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Color name
RGB 214 86 138

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 86 138 it is the complementary color RGB 41 169 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 86 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 86 138 shade: RGB 219 86 133, RGB 236 104 152, RGB 253 122 171, RGB 255 140 190 and RGB 255 158 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 86 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 197 68 119, RGB 180 50 100, RGB 163 32 81 and RGB 146 14 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 214 86 104 and RGB 214 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 214 86 172, RGB 214 86 207, RGB 186 86 214 and RGB 152 86 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 86 138 shade matches the following richer shades: RGB 214 86 138, RGB 231 69 135 and RGB 248 52 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 197 103 141, RGB 180 120 144, RGB 163 137 148 and RGB 146 154 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 86 138 shade: RGB 214 86 207, RGB 214 86 173, RGB 214 86 139, RGB 214 86 105 and RGB 214 101 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 86 138 shade: RGB 175 42 96, RGB 206 53 115, RGB 214 86 138, RGB 222 119 161 and RGB 230 153 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 214 186 86 and RGB 86 190 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 139 214 86 and RGB 86 139 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 214 186 86, RGB 86 214 161 and RGB 86 114 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 86 138 shade: RGB 214 86 138, RGB 203 214 86, RGB 86 214 161 and RGB 97 86 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

Complementary color

CMYK 76 / 0 / 31 / 34

HEX #29A975

RGB 41 169 117

HSL 155.63, 0.61%, 0.41%

LAB 61.77, -46.42, 17.29

 

CMYK 0 / 61 / 39 / 14

HEX #DB5685

RGB 219 86 133

HSL 338.8, 0.65%, 0.6%

LAB 55.49, 56.19, 1.17

 

CMYK 0 / 56 / 36 / 7

HEX #EC6898

RGB 236 104 152

HSL 338.18, 0.78%, 0.67%

LAB 61.65, 55.58, -0.61

 

CMYK 0 / 52 / 32 / 1

HEX #FD7AAB

RGB 253 122 171

HSL 337.56, 0.97%, 0.74%

LAB 67.83, 54.86, -2.11

 

CMYK 0 / 45 / 25 / 0

HEX #FF8CBE

RGB 255 140 190

HSL 333.91, 1%, 0.77%

LAB 72.05, 49.18, -6.5

 

CMYK 0 / 38 / 18 / 0

HEX #FF9ED1

RGB 255 158 209

HSL 328.45, 1%, 0.81%

LAB 76.26, 42.77, -10.71

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 65 / 40 / 23

HEX #C54477

RGB 197 68 119

HSL 336.28, 0.53%, 0.52%

LAB 48.68, 55.56, -0.83

 

CMYK 0 / 72 / 44 / 29

HEX #B43264

RGB 180 50 100

HSL 336.92, 0.57%, 0.45%

LAB 42.62, 55.55, 1.65

 

CMYK 0 / 80 / 50 / 36

HEX #A32051

RGB 163 32 81

HSL 337.56, 0.67%, 0.38%

LAB 36.77, 54.85, 4.84

 

CMYK 0 / 90 / 58 / 43

HEX #920E3E

RGB 146 14 62

HSL 338.18, 0.83%, 0.31%

LAB 31.28, 53.01, 9.03

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 60 / 51 / 16

HEX #D65668

RGB 214 86 104

HSL 351.56, 0.61%, 0.59%

LAB 53.98, 51.77, 16.07

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 60 / 20 / 16

HEX #D656AC

RGB 214 86 172

HSL 319.69, 0.61%, 0.59%

LAB 56.02, 59.55, -20.98

 

CMYK 0 / 60 / 3 / 16

HEX #D656CF

RGB 214 86 207

HSL 303.28, 0.61%, 0.59%

LAB 57.52, 64.92, -38.76

 

CMYK 13 / 60 / 0 / 16

HEX #BA56D6

RGB 186 86 214

HSL 286.88, 0.61%, 0.59%

LAB 53.97, 59.2, -48.59

 

CMYK 29 / 60 / 0 / 16

HEX #9856D6

RGB 152 86 214

HSL 270.94, 0.61%, 0.59%

LAB 49.72, 51.05, -55.63

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 70 / 42 / 9

HEX #E74587

RGB 231 69 135

HSL 335.56, 0.77%, 0.59%

LAB 55.07, 66.67, -0.4

 

CMYK 0 / 79 / 47 / 3

HEX #F83484

RGB 248 52 132

HSL 335.51, 0.93%, 0.59%

LAB 56.17, 76.03, 3.36

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 48 / 28 / 23

HEX #C5678D

RGB 197 103 141

HSL 335.74, 0.45%, 0.59%

LAB 55.58, 41.77, -3.79

 

CMYK 0 / 33 / 20 / 29

HEX #B47890

RGB 180 120 144

HSL 336, 0.29%, 0.59%

LAB 57.22, 26.98, -3.36

 

CMYK 0 / 16 / 9 / 36

HEX #A38994

RGB 163 137 148

HSL 334.62, 0.12%, 0.59%

LAB 59.72, 11.74, -2.19

 

CMYK 5 / 0 / 2 / 40

HEX #929A97

RGB 146 154 151

HSL 157.5, 0.04%, 0.59%

LAB 62.89, -3.46, 0.57

 

CMYK 0 / 60 / 3 / 16

HEX #D656CF

RGB 214 86 207

HSL 303.28, 0.61%, 0.59%

LAB 57.52, 64.92, -38.76

 

CMYK 0 / 60 / 19 / 16

HEX #D656AD

RGB 214 86 173

HSL 319.22, 0.61%, 0.59%

LAB 56.06, 59.69, -21.5

 

CMYK 0 / 60 / 35 / 16

HEX #D6568B

RGB 214 86 139

HSL 335.16, 0.61%, 0.59%

LAB 54.88, 55.3, -3.36

 

CMYK 0 / 60 / 51 / 16

HEX #D65669

RGB 214 86 105

HSL 351.09, 0.61%, 0.59%

LAB 54, 51.86, 15.51

 

CMYK 0 / 53 / 60 / 16

HEX #D66556

RGB 214 101 86

HSL 7.03, 0.61%, 0.59%

LAB 56.36, 43.25, 29.69

 

CMYK 0 / 76 / 45 / 31

HEX #AF2A60

RGB 175 42 96

HSL 335.64, 0.61%, 0.43%

LAB 40.6, 56.48, 1.1

 

CMYK 0 / 74 / 44 / 19

HEX #CE3573

RGB 206 53 115

HSL 335.69, 0.61%, 0.51%

LAB 48.14, 63.28, 1

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 46 / 27 / 13

HEX #DE77A1

RGB 222 119 161

HSL 335.53, 0.61%, 0.67%

LAB 62.76, 44.82, -4.38

 

CMYK 0 / 33 / 20 / 10

HEX #E699B8

RGB 230 153 184

HSL 335.84, 0.61%, 0.75%

LAB 71.6, 33.12, -4.17

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 13 / 60 / 16

HEX #D6BA56

RGB 214 186 86

HSL 46.88, 0.61%, 0.59%

LAB 76.12, -1.77, 53.3

 

CMYK 60 / 11 / 0 / 16

HEX #56BED6

RGB 86 190 214

HSL 191.25, 0.61%, 0.59%

LAB 72, -23.03, -21.08

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 35 / 0 / 60 / 16

HEX #8BD656

RGB 139 214 86

HSL 95.16, 0.61%, 0.59%

LAB 78.61, -44.79, 54.67

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 0 / 13 / 60 / 16

HEX #D6BA56

RGB 214 186 86

HSL 46.88, 0.61%, 0.59%

LAB 76.12, -1.77, 53.3

 

CMYK 60 / 0 / 25 / 16

HEX #56D6A1

RGB 86 214 161

HSL 155.16, 0.61%, 0.59%

LAB 77.66, -47.69, 15.82

 

CMYK 60 / 47 / 0 / 16

HEX #5672D6

RGB 86 114 214

HSL 226.88, 0.61%, 0.59%

LAB 50.53, 20.18, -54.64

 

CMYK 0 / 60 / 36 / 16

HEX #D6568A

RGB 214 86 138

HSL 335.63, 0.61%, 0.59%

LAB 54.85, 55.18, -2.81

 

CMYK 5 / 0 / 60 / 16

HEX #CBD656

RGB 203 214 86

HSL 65.16, 0.61%, 0.59%

LAB 82.63, -20.53, 60.25

 

CMYK 60 / 0 / 25 / 16

HEX #56D6A1

RGB 86 214 161

HSL 155.16, 0.61%, 0.59%

LAB 77.66, -47.69, 15.82

 

CMYK 55 / 60 / 0 / 16

HEX #6156D6

RGB 97 86 214

HSL 245.16, 0.61%, 0.59%

LAB 44.31, 39.4, -64.64

 

Description

Color code: RGB 214 86 138 | qconv.com Color code: RGB 214 86 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 86 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 86 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 36% 16% C M Y K

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Provide designers and agencies with accurate color values.

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