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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 90 171 it is the complementary color RGB 44 165 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 90 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 90 171 shade: RGB 216 90 166, RGB 233 108 185, RGB 250 126 204, RGB 255 144 223 and RGB 255 162 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 90 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 90 171 shade: RGB 211 90 171, RGB 194 72 152, RGB 177 54 133, RGB 160 36 114 and RGB 143 18 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 90 171 shade: RGB 211 89 171, RGB 211 89 138, RGB 211 89 105 and RGB 211 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 90 171 shade: RGB 211 89 171, RGB 211 89 203, RGB 185 89 211, RGB 153 89 211 and RGB 120 89 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 90 171 shade matches the following richer shades: RGB 211 89 171, RGB 228 72 176 and RGB 244 55 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 90 171 shade: RGB 211 89 171, RGB 194 106 165, RGB 177 123 159, RGB 160 140 153 and RGB 143 157 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 90 171 shade: RGB 184 89 211, RGB 211 89 205, RGB 211 89 172, RGB 211 89 140 and RGB 211 89 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 90 171 shade: RGB 172 45 130, RGB 202 57 154, RGB 211 89 171, RGB 219 122 187 and RGB 228 155 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 90 171 shade: RGB 211 90 171, RGB 211 152 89 and RGB 89 211 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 90 171 shade: RGB 211 90 171, RGB 172 211 89 and RGB 89 172 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 90 171 shade: RGB 211 90 171, RGB 211 152 89, RGB 89 211 128 and RGB 89 148 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 90 171 shade: RGB 211 90 171, RGB 211 188 89, RGB 89 211 128 and RGB 89 112 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

Complementary color

CMYK 73 / 0 / 49 / 35

HEX #2CA554

RGB 44 165 84

HSL 139.83, 0.58%, 0.41%

LAB 59.97, -50.82, 32.59

 

CMYK 0 / 58 / 23 / 15

HEX #D85AA6

RGB 216 90 166

HSL 323.81, 0.62%, 0.6%

LAB 56.75, 57.53, -16.35

 

CMYK 0 / 54 / 21 / 9

HEX #E96CB9

RGB 233 108 185

HSL 323.04, 0.74%, 0.67%

LAB 62.97, 57.02, -17.6

 

CMYK 0 / 50 / 18 / 2

HEX #FA7ECC

RGB 250 126 204

HSL 322.26, 0.93%, 0.74%

LAB 69.19, 56.38, -18.65

 

CMYK 0 / 44 / 13 / 0

HEX #FF90DF

RGB 255 144 223

HSL 317.3, 1%, 0.78%

LAB 73.89, 52, -21.95

 

CMYK 0 / 36 / 5 / 0

HEX #FFA2F2

RGB 255 162 242

HSL 308.39, 1%, 0.82%

LAB 78.18, 46, -25.76

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 63 / 22 / 24

HEX #C24898

RGB 194 72 152

HSL 320.66, 0.5%, 0.52%

LAB 49.94, 57.07, -18.8

 

CMYK 0 / 69 / 25 / 31

HEX #B13685

RGB 177 54 133

HSL 321.46, 0.53%, 0.45%

LAB 43.77, 57.01, -17.06

 

CMYK 0 / 78 / 29 / 37

HEX #A02472

RGB 160 36 114

HSL 322.26, 0.63%, 0.38%

LAB 37.75, 56.31, -14.77

 

CMYK 0 / 87 / 34 / 44

HEX #8F125F

RGB 143 18 95

HSL 323.04, 0.78%, 0.32%

LAB 32.03, 54.55, -11.67

 

CMYK 0 / 58 / 19 / 17

HEX #D359AB

RGB 211 89 171

HSL 319.67, 0.58%, 0.59%

LAB 56.02, 57.22, -20.43

 

CMYK 0 / 58 / 35 / 17

HEX #D3598A

RGB 211 89 138

HSL 335.9, 0.58%, 0.59%

LAB 54.9, 52.88, -2.8

 

CMYK 0 / 58 / 50 / 17

HEX #D35969

RGB 211 89 105

HSL 352.13, 0.58%, 0.59%

LAB 54.04, 49.47, 15.5

 

CMYK 0 / 58 / 58 / 17

HEX #D35959

RGB 211 89 89

HSL 0, 0.58%, 0.59%

LAB 53.72, 48.17, 24.47

 

CMYK 0 / 58 / 19 / 17

HEX #D359AB

RGB 211 89 171

HSL 319.67, 0.58%, 0.59%

LAB 56.02, 57.22, -20.43

 

CMYK 0 / 58 / 4 / 17

HEX #D359CB

RGB 211 89 203

HSL 303.93, 0.58%, 0.59%

LAB 57.37, 62.2, -36.74

 

CMYK 12 / 58 / 0 / 17

HEX #B959D3

RGB 185 89 211

HSL 287.21, 0.58%, 0.59%

LAB 54.2, 56.95, -46.54

 

CMYK 27 / 58 / 0 / 17

HEX #9959D3

RGB 153 89 211

HSL 271.48, 0.58%, 0.59%

LAB 50.24, 49.02, -53.08

 

CMYK 43 / 58 / 0 / 17

HEX #7859D3

RGB 120 89 211

HSL 255.25, 0.58%, 0.59%

LAB 46.77, 41.38, -58.85

 

CMYK 0 / 58 / 19 / 17

HEX #D359AB

RGB 211 89 171

HSL 319.67, 0.58%, 0.59%

LAB 56.02, 57.22, -20.43

 

CMYK 0 / 68 / 23 / 11

HEX #E448B0

RGB 228 72 176

HSL 320, 0.74%, 0.59%

LAB 56.35, 69.43, -22.6

 

CMYK 0 / 77 / 25 / 4

HEX #F437B6

RGB 244 55 182

HSL 319.68, 0.9%, 0.59%

LAB 57.41, 79.3, -24.22

 

CMYK 0 / 58 / 19 / 17

HEX #D359AB

RGB 211 89 171

HSL 319.67, 0.58%, 0.59%

LAB 56.02, 57.22, -20.43

 

CMYK 0 / 45 / 15 / 24

HEX #C26AA5

RGB 194 106 165

HSL 319.77, 0.42%, 0.59%

LAB 56.58, 42.77, -16.32

 

CMYK 0 / 31 / 10 / 31

HEX #B17B9F

RGB 177 123 159

HSL 320, 0.26%, 0.59%

LAB 58.05, 26.72, -10.83

 

CMYK 0 / 13 / 4 / 37

HEX #A08C99

RGB 160 140 153

HSL 321, 0.1%, 0.59%

LAB 60.36, 9.85, -4.13

 

CMYK 9 / 0 / 6 / 38

HEX #8F9D94

RGB 143 157 148

HSL 141.43, 0.07%, 0.59%

LAB 63.42, -6.76, 3

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 58 / 18 / 17

HEX #D359AC

RGB 211 89 172

HSL 319.18, 0.58%, 0.59%

LAB 56.06, 57.36, -20.95

 

CMYK 0 / 58 / 34 / 17

HEX #D3598C

RGB 211 89 140

HSL 334.92, 0.58%, 0.59%

LAB 54.96, 53.12, -3.89

 

CMYK 0 / 58 / 49 / 17

HEX #D3596C

RGB 211 89 108

HSL 350.66, 0.58%, 0.59%

LAB 54.11, 49.74, 13.82

 

CMYK 0 / 74 / 24 / 33

HEX #AC2D82

RGB 172 45 130

HSL 319.84, 0.59%, 0.43%

LAB 41.63, 58.52, -18.58

 

CMYK 0 / 72 / 24 / 21

HEX #CA399A

RGB 202 57 154

HSL 319.86, 0.58%, 0.51%

LAB 49.27, 65.23, -20.91

 

CMYK 0 / 58 / 19 / 17

HEX #D359AB

RGB 211 89 171

HSL 319.67, 0.58%, 0.59%

LAB 56.02, 57.22, -20.43

 

CMYK 0 / 44 / 15 / 14

HEX #DB7ABB

RGB 219 122 187

HSL 319.79, 0.57%, 0.67%

LAB 63.81, 46.11, -17.64

 

CMYK 0 / 32 / 11 / 11

HEX #E49BCC

RGB 228 155 204

HSL 319.73, 0.57%, 0.75%

LAB 72.43, 34.54, -14.02

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 28 / 58 / 17

HEX #D39859

RGB 211 152 89

HSL 30.98, 0.58%, 0.59%

LAB 67.3, 15.33, 41.49

 

CMYK 58 / 0 / 5 / 17

HEX #59D3C8

RGB 89 211 200

HSL 174.59, 0.58%, 0.59%

LAB 77.81, -36.51, -4.8

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 18 / 0 / 58 / 17

HEX #ACD359

RGB 172 211 89

HSL 79.18, 0.58%, 0.59%

LAB 79.66, -31.15, 55.05

 

CMYK 58 / 18 / 0 / 17

HEX #59ACD3

RGB 89 172 211

HSL 199.18, 0.58%, 0.59%

LAB 66.77, -13.98, -27.42

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 28 / 58 / 17

HEX #D39859

RGB 211 152 89

HSL 30.98, 0.58%, 0.59%

LAB 67.3, 15.33, 41.49

 

CMYK 58 / 0 / 39 / 17

HEX #59D380

RGB 89 211 128

HSL 139.18, 0.58%, 0.59%

LAB 76.24, -52.25, 31.13

 

CMYK 58 / 30 / 0 / 17

HEX #5994D3

RGB 89 148 211

HSL 210.98, 0.58%, 0.59%

LAB 59.89, -0.62, -38.1

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 11 / 58 / 17

HEX #D3BC59

RGB 211 188 89

HSL 48.69, 0.58%, 0.59%

LAB 76.4, -3.86, 52.15

 

CMYK 58 / 0 / 39 / 17

HEX #59D380

RGB 89 211 128

HSL 139.18, 0.58%, 0.59%

LAB 76.24, -52.25, 31.13

 

CMYK 58 / 47 / 0 / 17

HEX #5970D3

RGB 89 112 211

HSL 228.69, 0.58%, 0.59%

LAB 50, 21, -53.78

 

Description

Color code: RGB 211 90 171 | qconv.com Color code: RGB 211 90 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 90 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 90 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 19 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 19% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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