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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 151 51 it is the complementary color RGB 36 104 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 151 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 151 51 shade: RGB 224 151 46, RGB 241 169 65, RGB 255 187 84, RGB 255 205 103 and RGB 255 223 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 151 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 202 133 32, RGB 185 115 13, RGB 168 97 0 and RGB 151 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 219 105 51, RGB 219 60 51 and RGB 219 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 219 196 51, RGB 196 219 51, RGB 151 219 51 and RGB 105 219 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 151 51 shade matches the following richer shades: RGB 219 151 51 and RGB 238 154 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 199 147 70, RGB 180 143 90, RGB 160 140 109 and RGB 141 136 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 151 51 shade: RGB 219 59 51, RGB 219 104 51, RGB 219 149 51, RGB 219 193 51 and RGB 199 219 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 151 51 shade: RGB 159 106 28, RGB 194 129 34, RGB 219 151 51, RGB 225 168 86 and RGB 231 186 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 87 219 51 and RGB 82 51 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 51 219 149 and RGB 149 51 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 87 219 51, RGB 51 121 219 and RGB 182 51 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 151 51 shade: RGB 219 151 51, RGB 51 219 65, RGB 51 121 219 and RGB 219 51 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

Complementary color

CMYK 82 / 49 / 0 / 20

HEX #2468CC

RGB 36 104 204

HSL 215.71, 0.7%, 0.47%

LAB 45.13, 15.86, -57.73

 

CMYK 0 / 33 / 79 / 12

HEX #E0972E

RGB 224 151 46

HSL 35.39, 0.74%, 0.53%

LAB 68.15, 19.02, 62.29

 

CMYK 0 / 30 / 73 / 5

HEX #F1A941

RGB 241 169 65

HSL 35.45, 0.86%, 0.6%

LAB 74.48, 17.4, 61.6

 

CMYK 0 / 27 / 67 / 0

HEX #FFBB54

RGB 255 187 84

HSL 36.14, 1%, 0.66%

LAB 80.43, 14.73, 60.1

 

CMYK 0 / 20 / 60 / 0

HEX #FFCD67

RGB 255 205 103

HSL 40.26, 1%, 0.7%

LAB 84.95, 6.57, 56.51

 

CMYK 0 / 13 / 52 / 0

HEX #FFDF7A

RGB 255 223 122

HSL 45.56, 1%, 0.74%

LAB 89.6, -1.2, 53.06

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 34 / 84 / 21

HEX #CA8520

RGB 202 133 32

HSL 35.65, 0.73%, 0.46%

LAB 61.16, 18.84, 59.98

 

CMYK 0 / 38 / 93 / 27

HEX #B9730D

RGB 185 115 13

HSL 35.58, 0.87%, 0.39%

LAB 54.66, 20.87, 59.09

 

CMYK 0 / 42 / 100 / 34

HEX #A86100

RGB 168 97 0

HSL 34.64, 1%, 0.33%

LAB 48.1, 23.18, 56.21

 

CMYK 0 / 48 / 100 / 41

HEX #974F00

RGB 151 79 0

HSL 31.39, 1%, 0.3%

LAB 41.49, 25.73, 50.86

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 52 / 77 / 14

HEX #DB6933

RGB 219 105 51

HSL 19.29, 0.7%, 0.53%

LAB 57.47, 41.25, 49.73

 

CMYK 0 / 73 / 77 / 14

HEX #DB3C33

RGB 219 60 51

HSL 3.21, 0.7%, 0.53%

LAB 50.13, 60.69, 42.15

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 11 / 77 / 14

HEX #DBC433

RGB 219 196 51

HSL 51.79, 0.7%, 0.53%

LAB 78.91, -6.7, 70.23

 

CMYK 11 / 0 / 77 / 14

HEX #C4DB33

RGB 196 219 51

HSL 68.21, 0.7%, 0.53%

LAB 83.25, -27.73, 73.52

 

CMYK 31 / 0 / 77 / 14

HEX #97DB33

RGB 151 219 51

HSL 84.29, 0.7%, 0.53%

LAB 80.45, -45.17, 69.91

 

CMYK 52 / 0 / 77 / 14

HEX #69DB33

RGB 105 219 51

HSL 100.71, 0.7%, 0.53%

LAB 78.41, -59.98, 67.25

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 35 / 87 / 7

HEX #EE9A1F

RGB 238 154 31

HSL 35.65, 0.86%, 0.53%

LAB 70.45, 22.95, 69.68

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 26 / 65 / 22

HEX #C79346

RGB 199 147 70

HSL 35.81, 0.54%, 0.53%

LAB 64.53, 11.61, 47.41

 

CMYK 0 / 21 / 50 / 29

HEX #B48F5A

RGB 180 143 90

HSL 35.33, 0.38%, 0.53%

LAB 61.73, 7.24, 33.38

 

CMYK 0 / 13 / 32 / 37

HEX #A08C6D

RGB 160 140 109

HSL 36.47, 0.21%, 0.53%

LAB 59.28, 2.71, 19.34

 

CMYK 0 / 4 / 9 / 45

HEX #8D8880

RGB 141 136 128

HSL 36.92, 0.05%, 0.53%

LAB 56.91, 0.38, 4.95

 

CMYK 0 / 73 / 77 / 14

HEX #DB3B33

RGB 219 59 51

HSL 2.86, 0.7%, 0.53%

LAB 50.01, 61.03, 42.02

 

CMYK 0 / 53 / 77 / 14

HEX #DB6833

RGB 219 104 51

HSL 18.93, 0.7%, 0.53%

LAB 57.27, 41.75, 49.53

 

CMYK 0 / 32 / 77 / 14

HEX #DB9533

RGB 219 149 51

HSL 35, 0.7%, 0.53%

LAB 67.12, 18.14, 59.21

 

CMYK 0 / 12 / 77 / 14

HEX #DBC133

RGB 219 193 51

HSL 50.71, 0.7%, 0.53%

LAB 78.13, -5.15, 69.52

 

CMYK 9 / 0 / 77 / 14

HEX #C7DB33

RGB 199 219 51

HSL 67.14, 0.7%, 0.53%

LAB 83.47, -26.5, 73.79

 

CMYK 0 / 33 / 82 / 38

HEX #9F6A1C

RGB 159 106 28

HSL 35.73, 0.7%, 0.37%

LAB 49.21, 14.64, 48.89

 

CMYK 0 / 34 / 82 / 24

HEX #C28122

RGB 194 129 34

HSL 35.63, 0.7%, 0.45%

LAB 59.24, 17.59, 57.26

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 0 / 25 / 62 / 12

HEX #E1A856

RGB 225 168 86

HSL 35.4, 0.7%, 0.61%

LAB 72.68, 12.38, 49.69

 

CMYK 0 / 19 / 48 / 9

HEX #E7BA79

RGB 231 186 121

HSL 35.45, 0.7%, 0.69%

LAB 78.16, 8.16, 38.96

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 60 / 0 / 77 / 14

HEX #57DB33

RGB 87 219 51

HSL 107.14, 0.7%, 0.53%

LAB 77.83, -64.55, 66.5

 

CMYK 63 / 77 / 0 / 14

HEX #5233DB

RGB 82 51 219

HSL 251.07, 0.7%, 0.53%

LAB 36.51, 57.84, -80.33

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 77 / 0 / 32 / 14

HEX #33DB95

RGB 51 219 149

HSL 155, 0.7%, 0.53%

LAB 78.19, -57.72, 22.74

 

CMYK 32 / 77 / 0 / 14

HEX #9533DB

RGB 149 51 219

HSL 275, 0.7%, 0.53%

LAB 44.05, 67.26, -67.68

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 60 / 0 / 77 / 14

HEX #57DB33

RGB 87 219 51

HSL 107.14, 0.7%, 0.53%

LAB 77.83, -64.55, 66.5

 

CMYK 77 / 45 / 0 / 14

HEX #3379DB

RGB 51 121 219

HSL 215, 0.7%, 0.53%

LAB 51.26, 12.31, -56.38

 

CMYK 17 / 77 / 0 / 14

HEX #B633DB

RGB 182 51 219

HSL 286.79, 0.7%, 0.53%

LAB 48.79, 73.06, -59.77

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 77 / 0 / 70 / 14

HEX #33DB41

RGB 51 219 65

HSL 125, 0.7%, 0.53%

LAB 77.13, -70.12, 60.76

 

CMYK 77 / 45 / 0 / 14

HEX #3379DB

RGB 51 121 219

HSL 215, 0.7%, 0.53%

LAB 51.26, 12.31, -56.38

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

Description

Color code: RGB 219 151 51 | qconv.com Color code: RGB 219 151 51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 151 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 151 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 77% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Educatie financiara
Link: http://educatiefinanciara.techsoup.ro

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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