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Color name
RGB 213 230 166

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 230 166 it is the complementary color RGB 42 25 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 230 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 230 166 shade: RGB 218 230 161, RGB 235 248 180, RGB 252 255 199, RGB 255 255 218 and RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 230 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 230 166 shade: RGB 213 230 166, RGB 196 212 147, RGB 179 194 128, RGB 162 176 109 and RGB 145 158 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 230 166 shade: RGB 213 230 167, RGB 230 230 167, RGB 230 213 167, RGB 230 196 167 and RGB 230 179 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 230 166 shade: RGB 213 230 167, RGB 196 230 167, RGB 179 230 167, RGB 167 230 172 and RGB 167 230 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 230 166 shade matches the following richer shades: RGB 213 230 167, RGB 217 239 158 and RGB 222 248 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 230 166 shade: RGB 213 230 167, RGB 209 221 176, RGB 205 212 185, RGB 200 203 194 and RGB 196 194 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 230 166 shade: RGB 230 212 167, RGB 230 229 167, RGB 214 230 167, RGB 197 230 167 and RGB 181 230 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 230 166 shade: RGB 183 212 103, RGB 198 221 135, RGB 213 230 167, RGB 228 239 199 and RGB 244 248 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 230 166 shade: RGB 213 230 166, RGB 167 230 195 and RGB 220 167 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 230 166 shade: RGB 213 230 166, RGB 167 214 230 and RGB 230 167 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 230 166 shade: RGB 213 230 166, RGB 167 230 195, RGB 183 167 230 and RGB 230 167 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 230 166 shade: RGB 213 230 166, RGB 167 230 214, RGB 183 167 230 and RGB 230 167 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

Complementary color

CMYK 53 / 72 / 0 / 65

HEX #2A1959

RGB 42 25 89

HSL 255.94, 0.56%, 0.22%

LAB 15, 26.22, -35.74

 

CMYK 5 / 0 / 30 / 10

HEX #DAE6A1

RGB 218 230 161

HSL 70.43, 0.58%, 0.77%

LAB 88.96, -14.97, 32.36

 

CMYK 5 / 0 / 27 / 3

HEX #EBF8B4

RGB 235 248 180

HSL 71.47, 0.83%, 0.84%

LAB 95.2, -15.09, 31.32

 

CMYK 1 / 0 / 22 / 0

HEX #FCFFC7

RGB 252 255 199

HSL 63.21, 1%, 0.89%

LAB 98.57, -9.82, 26.5

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 8 / 0 / 34 / 24

HEX #B3C280

RGB 179 194 128

HSL 73.64, 0.35%, 0.63%

LAB 75.9, -15.96, 31.54

 

CMYK 8 / 0 / 38 / 31

HEX #A2B06D

RGB 162 176 109

HSL 72.54, 0.3%, 0.56%

LAB 69.35, -15.82, 32.7

 

CMYK 8 / 0 / 43 / 38

HEX #919E5A

RGB 145 158 90

HSL 71.47, 0.27%, 0.49%

LAB 62.69, -15.63, 33.91

 

CMYK 7 / 0 / 27 / 10

HEX #D5E6A7

RGB 213 230 167

HSL 76.19, 0.56%, 0.78%

LAB 88.7, -16.01, 28.89

 

CMYK 0 / 0 / 27 / 10

HEX #E6E6A7

RGB 230 230 167

HSL 60, 0.56%, 0.78%

LAB 89.96, -9.72, 30.8

 

CMYK 0 / 7 / 27 / 10

HEX #E6D5A7

RGB 230 213 167

HSL 43.81, 0.56%, 0.78%

LAB 85.61, -1.08, 24.91

 

CMYK 0 / 15 / 27 / 10

HEX #E6C4A7

RGB 230 196 167

HSL 27.62, 0.56%, 0.78%

LAB 81.34, 7.78, 19.04

 

CMYK 0 / 22 / 27 / 10

HEX #E6B3A7

RGB 230 179 167

HSL 11.43, 0.56%, 0.78%

LAB 77.19, 16.79, 13.23

 

CMYK 7 / 0 / 27 / 10

HEX #D5E6A7

RGB 213 230 167

HSL 76.19, 0.56%, 0.78%

LAB 88.7, -16.01, 28.89

 

CMYK 15 / 0 / 27 / 10

HEX #C4E6A7

RGB 196 230 167

HSL 92.38, 0.56%, 0.78%

LAB 87.54, -22.12, 27.13

 

CMYK 22 / 0 / 27 / 10

HEX #B3E6A7

RGB 179 230 167

HSL 108.57, 0.56%, 0.78%

LAB 86.49, -27.99, 25.52

 

CMYK 27 / 0 / 25 / 10

HEX #A7E6AC

RGB 167 230 172

HSL 124.76, 0.56%, 0.78%

LAB 85.9, -31.13, 22.02

 

CMYK 27 / 0 / 18 / 10

HEX #A7E6BD

RGB 167 230 189

HSL 140.95, 0.56%, 0.78%

LAB 86.25, -28.1, 13.65

 

CMYK 7 / 0 / 27 / 10

HEX #D5E6A7

RGB 213 230 167

HSL 76.19, 0.56%, 0.78%

LAB 88.7, -16.01, 28.89

 

CMYK 9 / 0 / 34 / 6

HEX #D9EF9E

RGB 217 239 158

HSL 76.3, 0.72%, 0.78%

LAB 91.21, -20.14, 36.84

 

CMYK 10 / 0 / 40 / 3

HEX #DEF895

RGB 222 248 149

HSL 75.76, 0.88%, 0.78%

LAB 93.81, -23.7, 44.71

 

CMYK 7 / 0 / 27 / 10

HEX #D5E6A7

RGB 213 230 167

HSL 76.19, 0.56%, 0.78%

LAB 88.7, -16.01, 28.89

 

CMYK 5 / 0 / 20 / 13

HEX #D1DDB0

RGB 209 221 176

HSL 76, 0.4%, 0.78%

LAB 86.21, -11.66, 20.78

 

CMYK 3 / 0 / 13 / 17

HEX #CDD4B9

RGB 205 212 185

HSL 75.56, 0.24%, 0.78%

LAB 83.74, -7.1, 12.55

 

CMYK 1 / 0 / 4 / 20

HEX #C8CBC2

RGB 200 203 194

HSL 80, 0.08%, 0.78%

LAB 81.23, -2.65, 4.11

 

CMYK 3 / 4 / 0 / 20

HEX #C4C2CB

RGB 196 194 203

HSL 253.33, 0.08%, 0.78%

LAB 78.83, 2.38, -4.26

 

CMYK 0 / 8 / 27 / 10

HEX #E6D4A7

RGB 230 212 167

HSL 42.86, 0.56%, 0.78%

LAB 85.35, -0.56, 24.56

 

CMYK 0 / 0 / 27 / 10

HEX #E6E5A7

RGB 230 229 167

HSL 59.05, 0.56%, 0.78%

LAB 89.7, -9.22, 30.45

 

CMYK 7 / 0 / 27 / 10

HEX #D6E6A7

RGB 214 230 167

HSL 75.24, 0.56%, 0.78%

LAB 88.77, -15.64, 29

 

CMYK 14 / 0 / 27 / 10

HEX #C5E6A7

RGB 197 230 167

HSL 91.43, 0.56%, 0.78%

LAB 87.61, -21.76, 27.23

 

CMYK 21 / 0 / 27 / 10

HEX #B5E6A7

RGB 181 230 167

HSL 106.67, 0.56%, 0.78%

LAB 86.61, -27.32, 25.7

 

CMYK 14 / 0 / 51 / 17

HEX #B7D467

RGB 183 212 103

HSL 75.96, 0.56%, 0.62%

LAB 80.81, -26.1, 50.18

 

CMYK 10 / 0 / 39 / 13

HEX #C6DD87

RGB 198 221 135

HSL 76.05, 0.56%, 0.7%

LAB 84.72, -21.28, 39.68

 

CMYK 7 / 0 / 27 / 10

HEX #D5E6A7

RGB 213 230 167

HSL 76.19, 0.56%, 0.78%

LAB 88.7, -16.01, 28.89

 

CMYK 5 / 0 / 17 / 6

HEX #E4EFC7

RGB 228 239 199

HSL 76.5, 0.56%, 0.86%

LAB 92.73, -10.41, 18.14

 

CMYK 2 / 0 / 7 / 3

HEX #F4F8E7

RGB 244 248 231

HSL 74.12, 0.55%, 0.94%

LAB 96.88, -4.25, 7.69

 

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

CMYK 27 / 0 / 15 / 10

HEX #A7E6C3

RGB 167 230 195

HSL 146.67, 0.56%, 0.78%

LAB 86.38, -26.96, 10.7

 

CMYK 4 / 27 / 0 / 10

HEX #DCA7E6

RGB 220 167 230

HSL 290.48, 0.56%, 0.78%

LAB 75.18, 30.14, -24.16

 

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

CMYK 27 / 7 / 0 / 10

HEX #A7D6E6

RGB 167 214 230

HSL 195.24, 0.56%, 0.78%

LAB 82.93, -11.61, -12.85

 

CMYK 0 / 27 / 7 / 10

HEX #E6A7D6

RGB 230 167 214

HSL 315.24, 0.56%, 0.78%

LAB 75.65, 30.5, -14.64

 

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

CMYK 27 / 0 / 15 / 10

HEX #A7E6C3

RGB 167 230 195

HSL 146.67, 0.56%, 0.78%

LAB 86.38, -26.96, 10.7

 

CMYK 20 / 27 / 0 / 10

HEX #B7A7E6

RGB 183 167 230

HSL 255.24, 0.56%, 0.78%

LAB 71.84, 18.54, -29.58

 

CMYK 0 / 27 / 12 / 10

HEX #E6A7CA

RGB 230 167 202

HSL 326.67, 0.56%, 0.78%

LAB 75.28, 28.48, -8.63

 

CMYK 7 / 0 / 28 / 10

HEX #D5E6A6

RGB 213 230 166

HSL 75.94, 0.56%, 0.78%

LAB 88.68, -16.14, 29.38

 

CMYK 27 / 0 / 7 / 10

HEX #A7E6D6

RGB 167 230 214

HSL 164.76, 0.56%, 0.78%

LAB 86.83, -23.15, 1.38

 

CMYK 20 / 27 / 0 / 10

HEX #B7A7E6

RGB 183 167 230

HSL 255.24, 0.56%, 0.78%

LAB 71.84, 18.54, -29.58

 

CMYK 0 / 27 / 20 / 10

HEX #E6A7B7

RGB 230 167 183

HSL 344.76, 0.56%, 0.78%

LAB 74.75, 25.5, 1

 

Description

Color code: RGB 213 230 166 | qconv.com Color code: RGB 213 230 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 230 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 230 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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