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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 37 122 it is the complementary color RGB 43 218 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 37 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 37 122 shade: RGB 217 37 117, RGB 234 55 136, RGB 251 73 155, RGB 255 91 174 and RGB 255 109 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 37 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 195 19 103, RGB 178 1 84, RGB 161 0 65 and RGB 144 0 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 212 37 75 and RGB 212 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 212 37 169, RGB 208 37 212, RGB 160 37 212 and RGB 113 37 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 37 122 shade matches the following richer shades: RGB 212 37 122 and RGB 232 17 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 192 57 123, RGB 171 77 123, RGB 151 98 124 and RGB 131 118 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 37 122 shade: RGB 206 37 212, RGB 212 37 171, RGB 212 37 124, RGB 212 37 78 and RGB 212 43 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 37 122 shade: RGB 142 25 82, RGB 177 31 102, RGB 212 37 122, RGB 222 68 143 and RGB 228 104 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 212 159 37 and RGB 37 194 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 124 212 37 and RGB 37 124 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 212 159 37, RGB 37 212 124 and RGB 37 89 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 37 122 shade: RGB 212 37 122, RGB 212 212 37, RGB 37 212 124 and RGB 37 37 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

Complementary color

CMYK 80 / 0 / 39 / 15

HEX #2BDA85

RGB 43 218 133

HSL 150.86, 0.7%, 0.51%

LAB 77.49, -61.4, 30.05

 

CMYK 0 / 83 / 46 / 15

HEX #D92575

RGB 217 37 117

HSL 333.33, 0.71%, 0.5%

LAB 48.71, 70.67, 0.86

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 0 / 71 / 38 / 2

HEX #FB499B

RGB 251 73 155

HSL 332.36, 0.96%, 0.64%

LAB 59.56, 72.7, -5.15

 

CMYK 0 / 64 / 32 / 0

HEX #FF5BAE

RGB 255 91 174

HSL 329.63, 1%, 0.68%

LAB 63.18, 69.29, -10.69

 

CMYK 0 / 57 / 24 / 0

HEX #FF6DC1

RGB 255 109 193

HSL 325.48, 1%, 0.71%

LAB 66.56, 64.15, -16.4

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 90 / 47 / 24

HEX #C31367

RGB 195 19 103

HSL 331.36, 0.82%, 0.42%

LAB 42.83, 67.56, 0.44

 

CMYK 0 / 99 / 53 / 30

HEX #B20154

RGB 178 1 84

HSL 331.86, 0.99%, 0.35%

LAB 38.07, 64.2, 5.18

 

CMYK 0 / 100 / 60 / 37

HEX #A10041

RGB 161 0 65

HSL 335.78, 1%, 0.32%

LAB 33.9, 58.99, 11.16

 

CMYK 0 / 100 / 68 / 44

HEX #90002E

RGB 144 0 46

HSL 340.83, 1%, 0.28%

LAB 29.73, 53.69, 17.54

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 83 / 65 / 17

HEX #D4254B

RGB 212 37 75

HSL 346.97, 0.7%, 0.49%

LAB 46.75, 66.46, 23.8

 

CMYK 0 / 83 / 83 / 17

HEX #D42525

RGB 212 37 37

HSL 0, 0.7%, 0.49%

LAB 46.25, 64.96, 45.29

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 83 / 20 / 17

HEX #D425A9

RGB 212 37 169

HSL 314.74, 0.7%, 0.49%

LAB 49.72, 75.02, -28.97

 

CMYK 2 / 83 / 0 / 17

HEX #D025D4

RGB 208 37 212

HSL 298.63, 0.7%, 0.49%

LAB 51.25, 80.26, -51.6

 

CMYK 25 / 83 / 0 / 17

HEX #A025D4

RGB 160 37 212

HSL 282.17, 0.7%, 0.49%

LAB 43.58, 72.04, -64.35

 

CMYK 47 / 83 / 0 / 17

HEX #7125D4

RGB 113 37 212

HSL 266.06, 0.7%, 0.49%

LAB 37.09, 65.32, -75.22

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 93 / 48 / 9

HEX #E81179

RGB 232 17 121

HSL 330.98, 0.86%, 0.49%

LAB 50.61, 77.73, 1.55

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 70 / 36 / 25

HEX #C0397B

RGB 192 57 123

HSL 330.67, 0.54%, 0.49%

LAB 46.4, 58.83, -6.74

 

CMYK 0 / 55 / 28 / 33

HEX #AB4D7B

RGB 171 77 123

HSL 330.64, 0.38%, 0.49%

LAB 46.17, 43.7, -7.43

 

CMYK 0 / 35 / 18 / 41

HEX #97627C

RGB 151 98 124

HSL 330.57, 0.21%, 0.49%

LAB 47.97, 25.43, -5.65

 

CMYK 0 / 10 / 5 / 49

HEX #83767C

RGB 131 118 124

HSL 332.31, 0.05%, 0.49%

LAB 50.96, 6.14, -1.47

 

CMYK 3 / 83 / 0 / 17

HEX #CE25D4

RGB 206 37 212

HSL 297.94, 0.7%, 0.49%

LAB 50.92, 79.9, -52.15

 

CMYK 0 / 83 / 19 / 17

HEX #D425AB

RGB 212 37 171

HSL 314.06, 0.7%, 0.49%

LAB 49.81, 75.27, -30.01

 

CMYK 0 / 83 / 42 / 17

HEX #D4257C

RGB 212 37 124

HSL 330.17, 0.7%, 0.49%

LAB 47.98, 70.08, -4.6

 

CMYK 0 / 83 / 63 / 17

HEX #D4254E

RGB 212 37 78

HSL 345.94, 0.7%, 0.49%

LAB 46.8, 66.63, 22.03

 

CMYK 0 / 80 / 83 / 17

HEX #D42B25

RGB 212 43 37

HSL 2.06, 0.7%, 0.49%

LAB 46.79, 63.43, 45.79

 

CMYK 0 / 82 / 42 / 44

HEX #8E1952

RGB 142 25 82

HSL 330.77, 0.7%, 0.33%

LAB 31.93, 51.18, -3.36

 

CMYK 0 / 82 / 42 / 31

HEX #B11F66

RGB 177 31 102

HSL 330.82, 0.7%, 0.41%

LAB 40.06, 60.73, -3.42

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 69 / 36 / 13

HEX #DE448F

RGB 222 68 143

HSL 330.78, 0.7%, 0.57%

LAB 53.65, 65.36, -7.41

 

CMYK 0 / 54 / 28 / 11

HEX #E468A4

RGB 228 104 164

HSL 330.97, 0.7%, 0.65%

LAB 60.85, 54.51, -8.85

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 25 / 83 / 17

HEX #D49F25

RGB 212 159 37

HSL 41.83, 0.7%, 0.49%

LAB 68.7, 9.25, 65.3

 

CMYK 83 / 8 / 0 / 17

HEX #25C2D4

RGB 37 194 212

HSL 186.17, 0.7%, 0.49%

LAB 72.05, -31.9, -20.02

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 42 / 0 / 83 / 17

HEX #7CD425

RGB 124 212 37

HSL 90.17, 0.7%, 0.49%

LAB 76.98, -52.27, 70.1

 

CMYK 83 / 42 / 0 / 17

HEX #257CD4

RGB 37 124 212

HSL 210.17, 0.7%, 0.49%

LAB 51.34, 6.42, -52.32

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 25 / 83 / 17

HEX #D49F25

RGB 212 159 37

HSL 41.83, 0.7%, 0.49%

LAB 68.7, 9.25, 65.3

 

CMYK 83 / 0 / 42 / 17

HEX #25D47C

RGB 37 212 124

HSL 149.83, 0.7%, 0.49%

LAB 75.41, -61.54, 31.89

 

CMYK 83 / 58 / 0 / 17

HEX #2559D4

RGB 37 89 212

HSL 222.17, 0.7%, 0.49%

LAB 41.68, 28.73, -67.92

 

CMYK 0 / 83 / 42 / 17

HEX #D4257A

RGB 212 37 122

HSL 330.86, 0.7%, 0.49%

LAB 47.91, 69.89, -3.48

 

CMYK 0 / 0 / 83 / 17

HEX #D4D425

RGB 212 212 37

HSL 60, 0.7%, 0.49%

LAB 82.5, -18.17, 77.02

 

CMYK 83 / 0 / 42 / 17

HEX #25D47C

RGB 37 212 124

HSL 149.83, 0.7%, 0.49%

LAB 75.41, -61.54, 31.89

 

CMYK 83 / 83 / 0 / 17

HEX #2525D4

RGB 37 37 212

HSL 240, 0.7%, 0.49%

LAB 30.57, 58.91, -86.22

 

Description

Color code: RGB 212 37 122 | qconv.com Color code: RGB 212 37 122 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 37 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 37 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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