207 shade: RGB 210 78 207, RGB 208 145 76, RGB 76 208 78 and RGB 76 140 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

Complementary color

CMYK 75 / 0 / 73 / 31

HEX #2DB130

RGB 45 177 48

HSL 121.36, 0.59%, 0.44%

LAB 63.52, -59.19, 52.99

 

CMYK 0 / 64 / 6 / 16

HEX #D74ECA

RGB 215 78 202

HSL 305.69, 0.63%, 0.57%

LAB 56.25, 67.63, -37.89

 

CMYK 0 / 59 / 5 / 9

HEX #E860DD

RGB 232 96 221

HSL 304.85, 0.75%, 0.64%

LAB 62.29, 67.55, -39

 

CMYK 0 / 54 / 4 / 2

HEX #F972F0

RGB 249 114 240

HSL 304, 0.92%, 0.71%

LAB 68.36, 67.21, -39.89

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

CMYK 0 / 69 / 3 / 24

HEX #C13CBC

RGB 193 60 188

HSL 302.26, 0.53%, 0.5%

LAB 49.74, 66.95, -40.31

 

CMYK 0 / 76 / 4 / 31

HEX #B02AA9

RGB 176 42 169

HSL 303.13, 0.61%, 0.43%

LAB 43.87, 66.06, -38.59

 

CMYK 0 / 85 / 6 / 38

HEX #9F1896

RGB 159 24 150

HSL 304, 0.74%, 0.36%

LAB 38.25, 64.22, -36.28

 

CMYK 0 / 96 / 8 / 44

HEX #8E0683

RGB 142 6 131

HSL 304.85, 0.92%, 0.29%

LAB 32.96, 61.05, -33.15

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCD

RGB 208 76 205

HSL 301.36, 0.58%, 0.56%

LAB 55.06, 67.21, -41.55

 

CMYK 0 / 63 / 18 / 18

HEX #D04CAA

RGB 208 76 170

HSL 317.27, 0.58%, 0.56%

LAB 53.47, 61.82, -23.8

 

CMYK 0 / 63 / 36 / 18

HEX #D04C86

RGB 208 76 134

HSL 333.64, 0.58%, 0.56%

LAB 52.17, 57.21, -4.5

 

CMYK 0 / 63 / 53 / 18

HEX #D04C62

RGB 208 76 98

HSL 350, 0.58%, 0.56%

LAB 51.22, 53.69, 15.71

 

CMYK 0 / 63 / 63 / 18

HEX #D04C4C

RGB 208 76 76

HSL 0, 0.58%, 0.56%

LAB 50.8, 52.11, 28.23

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCD

RGB 208 76 205

HSL 301.36, 0.58%, 0.56%

LAB 55.06, 67.21, -41.55

 

CMYK 15 / 63 / 0 / 18

HEX #B04CD0

RGB 176 76 208

HSL 285.45, 0.58%, 0.56%

LAB 50.63, 60.17, -50.58

 

CMYK 33 / 63 / 0 / 18

HEX #8C4CD0

RGB 140 76 208

HSL 269.09, 0.58%, 0.56%

LAB 46.04, 52.02, -58.2

 

CMYK 50 / 63 / 0 / 18

HEX #684CD0

RGB 104 76 208

HSL 252.73, 0.58%, 0.56%

LAB 42.26, 44.69, -64.51

 

CMYK 63 / 63 / 0 / 18

HEX #4C4CD0

RGB 76 76 208

HSL 240, 0.58%, 0.56%

LAB 40.01, 40, -68.26

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCD

RGB 208 76 205

HSL 301.36, 0.58%, 0.56%

LAB 55.06, 67.21, -41.55

 

CMYK 0 / 74 / 2 / 11

HEX #E33ADF

RGB 227 58 223

HSL 301.42, 0.75%, 0.56%

LAB 56.77, 80.36, -48.88

 

CMYK 0 / 84 / 2 / 4

HEX #F528F0

RGB 245 40 240

HSL 301.46, 0.91%, 0.56%

LAB 59.18, 90.44, -54.42

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCD

RGB 208 76 205

HSL 301.36, 0.58%, 0.56%

LAB 55.06, 67.21, -41.55

 

CMYK 0 / 51 / 1 / 25

HEX #BE5EBC

RGB 190 94 188

HSL 301.25, 0.42%, 0.56%

LAB 54.64, 51.54, -32.64

 

CMYK 0 / 35 / 1 / 33

HEX #AC70AB

RGB 172 112 171

HSL 301, 0.27%, 0.56%

LAB 55.38, 33.36, -21.87

 

CMYK 0 / 15 / 0 / 40

HEX #9A839A

RGB 154 131 154

HSL 300, 0.1%, 0.56%

LAB 57.5, 13, -9.02

 

CMYK 9 / 0 / 9 / 42

HEX #889588

RGB 136 149 136

HSL 120, 0.06%, 0.56%

LAB 60.34, -7.24, 5.27

 

CMYK 33 / 63 / 0 / 18

HEX #8C4CD0

RGB 140 76 208

HSL 269.09, 0.58%, 0.56%

LAB 46.04, 52.02, -58.2

 

CMYK 16 / 63 / 0 / 18

HEX #AF4CD0

RGB 175 76 208

HSL 285, 0.58%, 0.56%

LAB 50.5, 59.94, -50.8

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCE

RGB 208 76 206

HSL 300.91, 0.58%, 0.56%

LAB 55.11, 67.37, -42.04

 

CMYK 0 / 63 / 18 / 18

HEX #D04CAB

RGB 208 76 171

HSL 316.82, 0.58%, 0.56%

LAB 53.51, 61.96, -24.32

 

CMYK 0 / 63 / 35 / 18

HEX #D04C88

RGB 208 76 136

HSL 332.73, 0.58%, 0.56%

LAB 52.24, 57.44, -5.6

 

CMYK 0 / 75 / 2 / 37

HEX #A1299E

RGB 161 41 158

HSL 301.5, 0.59%, 0.4%

LAB 40.62, 61.35, -37.32

 

CMYK 0 / 74 / 2 / 24

HEX #C232BE

RGB 194 50 190

HSL 301.67, 0.59%, 0.48%

LAB 48.84, 70.79, -42.87

 

CMYK 0 / 63 / 1 / 18

HEX #D04CCD

RGB 208 76 205

HSL 301.36, 0.58%, 0.56%

LAB 55.06, 67.21, -41.55

 

CMYK 0 / 50 / 1 / 15

HEX #D96DD7

RGB 217 109 215

HSL 301.11, 0.59%, 0.64%

LAB 62.16, 56.64, -35.98

 

CMYK 0 / 37 / 0 / 12

HEX #E18EE0

RGB 225 142 224

HSL 300.72, 0.58%, 0.72%

LAB 69.99, 43.93, -28.78

 

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 63 / 0 / 24 / 18

HEX #4CD09E

RGB 76 208 158

HSL 157.27, 0.58%, 0.56%

LAB 75.52, -47.73, 14.37

 

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

CMYK 1 / 0 / 63 / 18

HEX #CED04C

RGB 206 208 76

HSL 60.91, 0.58%, 0.56%

LAB 81.16, -17.01, 62.91

 

CMYK 63 / 1 / 0 / 18

HEX #4CCED0

RGB 76 206 208

HSL 180.91, 0.58%, 0.56%

LAB 76.21, -34.24, -11.51

 

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 63 / 0 / 63 / 18

HEX #4CD04E

RGB 76 208 78

HSL 120.91, 0.58%, 0.56%

LAB 74.32, -60.97, 52.66

 

CMYK 63 / 13 / 0 / 18

HEX #4CB4D0

RGB 76 180 208

HSL 192.73, 0.58%, 0.56%

LAB 68.56, -21.46, -23.07

 

CMYK 0 / 63 / 1 / 18

HEX #D24ECF

RGB 210 78 207

HSL 301.36, 0.59%, 0.56%

LAB 55.74, 67.22, -41.6

 

CMYK 0 / 30 / 63 / 18

HEX #D0914C

RGB 208 145 76

HSL 31.36, 0.58%, 0.56%

LAB 65.11, 16.93, 45.41

 

CMYK 63 / 0 / 63 / 18

HEX #4CD04E

RGB 76 208 78

HSL 120.91, 0.58%, 0.56%

LAB 74.32, -60.97, 52.66

 

CMYK 63 / 33 / 0 / 18

HEX #4C8CD0

RGB 76 140 208

HSL 210.91, 0.58%, 0.56%

LAB 56.93, 0.57, -41.12

 

Description

Color code: RGB 210 78 207 | qconv.com Color code: RGB 210 78 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 78 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 78 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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