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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 149 215 it is the complementary color RGB 36 106 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 149 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 149 215 shade: RGB 224 149 210, RGB 241 167 229, RGB 255 185 248, RGB 255 203 255 and RGB 255 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 149 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 149 215 shade: RGB 219 149 215, RGB 202 131 196, RGB 185 113 177, RGB 168 95 158 and RGB 151 77 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 149 215 shade: RGB 218 148 214, RGB 218 148 195, RGB 218 148 176, RGB 218 148 157 and RGB 218 148 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 149 215 shade: RGB 218 148 214, RGB 203 148 218, RGB 184 148 218, RGB 165 148 218 and RGB 148 148 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 149 215 shade matches the following richer shades: RGB 218 148 214, RGB 230 137 224, RGB 241 125 235 and RGB 253 113 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 149 215 shade: RGB 218 148 214, RGB 207 160 204, RGB 195 171 194, RGB 183 183 183 and RGB 172 194 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 149 215 shade: RGB 184 148 218, RGB 203 148 218, RGB 218 148 215, RGB 218 148 196 and RGB 218 148 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 149 215 shade: RGB 197 87 191, RGB 208 117 202, RGB 218 148 214, RGB 229 179 226 and RGB 239 210 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 149 215 shade: RGB 219 149 215, RGB 218 166 148 and RGB 148 218 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 149 215 shade: RGB 219 149 215, RGB 215 218 148 and RGB 148 215 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 149 215 shade: RGB 219 149 215, RGB 218 166 148, RGB 148 218 152 and RGB 148 201 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 149 215 shade: RGB 219 149 215, RGB 218 187 148, RGB 148 218 152 and RGB 148 180 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

Complementary color

CMYK 66 / 0 / 62 / 58

HEX #246A28

RGB 36 106 40

HSL 123.43, 0.49%, 0.28%

LAB 39.3, -36.41, 30.17

 

CMYK 0 / 33 / 6 / 12

HEX #E095D2

RGB 224 149 210

HSL 311.2, 0.55%, 0.73%

LAB 70.87, 37.43, -19.73

 

CMYK 0 / 31 / 5 / 5

HEX #F1A7E5

RGB 241 167 229

HSL 309.73, 0.73%, 0.8%

LAB 77.28, 36.73, -20.23

 

CMYK 0 / 27 / 3 / 0

HEX #FFB9F8

RGB 255 185 248

HSL 306, 1%, 0.86%

LAB 83.3, 35.1, -21.19

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

CMYK 0 / 35 / 3 / 21

HEX #CA83C4

RGB 202 131 196

HSL 305.07, 0.4%, 0.65%

LAB 63.98, 37.42, -22.65

 

CMYK 0 / 39 / 4 / 27

HEX #B971B1

RGB 185 113 177

HSL 306.67, 0.34%, 0.58%

LAB 57.37, 38.18, -22.14

 

CMYK 0 / 43 / 6 / 34

HEX #A85F9E

RGB 168 95 158

HSL 308.22, 0.3%, 0.52%

LAB 50.66, 38.95, -21.57

 

CMYK 0 / 49 / 8 / 41

HEX #974D8B

RGB 151 77 139

HSL 309.73, 0.32%, 0.45%

LAB 43.87, 39.7, -20.88

 

CMYK 0 / 32 / 2 / 15

HEX #DA94D6

RGB 218 148 214

HSL 303.43, 0.49%, 0.72%

LAB 70.13, 36.73, -23.11

 

CMYK 0 / 32 / 11 / 15

HEX #DA94C3

RGB 218 148 195

HSL 319.71, 0.49%, 0.72%

LAB 69.49, 33.4, -13.56

 

CMYK 0 / 32 / 19 / 15

HEX #DA94B0

RGB 218 148 176

HSL 336, 0.49%, 0.72%

LAB 68.91, 30.35, -3.84

 

CMYK 0 / 32 / 28 / 15

HEX #DA949D

RGB 218 148 157

HSL 352.29, 0.49%, 0.72%

LAB 68.4, 27.59, 6.04

 

CMYK 0 / 32 / 32 / 15

HEX #DA9494

RGB 218 148 148

HSL 0, 0.49%, 0.72%

LAB 68.18, 26.39, 10.76

 

CMYK 0 / 32 / 2 / 15

HEX #DA94D6

RGB 218 148 214

HSL 303.43, 0.49%, 0.72%

LAB 70.13, 36.73, -23.11

 

CMYK 7 / 32 / 0 / 15

HEX #CB94DA

RGB 203 148 218

HSL 287.14, 0.49%, 0.72%

LAB 68.71, 32.71, -27.65

 

CMYK 16 / 32 / 0 / 15

HEX #B894DA

RGB 184 148 218

HSL 270.86, 0.49%, 0.72%

LAB 66.85, 26.77, -30.67

 

CMYK 24 / 32 / 0 / 15

HEX #A594DA

RGB 165 148 218

HSL 254.57, 0.49%, 0.72%

LAB 65.15, 20.99, -33.43

 

CMYK 32 / 32 / 0 / 15

HEX #9494DA

RGB 148 148 218

HSL 240, 0.49%, 0.72%

LAB 63.78, 16.04, -35.66

 

CMYK 0 / 32 / 2 / 15

HEX #DA94D6

RGB 218 148 214

HSL 303.43, 0.49%, 0.72%

LAB 70.13, 36.73, -23.11

 

CMYK 0 / 40 / 3 / 10

HEX #E689E0

RGB 230 137 224

HSL 303.87, 0.65%, 0.72%

LAB 69.54, 48.04, -29.43

 

CMYK 0 / 48 / 2 / 5

HEX #F17DEB

RGB 241 125 235

HSL 303.1, 0.81%, 0.72%

LAB 69.02, 59.12, -36.2

 

CMYK 0 / 55 / 3 / 1

HEX #FD71F5

RGB 253 113 245

HSL 303.43, 0.97%, 0.72%

LAB 68.96, 69.51, -41.67

 

CMYK 0 / 32 / 2 / 15

HEX #DA94D6

RGB 218 148 214

HSL 303.43, 0.49%, 0.72%

LAB 70.13, 36.73, -23.11

 

CMYK 0 / 23 / 1 / 19

HEX #CFA0CC

RGB 207 160 204

HSL 303.83, 0.33%, 0.72%

LAB 71.4, 24.76, -15.79

 

CMYK 0 / 12 / 1 / 24

HEX #C3ABC2

RGB 195 171 194

HSL 302.5, 0.17%, 0.72%

LAB 72.64, 12.76, -8.53

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 11 / 0 / 11 / 24

HEX #ACC2AD

RGB 172 194 173

HSL 122.73, 0.15%, 0.72%

LAB 76.3, -11.49, 8.04

 

CMYK 16 / 32 / 0 / 15

HEX #B894DA

RGB 184 148 218

HSL 270.86, 0.49%, 0.72%

LAB 66.85, 26.77, -30.67

 

CMYK 7 / 32 / 0 / 15

HEX #CB94DA

RGB 203 148 218

HSL 287.14, 0.49%, 0.72%

LAB 68.71, 32.71, -27.65

 

CMYK 0 / 32 / 1 / 15

HEX #DA94D7

RGB 218 148 215

HSL 302.57, 0.49%, 0.72%

LAB 70.17, 36.91, -23.61

 

CMYK 0 / 32 / 10 / 15

HEX #DA94C4

RGB 218 148 196

HSL 318.86, 0.49%, 0.72%

LAB 69.52, 33.57, -14.07

 

CMYK 0 / 32 / 19 / 15

HEX #DA94B1

RGB 218 148 177

HSL 335.14, 0.49%, 0.72%

LAB 68.94, 30.5, -4.35

 

CMYK 0 / 56 / 3 / 23

HEX #C557BF

RGB 197 87 191

HSL 303.27, 0.49%, 0.56%

LAB 54.5, 57.34, -34.51

 

CMYK 0 / 44 / 3 / 18

HEX #D075CA

RGB 208 117 202

HSL 303.96, 0.49%, 0.64%

LAB 62, 47.75, -29.02

 

CMYK 0 / 32 / 2 / 15

HEX #DA94D6

RGB 218 148 214

HSL 303.43, 0.49%, 0.72%

LAB 70.13, 36.73, -23.11

 

CMYK 0 / 22 / 1 / 10

HEX #E5B3E2

RGB 229 179 226

HSL 303.6, 0.49%, 0.8%

LAB 78.69, 25.87, -16.59

 

CMYK 0 / 12 / 1 / 6

HEX #EFD2ED

RGB 239 210 237

HSL 304.14, 0.48%, 0.88%

LAB 87.27, 14.7, -9.54

 

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

CMYK 0 / 24 / 32 / 15

HEX #DAA694

RGB 218 166 148

HSL 15.43, 0.49%, 0.72%

LAB 72.44, 16.68, 16.73

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

CMYK 1 / 0 / 32 / 15

HEX #D7DA94

RGB 215 218 148

HSL 62.57, 0.49%, 0.72%

LAB 85.37, -11.75, 34.19

 

CMYK 32 / 1 / 0 / 15

HEX #94D7DA

RGB 148 215 218

HSL 182.57, 0.49%, 0.72%

LAB 81.82, -20.24, -8.23

 

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

CMYK 0 / 24 / 32 / 15

HEX #DAA694

RGB 218 166 148

HSL 15.43, 0.49%, 0.72%

LAB 72.44, 16.68, 16.73

 

CMYK 32 / 0 / 30 / 15

HEX #94DA98

RGB 148 218 152

HSL 123.43, 0.49%, 0.72%

LAB 81.13, -34.97, 25.7

 

CMYK 32 / 8 / 0 / 15

HEX #94C9DA

RGB 148 201 218

HSL 194.57, 0.49%, 0.72%

LAB 77.95, -13.1, -13.99

 

CMYK 0 / 32 / 2 / 14

HEX #DB95D7

RGB 219 149 215

HSL 303.43, 0.49%, 0.72%

LAB 70.5, 36.7, -23.1

 

CMYK 0 / 14 / 32 / 15

HEX #DABB94

RGB 218 187 148

HSL 33.43, 0.49%, 0.72%

LAB 77.63, 5.44, 23.87

 

CMYK 32 / 0 / 30 / 15

HEX #94DA98

RGB 148 218 152

HSL 123.43, 0.49%, 0.72%

LAB 81.13, -34.97, 25.7

 

CMYK 32 / 17 / 0 / 15

HEX #94B4DA

RGB 148 180 218

HSL 212.57, 0.49%, 0.72%

LAB 72.23, -1.93, -22.65

 

Description

Color code: RGB 219 149 215 | qconv.com Color code: RGB 219 149 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 149 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 149 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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